Sunday, April 26, 2009

In the Limelight - 2008 Nebula Award winners announced

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The winners of 2008 Nebula Award have been announced yesterday (April 25); the recipients of the Nebula Award are as follows:
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Best Novel: "Powers" by URSULA K. LeGUIN

Best Novella: "The Spacetime Pool" by CATHERINE ASARO

Best Novelette: "Pride and Prometheus" by JOHN KESSEL

Best Short Story: "Trophy Wives" by NINA KIRIKI HOFFMAN

Andre Norton Award for YA fiction: "Flora's Dare" by YSABEAU S. WILCE

Bradbury Award
: JOSS WHEDON

Script: Wall-E
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...and the Grand Master Award was awarded to HARRY HARRISON, respectively.

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Congratulations to all the winners! I'd like to thank Larry from OF Blog of the Fallen for breaking the news to me. The nominees from the final ballot are listed here (you can read the long list here), Joe Sherry from Adventures in Reading has been diligently reviewing all the nominated works he could get his hands on (with the exception of the nominated novels) and you can read his thoughts on the nominated short stories, novellas and novelettes. If you're interested in reading the winners and the rest of the nominated work that is available online for free, then follow this link. Finally, you can read about the last years winners here.
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Saturday, March 7, 2009

In the Limelight - Nebula Award Final Ballot

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A while ago I posted the preliminary ballot for 2009 Nebula Awards and although I'm a bit late with the news (the final ballot was announced more than a week ago) I'll nevertheless post the latest list. The awards will be announced and presented at the Nebula Awards Weekend on April 24-26.
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Novels

"Little Brother" by Cory Doctorow (Tor, Apr08)
"Powers" by Ursula K. Le Guin (Harcourt, Sep07)
"Cauldron" by Jack McDevitt (Ace, Nov07)
"Brasyl" by Ian McDonald (Pyr, May07)
"Making Money" by Terry Pratchett (Harper, Sep07)
"Superpowers" by David J. Schwartz (Three Rivers Press, Jun08)
Novellas
“The Spacetime Pool” by Catherine Asaro (Analog, Mar08)
“Dark Heaven” by Gregory Benford (Alien Crimes, Resnick, Mike, Ed., SFBC, Jan07)
“Dangerous Space” by Kelley Eskridge (Dangerous Space, Aqueduct Press, Jun07)
"The Political Prisoner” by Charles Coleman Finlay (F&SF, Aug08)
“The Duke in His Castle” by Vera Nazarian (Norilana Books, Jun08)
Novelettes
“If Angels Fight” by Richard Bowes (F&SF, Feb08)
"The Ray-Gun: A Love Story" by James Alan Gardner (Asimov's, Feb08)
“Dark Rooms” by Lisa Goldstein (Asimov’s, Oct/Nov 07)
“Pride and Prometheus” by John Kessel (F&SF, Jan08)
“Night Wind” by Mary Rosenblum (Lace and Blade, ed. Deborah J. Ross, Norilana Books, Feb08)
“Baby Doll” by Johanna Sinisalo (The SFWA European Hall of Fame, James Morrow & Kathryn Morrow, Ed., Tor, Jun07 )
“Kaleidoscope” by K.D. Wentworth (F&SF, May07)
Short Stories
“The Button Bin” by Mike Allen (Helix: A Speculative Fiction Quarterly, Oct07)
“The Dreaming Wind” by Jeffrey Ford (The Coyote Road: Trickster Tales, Ellen Datlow and Terri Windling, Ed., Viking, Jul07)
“Trophy Wives” by Nina Kiriki Hoffman (Fellowship Fantastic, ed. Greenberg and Hughes, Daw Jan08)
“26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s, Jul08)
“The Tomb Wife” by Gwyneth Jones (F&SF, Aug07)
“Don’t Stop” by James Patrick Kelly (Asimov’s, Jun07)
"Mars: A Traveler's Guide" by Ruth Nestvold (F&SF, Jan08)

Tuesday, May 20, 2008

Ted Chiang - The Merchant and the Alchemist's Gate (Novelette Review)

