Update

Trying to write reviews...ever so slowly. *sad face*

I'm currently working on a review of "The Islanders" by Christopher Priest and "Kings of Morning" by Paul Kearney.

World Fantasy Award 2010

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The World Fantasy Convention 2010 was held on the Weekend of October 28-31 in Columbus, Ohio.
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WINNERS of the Life Achievement Award

Brian Lumley
Terry Pratchett
Peter Straub

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Novel

Blood of Ambrose by James Enge (Pyr)
The Red Tree by Caitlín R. Kiernan (Roc)
The City & The City by China Miéville (Macmillan UK / Del Rey) winner
Finch by Jeff VanderMeer (Underland Press)
In Great Waters by Kit Whitfield (Jonathan Cape UK/Del Rey)
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Novella

The Women of Nell Gwynne's, Kage Baker, Subterranean Press
"I Needs Must Part, the Policeman Said," Richard Bowes, December 2009 F&SF
"The Lion's Den," Steve Duffy, Nemonymous Nine: Cern Zoo
The Night Cache , Andy Duncan, PS Publishing
"Sea-Hearts," Margo Lanagan, X 6, coeur de lion publishing winner
"Everland," Paul Witcover, Everland and Other Stories, PS Publishing
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Short Story

"The Pelican Bar," Karen Joy Fowler, Eclipse Three, Night Shade Books winner
"A Journal of Certain Events of Scientific Interest from the First Survey Voyage of the Southern Waters by HMS Ocelot, As Observed by Professor Thaddeus Boswell, DPhil, MSc, or, A Lullaby", Helen Keeble, June 2009 Strange Horizons
"Singing on a Star," Ellen Klages, Firebirds Soaring, Firebird
"The Persistence of Memory, or This Space for Sale " Paul Park, Postscripts 20/21: Edison 's Frankenstein , PS Publishing
"In Hiding," R.B. Russell, Putting the Pieces in Place, Ex Occidente Press
"Light on the Water," Genevieve Valentine, October 2009 Fantasy Magazine
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You can peruse all of the nominees and the winners on the official World Fantasy Award site.

In the Limelight: Paul Kearney (take two)

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I've been hooked on Kearney from the moment I've read "The Mark of Ran" (first book in the - as of now yet - unfinished The Sea Beggars Trilogy). "Hawkwood and the Kings" and "Century of the Soldier" are the first and the second omnibus editions that contain all five volumes of Kearney's classic and long out of print Monarchies of God series. I'm really keen on reading them as soon as possible but I'm currently involved with another behemoth - "Ash: A Secret History" (Amazon).

If you want to find out more about Kearney and his work I recommend you read our reviews of The Mark of Ran, (Book One of The Sea beggars), This Forsaken Earth (Book Two of The Sea Beggars) or/and The Ten Thousand.

If you need more information on Monarchies of God series you can read through this dedicated thread on A Song of Ice and Fire forums or you can read the reviews on the series from the biggest Kearney advocator I know and who also piqued my interest for the author: Wertzone's review of the first and the second omnibus.

Blogroll Update!

Hey guys, I've been meaning to update the blogroll on Realms for quite some time and now I finally got around to it. I've sifted out the blogs that haven't been updated in more than 6 months (R.I.P) and now have some empty spots to fill. If you think I'm missing an essential or up-and-coming blog that needs to be read, please drop me a line in the comments.

Thanks.

Six feet under...and digging my way back out

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So what have I been up to the last couple of months that I haven't been blogging? Nothing much really. I'm stuck in a rut and I'm slowly digging my way back out of the mire. Even though I've been procrastrinating on an exponential level I still haven't been completely idle where reading is concerned - I've been close enough to stone cold idle though - and while I don't have the drive or the energy to write full-blown reviews let me give you a quick recap of what I've read lately and what are my thoughts on the books.

