Sunday, April 26, 2009

In the Limelight - 2008 Nebula Award winners announced

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The winners of 2008 Nebula Award have been announced yesterday (April 25); the recipients of the Nebula Award are as follows:
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Best Novel: "Powers" by URSULA K. LeGUIN

Best Novella: "The Spacetime Pool" by CATHERINE ASARO

Best Novelette: "Pride and Prometheus" by JOHN KESSEL

Best Short Story: "Trophy Wives" by NINA KIRIKI HOFFMAN

Andre Norton Award for YA fiction: "Flora's Dare" by YSABEAU S. WILCE

Bradbury Award
: JOSS WHEDON

Script: Wall-E
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...and the Grand Master Award was awarded to HARRY HARRISON, respectively.

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Congratulations to all the winners! I'd like to thank Larry from OF Blog of the Fallen for breaking the news to me. The nominees from the final ballot are listed here (you can read the long list here), Joe Sherry from Adventures in Reading has been diligently reviewing all the nominated works he could get his hands on (with the exception of the nominated novels) and you can read his thoughts on the nominated short stories, novellas and novelettes. If you're interested in reading the winners and the rest of the nominated work that is available online for free, then follow this link. Finally, you can read about the last years winners here.
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Tuesday, April 14, 2009

Hugo Nominees 2009: Free Reading

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Asimov's Science Fiction has made available all of their Hugo and Nebula award nominees for 2009 as a free read up on their website.

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HUGO

Novellas

"The Erdmann Nexus" by NANCY KRESS
"Truth" by ROBERT REED

Novelette
"Alastair Baffle's Emporium of Wonders" by MIKE RESNICK
"The Ray-Gun: A Love Story" by JAMES ALAN GARDNER
"Shoggoths in Bloom" by ELIZABETH BEAR

Short Story
"26 Monkeys, Also the Abyss", by KIJ JOHNSON
"From Babel's Fall'n Glory We Fled", by MICHAEL SWANWICK

NEBULA

Novelette
"The Ray-Gun: A Love Story" by JAMES ALAN GARDNER
"Dark Rooms" by LISA GOLDSTEIN

Short Story
"26 Monkeys, Also the Abyss", by KIJ JOHNSON
"Don't Stop" by JAMES PATRIK KELLY
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I'd like to thank Joe Sherry From Adventures in Reading for the heads up.

EDIT: Thanks to MentatJack for directing me to his Hugo tracking post, where he offers quite a few more links to free online versions of Hugo nominees ("Little Brother" by Cory Doctorow, all of the nominees for Best Novellete as well the nominees for Short Story and almost all the nominees for Best Novella). Good stuff.

~ Thrinidir ~

Saturday, March 7, 2009

In the Limelight - Nebula Award Final Ballot

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A while ago I posted the preliminary ballot for 2009 Nebula Awards and although I'm a bit late with the news (the final ballot was announced more than a week ago) I'll nevertheless post the latest list. The awards will be announced and presented at the Nebula Awards Weekend on April 24-26.
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Novels

"Little Brother" by Cory Doctorow (Tor, Apr08)
"Powers" by Ursula K. Le Guin (Harcourt, Sep07)
"Cauldron" by Jack McDevitt (Ace, Nov07)
"Brasyl" by Ian McDonald (Pyr, May07)
"Making Money" by Terry Pratchett (Harper, Sep07)
"Superpowers" by David J. Schwartz (Three Rivers Press, Jun08)
Novellas
“The Spacetime Pool” by Catherine Asaro (Analog, Mar08)
“Dark Heaven” by Gregory Benford (Alien Crimes, Resnick, Mike, Ed., SFBC, Jan07)
“Dangerous Space” by Kelley Eskridge (Dangerous Space, Aqueduct Press, Jun07)
"The Political Prisoner” by Charles Coleman Finlay (F&SF, Aug08)
“The Duke in His Castle” by Vera Nazarian (Norilana Books, Jun08)
Novelettes
“If Angels Fight” by Richard Bowes (F&SF, Feb08)
"The Ray-Gun: A Love Story" by James Alan Gardner (Asimov's, Feb08)
“Dark Rooms” by Lisa Goldstein (Asimov’s, Oct/Nov 07)
“Pride and Prometheus” by John Kessel (F&SF, Jan08)
“Night Wind” by Mary Rosenblum (Lace and Blade, ed. Deborah J. Ross, Norilana Books, Feb08)
“Baby Doll” by Johanna Sinisalo (The SFWA European Hall of Fame, James Morrow & Kathryn Morrow, Ed., Tor, Jun07 )
“Kaleidoscope” by K.D. Wentworth (F&SF, May07)
Short Stories
“The Button Bin” by Mike Allen (Helix: A Speculative Fiction Quarterly, Oct07)
“The Dreaming Wind” by Jeffrey Ford (The Coyote Road: Trickster Tales, Ellen Datlow and Terri Windling, Ed., Viking, Jul07)
“Trophy Wives” by Nina Kiriki Hoffman (Fellowship Fantastic, ed. Greenberg and Hughes, Daw Jan08)
“26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s, Jul08)
“The Tomb Wife” by Gwyneth Jones (F&SF, Aug07)
“Don’t Stop” by James Patrick Kelly (Asimov’s, Jun07)
"Mars: A Traveler's Guide" by Ruth Nestvold (F&SF, Jan08)