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"The Merchant and the Alchemist's Gate" (Amazon: UK, USA; free eBook)
by Ted Chiang (Wikipedia)
Format: Hardcover, 62 pages
Publisher: Subterranean Press
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I’ve never been much of a fan of short literary forms -- I’ve always favored big sprawling epics -- but this changed in the last couple of months. As the latest trend, novels tend to be overblown, lacking in focus and good editing; but the lesser the page count (novellas, novelettes and especially short stories) the greater the focus, the more profound the idea and the more well-versed the writing has to be to make an impact on the reader. Ted Chiang is a well renowned writer – he won three Nebulas, one Hugo and countless nominations for best short story or novelette of the year, prior to writing The Merchant and the Alchemist’s Gate (TMatAG) which won him another Nebula Award for Best Novelette (2007) and a Hugo nomination (the recipients of the award will be proclaimed at Worldcon late in the summer). It is beyond question that Ted Chiang writes quality fiction and that TMatAG is another fine effort on his part, but did the novelette suit my peculiar tastes? In short and without exaggeration – yes, it was quite a savory dish.
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Plot Summary (Wikipedia)
---All the while I thought on the truth of Bashaarat's words: past and future are the same, and we cannot change either, only know them more fully. My journey to the past had changed nothing, but what I had learned had changed everything, and I understood that it could not have been otherwise. If our lives are tales that Allah tells, then we are the audience as well as the players, and it is by living these tales that we receive their lessons.
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The story takes place in the milieu of the Near East and this helps tremendously with the creation of sense of wonder and fantastical, since this setting is not nearly as (ab)used, demythologized and banalized as the medieval European setting. The method of storytelling is 'borrowed' from the fabled "One Thousand and One Nights", where a fictional narrator tells individual stories that are interconnected by a frame narrative of the wider setting (where, why, how and to whom is the narrator telling the story). Ted Chiang does this with much skill so that the frame narrative both contextualizes and enriches the individual tales told by the Merchant as well as the Alchemist. The stories themselves caution, explain and teach prudence to those who would pass through the Alchemist’s Gate and go forwards or backwards in time to with intention to intervene.
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Chiang’s writing is clear and lucid - almost to the point of being pedagogic, but I rather think that the words in TMatAG are only meant to advise caution, wisdom and (self)reflection.
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The book is obviously not focused on characterization, but on plot - the story meanders towards the conclusion of the protagonist’s own story and to his final words of what he has learned (or at least thought he did). And while there are no hardboiled action scenes the story still turns out eventful and rich with ethos of the world it is set in. I admit that I was a bit unhappy with the Merchant’s own story (it somehow felt lackluster compared to the stories told by the Alchemist), but the last few paragraphs that caption his experience in a candid and heartfelt manner manage to dispel the drag of the last few pages.
---"All the while I thought on the truth of Bashaarat's words: past and future are the same, and we cannot change either, only know them more fully. My journey to the past had changed nothing, but what I had learned had changed everything, and I understood that it could not have been otherwise. If our lives are tales that Allah tells, then we are the audience as well as the players, and it is by living these tales that we receive their lessons."---(pg.62)
The Merchant and the Alchemist's Gate is available (also) for free at Free Speculative Fiction Online with some of his other works. This is a truly evoking and virtuous story that I would gladly read to my children, if I had any.
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(3,5 out of five Evil Fruitcakes...for the uninitiated)
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Some of the other reviews are available at Strange Horizons, SF Site, Neth Space and Adventure's in Reading.
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~ Thrinidir ~

Tuesday, April 8, 2008

Jeff Vandermeer - The Situation (Novelette Review)

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---At lunch, we would sneak out behind the company building with a blanket and sit on the little hill there, looking out onto a ravaged landfill full of the bright skeletons of vultures and then, beyond that, the city in all its strange mix of menace and vulnerability. The grass was yellowing rather than dead. A wiry tree stood on the hill at that time. We would ear crackers and old cans of shredded meat, the smell in that context almost unbearably tantalizing.
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---After lunch, we would unlock the glass cases containing our beetles. Their shining green-and-crimson carapaces would open like the lids of eccentric jewelry boxes to reveal their golden wings, and we would release them into the world.
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---Those beetles contained every joyous thing we had ever known, and we loved to watch them fly out into the distance.
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---I can remember Leer saying once, "This hill makes me happy."
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"The Situation” is my first foray into the writing of Jeff Vandermeer, a multiple award-winning author and one of the progenitors of the New Weird avant-garde literary movement. Vandermeer’s own definition of the subgenre from the introduction to the New Weird anthology (Tachyon Publications, 2008) exposes as crucial some of the following elements: (1) urban, secondary-world fiction based on the complex real-world models; (2) subversion of the romanticism usually found in traditional fantasy; (3) may have elements of both sf&f; (4) acute awareness of the modern world and (5) the writing style and writing techniques may include elements of surreal, postmodern and transgressive horror for the tone, style and effect. I found all this to be blatantly true concerning this novelette.
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The Situation’s intent is straightforward enough and revealed by the author in the acknowledgements: “I dedicate The Situation to all the passive-aggressive emotional vampires,…and incompetent power-abusing managers currently lurking among unsuspecting office workers everywhere.” We follow an anonymous corporate worker in his everyday life in a weird company that has a big all-kinds-of-weapons-proof beetle on top where the godlike owners reside. The company itself dabbles with what we would label as biotechnology – producing all kinds of beetles, worms, grubs, man-sized fish and other distorted fauna that serve all kinds of purposes (usually analogous to this world’s computer technologies and pharmaceutics). It is a story about modern workplace relations – as flawed and dysfunctional as they are. The company’s interior is the one and only safe-haven that the employees know. Hope is buried in the past along with all the happy memories and family photos. Our worker’s days revolve around pleasing his superiors and finding himself exceedingly outcasted from the people he works with, facing growing hostility and isolation.
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This novelette reminds me uncannily of Kafka’s “The Metamorphosis” with an added pinch of Marvyn Peake’s “Gormenghast”. Vandermeer has a lyrical approach to writing, using a lot of metaphors and allegories, and sure knows how to make you sympathize with the main protagonist. His ideas are just twisted enough for me to like and to remind me to read some of his other works – I’ve heard a lot of good things about his collection of short stories gathered in “City of Saints and Madmen”.
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To conclude, this is a kind of story that I'd recommend to grown-ups or those remotely familiar with office work...for those under 25 (this age limit is highly arbitrary!) I would say to wait a few years so you can full appreciate Vandermeer's allegory of the office life.
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And the best thing is that you can read this novelette for free as a free e-book here, thanks to PS Publishing.
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~ ThRiNiDiR ~
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