After I've reviewed DAVID LUIS EDELMAN's "Infoquake", that was way back in June, I've tackled (for the 7th time now) the mind-boggling saga Malazan Book of the Fallen. "Reaper's Gale" is not the best book in the series, but it is still a substantial effort by the fantasy powerhouse that goes by the name STEVEN ERIKSON. I'm not going into the details, so if you are unfamiliar with the series you can go and catch up on some of the older reviews I've written ("Midnight Tides" is actually the opening review for this site; at that time I was still learning the ropes of how and what to write so it is most definitely too long and unfocused, but it went a lot of effort into writing it). "Reaper's Gale" is, in my opinion, a weaker work than the initial four novels, but feels tighter and more focused than both"Midnight Tides" and "The Bonehunters". Malazan Book of the Fallen definitely remains a hallmark of modern fantasy, and "Reaper's Gale" only solidifys this notion.

After the hefty Malazan novel I had a taste for something smaller in volume, but not necessarily lighter of content. I found what I was looking for with URSULA K. LeGUIN's "The Dispossessed". It's no secret that I'm a fan of her work. "The Left Hand of Darkness" was a terrific work of fiction and one of my favourite reads of all time and while I wasn't as enthused with "The Lathe of Heaven" -- another of her masterworks -- "The Disspossesed" reminded me of LeGUIN's lucid insights into the human condition and her brilliant characterization skills. The ending was lukewarm in comparison with the rest of the novel, but a very strong work of fiction on overall, totally deserving of the Masterwork title and all the awards it got back in the day. Highly recommended.

"Heroes Die" and "The Blade of Tyshalle" by MATTHEW WOODRING STOVER are certainly works of fiction that I shouldn't have postponed reading for so long. STOVER -- a close example to PAUL KEARNEY in this particular case -- is another gem of fantasy literature who deserves more widespread recognition (and audience). He has a devoted following among the genre fans, which comes as a no surprise to me, but his works never cut it as deep into the mainstream as have titles from some lesser authors. His Star Wars novels, namely "Traitor", "Shatterpoint" and "Revenge of the Sith", are considered among the best works that were written in this particular shared world, but again, author's renown usually rises and falls with the original work he writes...which brings us to THE ACTS OF CAINE. The Acts of Caine are, by this moment, an unfinished fantasy series that consist of the following novels: "Heroes Die" (1997), "Blade of Tyshalle" (2001) and "Caine Black Knife" (2005, Act of Atonement: Book One). Book Two of the Act of Atonement, "His Father's Fist", is forthcoming. There is a rumor of more books about Caine to be written and he has recently signed a deal to write a novelization of a popular "God of War" videogame (Kraitos, the character you play in the game, has Caine written on it forehead really), but I digress. Caine is Badass, period. Following Caine's story is an absolute joy ride, but what makes these books good aren't the inventively portrayed acts of distilled bone-crushing violence, but the fact that you care about Caine and what happens to him. STOVER is a smart writer and his characterization is quite on the spot. Where STOVER fails in "Heroes Die" is the pretty straightforward plot and the feeling that he could expand on the world-building (the ideas are good, but the author rarely deviates from the fast moving plot and Caine's story), which makes the book a bit "provincial". But all this doesn't lessen my opinion of the novel, since STOVER addresses all the shortcomings of book one in "Blade of Tyshalle" and disperses all the doubts I had that Acts of Caine won't meet the high expectations I had about them. Truly remarkable.

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I have no idea what I'll read next, but I'll let myself be surprised and I hope I'll be able to write a review or two in the near future and brake this stupor I've gotten myself into. Until the next good book is read...
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~ ThRiNiDiR ~

Fw: Where'd the Enthusiasm Go

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This is not a review, a promotion, a give-away (it is, but of a diferent sort), a rant or anything that has to do with fantasy genre in general; this is about me. The lamentable thing is -- from my perspective -- that somebody else is advocating my, up until that moment, unrealised thoughts. Thoughts and reflection on why we started blogging in the first place. I could summarize and rehash Aidan's post...but honestly, I would just butcher a well-versed, poignant and lucid contemplation/confession/resolution that jarred me from my own stupor...