Saturday, January 10, 2009

In the Limelight - Nebula Award Nominees 2009 (Long List)

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A little break from the time consuming job of compiling a big overview of 'best of 2008' lists is in order and the SFWA's announcement of the preliminary ballot for the 2009 Nebula Awards provided just the opportunity to give us something other to chew on. Keep in mind that "The Nebula Awards are voted on, and presented by, active members of SFWA...awards presentation weekend will be announced and presented at The Nebula Awards Weekend on April 24-26". And now the list of all nominees for each of the categories...
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Novels
  • Abraham, Daniel: "A Betrayal in Winter" (Tor, Jul07)
  • Barzak, Chris: "One for Sorrow" (Bantam, Sep07)
  • Bull, Emma: "Territory" (Tor, Jul07)
  • Doctorow, Cory: "Little Brother" (Tor, Apr08)
  • Goonan, Kathleen Ann: "In War Times" (Tor, May07)
  • Le Guin, Ursula K.: "Powers" (Harcourt, Sep07)
  • McDevitt, Jack: "Cauldron" (Ace, Nov07)
  • McDonald, Ian: "Brasyl" (Pyr, May07) *review*
  • Pratchett, Terry: "Making Money" (Harper, Sep07)
  • Rothfuss, Patrick: "The Name of the Wind" (DAW, Apr07)
Novellas
  • Asaro, Catherine: "The Spacetime Pool" (Analog, Mar08)
  • Benford, Gregory: "Dark Heaven" (Alien Crimes, SFBC, Jan07?)
  • Eskridge, Kelley: "Dangerous Space" (Dangerous Space, Aqueduct Press, Jun07)
  • Finlay, Charles Coleman: "The Political Prisoner" (F&SF, Aug08)
Novelettes
  • Bowes, Richard: "If Angels Fight" (F&SF, Feb08)
  • Flynn, Michael F. : "Quaestiones Super Caelo et Mundo" (Analog, Aug07 (Jul/Aug07 issue))
  • Gardner, James Alan: The Ray-Gun: "A Love Story" (Asimov's, Feb08)
  • Goldstein, Lisa: "Dark Rooms" (Asimov's, Nov07 (Oct/Nov 07 issue))
  • Kessel, John: "Pride and Prometheus" (F&SF, Jan08)
  • Kosmatka, Ted: "The Prophet of Flores" (Asimov's, Sep07)
  • Moles, David: "Finisterra" (F&SF, Dec07)
  • Sinisalo, Johanna: "Baby Doll" (The SFWA European Hall of Fame, Tor, Jun07 (trans. from the Finnish by David Hackston))
  • Wentworth, K.D.: "Kaleidoscope" (F&SF, May07)
Short Stories
  • Allen, Mike: "The Button Bin" (Helix: A Speculative Fiction Quarterly, Oct07 (Reprinted in Transcriptase))
  • Cassutt, Michael: "Skull Valley" (Asimov's, Nov07 (Oct/Nov 07 issue))
  • Finch, Sheila: "Stranger Than Imagination Can" (The Guild of Xenolinguists, Golden Gryphon Press, Sep07)
  • Ford, Jeffrey: "The Dreaming Wind" (Coyote Road, Trickster Tales, Viking Juvenile, Jul07)
  • Henderson, Samantha: "Bottles" (Realms of Fantasy, Apr07)
  • Hobson, M. K.: "The Hotel Astarte" (Realms of Fantasy, Jun07)
  • Johnson, Kij: "26 Monkeys, Also the Abyss" (Asimov's, Jul08)
  • Jones, Gwyneth: "The Tomb Wife" (F&SF, Aug07)
  • Kelly, James Patrick: "Don't Stop" (Asimov's, Jun07)
  • Nestvold, Ruth: Mars: "A Traveler's Guide" (F&SF, Jan08)
  • Plante, Brian: "The Astronaut" (Analog, May07)
  • Rickert, Mary: "Holiday" (Subterranean #7, Sep07)
  • Scholes, Ken: "Summer in Paris, Light From the Sky" (Clarkesworld Magazine, Nov07)
  • Van Pelt, James: "How Music Begins" (Asimov's, Sep07)
Scripts
  • Stanton, Andrew: "WALL-E" (Pixar, Jun08)
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No works made the preliminary ballot for the Andre Norton Award for Young Adult Science Fiction and Fantasy.
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Who wants to place bets? ;)
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Tuesday, May 20, 2008