I'm not sure what needs to be done, or even if anything can be done, but I'll certainly try to set my priorities straight.

Thought of the moment (to cite one of my good friends): "Life is not a cake walk."

For an insight into many a blogger head -- mine included -- go and read Aidan's post.

China Miéville on J.R.R. Tolkien

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MIÉVILLE's derogatory opinion of J.R.R. TOLKIEN is pervasive and documented. His leftist criticism from a few years back denotes TOLKIEN as stultifying (i.e. tending to humiliate), reactionary, pompous, petty and in favour of status quo among other things. He consciously strived to move fantasy away from TOLKIEN's influence. In other words, MIÉVILLE's goal -- as I understand it -- was to make fantasy more aware of the problems of contemporary world, to make fantasy socialist, subversive and revolutionary, critical of the ruling elite and in favour of the common man. MIÉVILLE's position on the genre is, as he admitted himself, also indebted to MICHAEL MOORCOCK. MOORCOCK's highly critical and somewhat elitist position on the genre, or rather, the genre paradigm stemming directly from TOLKIEN is evident in the article titled "Epic Pooh", which is also well worth reading.

Now, "Lord of the Rings" was the first fantasy book I've read -- how cliched, I know :) -- and I don't, or rather, I won't, say a bad thing about it. Of course, I'm open to criticisms directed at "LOTR", as long as they are rational and constructive, and I wouldn't go out of my way to stubbornly defend it (I'm stallwart, but I'm not that rigid). But when it comes to me thinking about reviewing the trilogy, I wouldn't want to do it, because I don't feel that I'm grown up to the task. I'm positive that my attempts at impartiality would be utterly thwarted by my own feelings of affection and nostalgia. All this holds true only, if I wouldn't be completely disillusioned upon rereading "LOTR", but which I wasn't when I did reread it a couple of years ago, so it does, hold true that is.

In one of MIÉVILLE's latest entries as a guest blogger on Omnivoracious, he tempers his past commentaries on TOLKIEN with what could be called a praise or even a hommage -- he even mentiones the words grateful and rocks -- to the forefather of the large piece of contemporary epic fantasy, if only from the perspective of MIÉVILLE's past barrage of denunciation. Although he still acknowledges that even an author of TOLKIEN's fame can and -- exactly because of such high standing -- must be open to intellectual reproach, he nevertheless gives TOLKIEN credit for the achievments and contributions he's made to the genre, which, MIÉVILLE admits, were seminal and substantial. The essayistic manner in which MIÉVILLE wrote "There and Back Again: Five Reasons Tolkein Rocks" makes it for a dense, scholary read, but the five reasons can, basically, be boiled down to this:

1. TOLKIEN was responsible for a tectonic shift of focus in storytelling; a shift from Greco-Roman mythology to a more yeasty Norse Magic. Greco-Roman influence on fiction was run of the mill at that time and MIÉVILLE views it as "too clean," "overburdened with percision," and "as cold as Greek and Roman marble". Norse mythos is, on the other hand, more fleshy, anti-moralistic and, well...awesome.
2. TOLKIEN's vision is tragic. This is a noble trait that most of those who followed in his footsteps forgot -- intentionally or unintentionally -- to take over. The ending of "LOTR" is not happy, even though the good guys win. It is an end of a glorious age: the magic is going west with the elves, a premonition of a more mundane, and thus poorer future. The book ends with strong melancholia and nostalgia for times that are not quite gone yet, but are in passing. All this, argues MIÉVILLE, deserves celebrating and reclaiming.
3. TOLKIEN "...gives good monster. Shelob, Smaug, the Balrog...in their astounding names, the fearful verve of their descriptions, their various undomesticated malevolence, these creatures are utterly embedded in our world-view. No one can write giant spiders except through Shelob: all dragons are sidekicks now. And so on." All this, coming from a man with seemingly unfathomable imagination, means a lot.
4. "TOLKIEN explains that he has a 'cordial dislike of allegory'. Amen! Amen!" If "LOTR" would be allegorical, then it would, in one way or another, represent, reflect or suggest resemblance to reality. Metaphor on the other hand does not suggest any such thing. MIÉVILLE still cautions that TOLKIEN's work does "throw off metaphors" that do "all sort of things, wittingly or unwittingly, with ideas of society, of class, the war etc.", but where metaphors "evade stability", allegory, on the other hand, is, "in some reductive way, primarily, solely, or really 'about' something else, narrowly and precisely." An allegorical work of fiction gives promise to the reader that he can 'solve' it by finding a right key, by decoding it, and "TOLKIEN knows that that makes for both clumsy fiction and clunky code. His dissatisfaction with the Narnia books was in part precisely because they veered too close to allegory, and therefore did not believe in their own landscape." So, in MIÉVILLE's view, "LOTR" is worthwile, because it believes in itself and in the world created within. It is 'lartpourlart' in its true sense and whichever stereotypes it does reproduce and if it defends the status quo, it does so evasively and unintentionally. I'm curious though, how does MIÉVILLE's work relate to allegory? Isn't he guilty of the same thing he stands so firmly against in this treatise?
5. "Middle Earth was not the first invented world, of course. But in the way the world is envisaged and managed, it represents a revolution." Middle Earth was not the first, but definitely "an outstanding herald" of the fantasy worlds that are not secondary to the plot. TOLKIEN represents a paradigm shift which reverses the order of things: "the world comes first, and then, and only then, things happen--stories occur--within it." TOLKIEN calls this process 'subcreation' and it is now, probably, the default fantasy mode and an extremely potent literary approach, whether you denigrate or praise it. MIÉVILLE laments the fact that there is little to no theoretical work on this technique as of yet.

MIÉVILLE concludes his article in a lenient, mannerly way: "There are plenty of other reasons to be grateful to Tolkien, of course--and reasonable reasons to be ticked off at him, too: critique, after all has its place. But so does admiration..." You can read the article in its entirety here.

While MIÉVILLE doesn't recall his past harsh criticism of TOLKIEN, he nevertheless tempers and balances it out by complimenting the Professor and giving him acclaim, where acclaim is due. I'm just curious what brought him 'about'? Was the article written as a consequence of the process of MIÉVILLE's 'wising up' with age or is there a more pragmatic reason behind it? James takes an educated guess and speculates that MIÉVILLE's article comes as an indirect reposte to the RICHARD MORGAN's rant and I'm inclined to agree with him.

~ ThRiNiDiR ~

David Eddings has passed away...

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DAVID EDDINGS, aged 77, has, sadly, passed away two nights ago, on June 2, 2009. He is most well known for his five-book Belgariad saga, written in 1980'. His fantasy was extremely popular, inspired many contemporary writers, and has helped to carve what we call modern epic fantasy. He was one of the most influential fantasy authors in the eighties and early ninties. Amongst his peers were such authors as Stephen Donaldson and Terry Brooks. While often criticized for his formulaic and repetitive approach to writing (he didn't deny that he started writing fantasy for profit), his works nevertheless possess some inate quality and appeal that made his such a prominent name.

It is always sad to hear that an author passes away, especially one that brought pleasure to so many of us. Our condolances to his family and friends, this truly is sad news for the genre fans. May you rest in peace Mr.Eddings...

source: The Wertzone, Graeme's blog & SFCrowsnest.com

GRRM...

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...is not your bitch.
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I'm glad NEIL GAIMAN agrees with me (I've commented on Aidan's post back in January) and James (link to his post).

To reiterate my comment:

" I usually stay away from GRRM debates, it’s become pointless over the years. Some people are just to thick or plain obsessed to be reached with rational arguments. My stand evolves around the following conviction: GRRM is a writer, and even though this is his profession, it is also a form of art, creative endeavour…you can’t put a deadline on art; well…you can, but the results won’t be satisfying in most cases. I don’t care if he is an outliner or a freewriter, he gets the job done in the end and the only standards he has to live up to are his own, and the only obligation he has is to himself. I’m as big a fan as there is, but I haven’t thought even once that I’m in any kind of position to pester George about it. I don’t care when he does it, as long as he does it the best he can. Fu** the griefers and the bullys and the offended fans, if he does it right, his work will be praised and cherished for decades to come (if not more).