Ted Chiang - The Merchant and the Alchemist's Gate (Novelette Review)

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"The Merchant and the Alchemist's Gate" (Amazon: UK, USA; free eBook)
by Ted Chiang (Wikipedia)
Format: Hardcover, 62 pages
Publisher: Subterranean Press
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I’ve never been much of a fan of short literary forms -- I’ve always favored big sprawling epics -- but this changed in the last couple of months. As the latest trend, novels tend to be overblown, lacking in focus and good editing; but the lesser the page count (novellas, novelettes and especially short stories) the greater the focus, the more profound the idea and the more well-versed the writing has to be to make an impact on the reader. Ted Chiang is a well renowned writer – he won three Nebulas, one Hugo and countless nominations for best short story or novelette of the year, prior to writing The Merchant and the Alchemist’s Gate (TMatAG) which won him another Nebula Award for Best Novelette (2007) and a Hugo nomination (the recipients of the award will be proclaimed at Worldcon late in the summer). It is beyond question that Ted Chiang writes quality fiction and that TMatAG is another fine effort on his part, but did the novelette suit my peculiar tastes? In short and without exaggeration – yes, it was quite a savory dish.
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Plot Summary (Wikipedia)
---All the while I thought on the truth of Bashaarat's words: past and future are the same, and we cannot change either, only know them more fully. My journey to the past had changed nothing, but what I had learned had changed everything, and I understood that it could not have been otherwise. If our lives are tales that Allah tells, then we are the audience as well as the players, and it is by living these tales that we receive their lessons.
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The story takes place in the milieu of the Near East and this helps tremendously with the creation of sense of wonder and fantastical, since this setting is not nearly as (ab)used, demythologized and banalized as the medieval European setting. The method of storytelling is 'borrowed' from the fabled "One Thousand and One Nights", where a fictional narrator tells individual stories that are interconnected by a frame narrative of the wider setting (where, why, how and to whom is the narrator telling the story). Ted Chiang does this with much skill so that the frame narrative both contextualizes and enriches the individual tales told by the Merchant as well as the Alchemist. The stories themselves caution, explain and teach prudence to those who would pass through the Alchemist’s Gate and go forwards or backwards in time to with intention to intervene.
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Chiang’s writing is clear and lucid - almost to the point of being pedagogic, but I rather think that the words in TMatAG are only meant to advise caution, wisdom and (self)reflection.
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The book is obviously not focused on characterization, but on plot - the story meanders towards the conclusion of the protagonist’s own story and to his final words of what he has learned (or at least thought he did). And while there are no hardboiled action scenes the story still turns out eventful and rich with ethos of the world it is set in. I admit that I was a bit unhappy with the Merchant’s own story (it somehow felt lackluster compared to the stories told by the Alchemist), but the last few paragraphs that caption his experience in a candid and heartfelt manner manage to dispel the drag of the last few pages.
---"All the while I thought on the truth of Bashaarat's words: past and future are the same, and we cannot change either, only know them more fully. My journey to the past had changed nothing, but what I had learned had changed everything, and I understood that it could not have been otherwise. If our lives are tales that Allah tells, then we are the audience as well as the players, and it is by living these tales that we receive their lessons."---(pg.62)
The Merchant and the Alchemist's Gate is available (also) for free at Free Speculative Fiction Online with some of his other works. This is a truly evoking and virtuous story that I would gladly read to my children, if I had any.
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(3,5 out of five Evil Fruitcakes...for the uninitiated)
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Some of the other reviews are available at Strange Horizons, SF Site, Neth Space and Adventure's in Reading.
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~ Thrinidir ~

Wednesday, March 5, 2008

Joe Haldeman - The Forever War (Book Review)



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"The Forever War" was first published in 1974 and since then it was republished on several occasions (I've counted around 13) – these editions varying from simple reprints to the authors definite edition in 1997 and to the inclusion into the "royal" SF Masterworks collection. The novel was a solemn winner of both Nebula and Hugo awards and the fact that it is praised worldwide as one of the cornerstones of science fiction ever-since leaves little doubt that "The Forever War" withstood the test of time, as well as cows this reviewer with the weight of its historically accumulated pedigree. It’s really hard to review such a weighty title without being a part of the period that defined its becoming. Among other themes Haldeman tackles various contemporary issues of that time – Vietnam War is a prominent one for example (Haldeman fought there for a while). But let us not forget the fact that "The Forever War" would have never be lauded as a "classic", if the book hadn’t dealt with the issues of that time in a more general, universal and all-comprising way, if you wish. Haldeman deftly tackles and speculates about the nature of war, politics, society, philosophy, science, essence of humanity and personal relations in grand, intelligent and on occasion even clairvoyant manner.