Is George being unprofessional; from mere business perspective - yes, but profession and art don’t go always hand in hand. I think he has chosen the right path.

And why are people upset anyway? There are so MANY good to great authors out there, stellar work is being published almost on weekly basis; do yourself a favour, stop obsessing about ASoIaF and go read something else, if you call yourself a book lover. Breathing down your favorite author’s back and making his life more difficult than it already is is not only distasteful, but plain rude. GRRM seems as a sensible fellow, not entirely unconcerned about what passes around him.

Why shouldn’t he make posts about football and favorite figurines…it is his right and privilege to do so. He is only a human being, not a Writer 24/7 for god’s sake. If you don’t care for his human side, don’t read his not a blog, period. Writers are arstists, creatives…they need inspiration and time for the fruition of their ideas; please don’t rush them.

I’ve only touched upon the topic, but I’ve made my stand clear, I might have even fought fire with fire, but the attitude of some people demanding this and that really bothers me. I don’t believe that writers are untouchable, but some people really go to far. "

And here's what James from Speculative Horizons had to say on the matter:

" I almost called this post 'A Dance With Dickheads' because that's how I view some of the 'fans' that constantly berate George R. R. Martin for the delay in delivering A Dance With Dragons, but then that would just be stooping to their level.

I have posted on this subject before, and I'll now post on it again since the issue of the delay with Dance has once more reared its ugly head. Shawn Speakman proved the spark this time, with an interesting article about how whether any of the criticism of George is justified. Since then, other bloggers have given their views on the whole business:

Wert has written an excellent piece that explains the reason for the discussion in the first place, before giving his own reaction to the various accusations of the 'antifans' (I like that term, it has a nice ring to it...).

Aidan has given his thoughts here (look for the well-considered comment by blogger Thrinidir).

Graeme has also waded into the debate, including an amusing story about the time he met GRRM himself...

I'm a huge fan of GRRM, and naturally I've got my own feelings on the matter. Whereas my fellow bloggers have written carefully considered articles, I'm going to just have a good rant. Apologies in advance if it's a little incoherent...

George R. R. Martin is an amazingly talented writer, and A Song of Ice and Fire is a brilliant fantasy series. We should be grateful that we have had the chance to read his work, and we should appreciate the blood, sweat and tears that he has put into it. Let's be honest here - the guy's given his readers an unsurpassed reading experience and countless hours of enjoyment (and by that I mean not just by reading the books, but debating their many mysteries online). GRRM's work is something to be celebrated and cherished.

Yet sadly we have 'fans' who spend their time berating GRRM's apparent tardiness, demanding fresh news on the long-awaited next novel, and whining about how he's being 'disrespectful' by refusing to reveal how close the book is to completion. These deluded antifans think GRRM should be writing 24/7 to deliver Dance, that he shouldn't watch another second of NFL until the manuscript is turned in, and that when he's not writing he should be updating us all on his progress. GRRM, they squeal, 'owes' us.

What absolute bullshit. GRRM owes us nothing, and anyone who says he's being disrespectful to his fans is deluded. The guy's a human for fuck's sake, not a bloody machine (can you tell I'm getting angry now?). He can't write for 24 hours a day. More than that, just like anyone else, he's entitled to his free time. He needs his free time. So what if he blogs about NFL? So what if he blogs about politics? It's his blog - he can blog about whatever the hell he wants (Aidan, I'm afraid I completely disagree that he should only blog about ASOIAF!).

Oh, but it's distracting him from his writing, they say. He's wasting time that he could spend writing ASOIAF. More bullshit - check out Wert's post for the reason why that argument is a load of hot air.

Look, I'm as big a fan as the next person. ASOIAF is my all-time favourite fantasy series. I am looking forward massively to Dance. But I'm not being a tosser and whining about how long it's taking, and I just don't see why some people feel the need to. There's loads of excellent books by other authors out there, so go and read something else while you wait!

What many readers don't understand is that writing is an organic process. It ebbs and flows. It's not like a factory conveyor belt, churning out the same product every time. You have good days and bad days. Sometimes you hit a brick wall and can't get past it. Other times, you feel unstoppable. You just can't rush it. You have to take your time. Writing isn't easy, as some people think. It's bloody hard at times - as someone who's had work published before, I know this from personal experience. We just have to accept that Dance will be done when it's done, and only GRRM knows when that will be (or maybe not even he knows).

Look, I don't deny that GRRM made a mistake saying Dance would follow closely on the heels of Feast. With hindsight, that was the spark that led to all these pointless flame wars and I think GRRM would be the first to admit that he's learned a lesson. However, I wouldn't go as far to call him unprofessional, which is the stance that Speakman takes. Go ask his publisher and see if they give you the same answer - I doubt it somehow.

I admit the odd update on his progress would be appreciated. But even when he did give us updates, people complained about their lack of frequency. So he's criticised if he does give updates and criticised if he doesn't. No wonder it drove him nuts and he gave up on updates altogether. I think some people would only be satisfied if he updated us every day, and that is just never going to happen.

You know what riles me the most? The antifans that claim GRRM is rude/discourteous to his fans. That is a total crock of shit. I've met GRRM, and as I've said before, he's a true gent. Great sense of humour, very humble and really down-to-earth. When I told him I dabbled in short fiction, he asked me what I'd had published. He then gave me a few words of advice. Discourteous? Disrespectful? Hardly.

In fact, it's the antifans that are being disrespectful. Hurling abuse at a man that has given them so much enjoyment is childish, petulant and downright stupid. We should show GRRM the respect he deserves, and wait patiently while he makes Dance as good as it can be. If it takes another five years, then so be it. I'll still be here. "

Reviews? Reviews! Reviews.

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The Hard Way.

Reivews? Reviews! Reviews. The hard way. is a new fiction review blog that sprouted up on the blogosphere this April and it's run by Ripley "who doesn't write about herself" and she's "sorry about it". Thank's to our Danny who pointed us towards her sister's blog. Be kind, drop by and wish her luck. Godspeed Ripley, we'll be seeing you around :).

Hugo Nominees 2009: Free Reading

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Asimov's Science Fiction has made available all of their Hugo and Nebula award nominees for 2009 as a free read up on their website.
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HUGO

Novellas
"The Erdmann Nexus" by NANCY KRESS
"Truth" by ROBERT REED

Novelette
"Alastair Baffle's Emporium of Wonders" by MIKE RESNICK
"The Ray-Gun: A Love Story" by JAMES ALAN GARDNER
"Shoggoths in Bloom" by ELIZABETH BEAR

Short Story
"26 Monkeys, Also the Abyss", by KIJ JOHNSON
"From Babel's Fall'n Glory We Fled", by MICHAEL SWANWICK

NEBULA

Novelette
"The Ray-Gun: A Love Story" by JAMES ALAN GARDNER
"Dark Rooms" by LISA GOLDSTEIN

Short Story
"26 Monkeys, Also the Abyss", by KIJ JOHNSON
"Don't Stop" by JAMES PATRIK KELLY

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I'd like to thank Joe Sherry From Adventures in Reading for the heads up.

EDIT: Thanks to MentatJack for directing me to his Hugo tracking post, where he offers quite a few more links to free online versions of Hugo nominees ("Little Brother" by Cory Doctorow, all of the nominees for Best Novellete as well the nominees for Short Story and almost all the nominees for Best Novella). Good stuff.