It is the year of 1996. Humankind is in possession of space faring technology, and the conquest of the universe runs smoothly until one of the human colonists’ ship is attacked by before unencountered but obviously belligerent alien race – the Taurans. William Mandella is a first wave conscript for the elite UN task force being assembled for a war against Taurans. What makes him a candidate for the task force is his above average intelligence, education and physical prowess. The story begins during the stark and uncompromising initial training of the first group of recruits, which is the cause of first military casualties. Afterwards, “the real thing” follows; we are witness to long and time-consuming space voyages destined at some obscure out-in-the-nowhere solar systems, where battles with Taurans rage to and fro. There is always a chance that the enemy will have technological advantage over human forces or the other way around due to the time discrepancies, caused by faster than light travel. The toll on human life is excruciating. Mandella succeeds in retiring, but finds The Earth some twenty-one years later, two years of his subjective time, changed beyond the face of recognition (sadly for the worse) and once everything that ties him down passes away he volunteers back into the army. Just as soon as that he finds himself in the clutches of interstellar warmongering…for another thousand years or so - give or take a few years. Hence the name of the novel – “The Forever War”...indeed.

An example of successful attempt at humor:
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“William?” She had MCCOY stenciled above her face-plate.
“Hi, Sean. Anything special?”
“I just wondered if you had anyone to sleep with tonight?”
That’s right; I’d forgotten. There wasn’t any sleeping rooster here. Everybody chose his own partner. “Sure, I mean…” (he accepts the offer)

Everybody was jumping up and down to keep warm.
“How c-cold do you think, it is, M-Mandella?” That was McCoy.
“I don’t even want to think about it…At least as cold as Missouri was.”
“Ung…wish they’d, get some, fucken, heat in, this place.” It always affects the small women more than anybody else. McCoy was the littlest one in the company, a waspwaist doll barely five feet high.
“They’ve got the airco going. It can’t be long now.”
“I wish I, was a big, slab of, meat like, you.”
I was glad she wasn’t.
(pg.21; pg.22)
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I’m aware of the fact that I might be reiterating some of the facts that have been pointed out a countless of times before, but that is always a risk when reviewing things that have been in circulation and public eye for so long. William Mandella is a well round character, presented with conviction and what is always welcome – likable. He is well-read, fair, observant, introspected and slightly disinclined towards arrogance and authority (or any other kind of position holding power). I always had a thing for first person narrative, if and especially if the protagonist is consistent and sympathetic. Other characters in the novel are coping with the situation in a way as as anyone would in such morose circumstances. Staying alive is a top priority, while enjoying every free moment follows by a small margin.
Even though there are some explicit themes involved, Haldeman handles them civilly and with elegance throughout. They are incorporated naturally without making them the focal point of the plot or treating them abrasively, even though there is some pretty avant-garde tinkering with social conventions involved (state approved homosexuality; queerness of heterosexuality; military coordinating who gets to bunk with whom over night etc.).

Everything from scientific breakthroughs to sociological speculations about how future societies might look like is well thought out and explained. “The Forever War” certainly has similar flavor to one other SF Masterworks classic I’ve managed to read; I’m speaking of “The Left Hand of Darkness” by Ursula K. LeGuin, this book I cannot recommend highly enough.
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Orion Publishing Group (2001) / Author's prefered edition (1997) / Eos paperback (2003)
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"The Forever War" is by no means dauntless. The prose shows signs of old age as do some of the concepts, which the newer generations of science fiction authors managed to polish further. Haldeman can be sometimes also quite heavy on the science part of the fiction. This makes the setting more plausible, but disrupts and dampens the pace. Of action we see surprisingly little, at odds with the fact that this is basically considered a war novel. I would also have opted for more dialogue and more of the witty snipets which would normally spice things up (Haldeman certainly has a flair for being funny and ironic), but this is really just my personal preference and not an objective criticism.

It seems I’m on a goodreadin’ streak lately; enjoying all the books that I read, but that does nothing to diminish the worth garnered by this novel over the years. As I’ve already said it is quite on par, quality-wise, with LeGuin’s heavyweight novel from about the same time - “The Left Hand of Darkness”. Do yourself a favor and pick up at least one of these two books, as they are (1)great representatives of their genre; (2)they shine an illuminating light on contemporary science fiction literature; as well as (3)contain a distinct flavor of the period in which they were written in.
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I’m unable to decide between the grade 4/5 and 4,5/5, so I leave this to decide for yourselves.
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- Thrinidir -

 

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