~ Thrinidir ~

The ULTIMATE (and somewhat bloated) Best Of 2008 List: Recap & Conclusion

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Finally, here is the absolute "Ultimate Best Of 2008 List"! I perused every single article in this ongoing series of articles we've been posting over the last couple of months [links: part 1, part 2, part 3, part 4, part 5, part 6 & The RoSF List] and the linked sites that were referred to in each subsequent article, including the huge database of various 'best of' lists over at FANTASY BOOK CRITIC (link). Here I've compiled a list that's made up from all the books that were mentioned at least 6 (5) times (on different lists, of course, and regardless of the ranking, if the list in question happened to rank the books in any manner); also worth mentioning is that this is technically not a real 'best of' list, but more of a 'most popular' books list, since - among other things - some of the lists sorted the books from best to worst and others listed them in no particular order, making it very hard to determine the absolute winner of 2008. What is more, the books we've taken into account weren't necessarily released in 2008, they just had to be read last year. The books with the same number of mentions are listed in alphabetical order and are as follows.

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1. Last Argument of Kings [review: 1, 2] – JOE ABERCROMBIE, 2008 (12 mentions)
Little Brother – CORY DOCTOROW, 2008 (12 mentions)

3. The Graveyard Book – NEIL GAIMAN, 2008 (11 mentions)

4. Anathem – NEAL STEPHENSON, 2008 (1o mentions)

5. The Name of the Wind [review coming soon] – PATRICK ROTHFUSS, 2007 (9 mentions)

6. The House of Suns – ALASTAIR REYNOLDS, 2008 (7 mentions)
The Shadow of the Wind [review coming soon] - CARLOS RUIZ ZAFON, 2001/2004 (translation) (7 mentions)
The Ten Thousand [Review] – PAUL KEARNEY, 2008 (7 mentions)
Thunderer [review coming soon] – FELIX GILMAN, 2008 (7 mentions)
The Terror [Review] – DAN SIMMONS, 2007 (7 mentions)
Toll the Hounds – STEVEN ERIKSON, 2008 (7 mentions)

12. Caine Black Knife – MATTHEW W. STOVER, 2008 (6 mentions)
Pump Six and Other Stories (short story collection) – PAOLO BACIGALUPI, 2008 (6 mentions)
The Drowned Life (short story collection) – JEFFREY FORD, 2008 (6 mentions)
The Painted Man [Review] – PETER V. BRETT, 2008 (6 mentions)
The Steel Remains [review coming soon] – RICHARD MORGAN, 2008 (6 mentions)

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A bit of STATISTICS for interlude: there were 518 different sf&f books mentioned in all the lists we used in our survey, but only 142 of those were mentioned more than once and only 74 were mentioned more than twice. Another interesting fact: while a lot of these ‘Best of 2008’ lists were not limited to books that were published in 2008, these books still prevail on overall.

What about the RUNNER-UPS? There are 10 books who missed the top of the chart by only one mention - and they're all just as (some even more in my opinion) interesting as the top tier:
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17. Implied Spaces – WALTER JON WILLIAMS, 2008 (5 mentions)
Lavinia – URSULA K. LE GUIN, 2008 (5 mentions)
Matter – IAIN M. BANKS, 2008 (5 mentions)
Old Man's War [Review] – JOHN SCALZI, 2005 (5 mentions)
The Alchemy Of Stone – EKATARINA SEDIA, 2008 (5 mentions)
The Dragons of Babel – MICHAEL SWANWICK, 2008 (5 mentions)
The Engine's Child – HOLLY PHILLIPS, 2008 (5 mentions)
The Gone-Away World – NICK HARKAWAY, 2008 (5 mentions)
The Red Wolf Conspiracy [Review] – ROBERT V.S. REDICK, 2008 (5 mentions)
Wastelands: Stories of the Apocalypse (anthology) – ed. JOHN JOSEPH ADAMS, 2007 (5 mentions)

Congratulations to all the books that made it on this list (and to the ones that were left out by a small margin as well). There is not much to say really, since most of the books you see listed here have been getting a lot of attention (with a few exceptions) on the blogosphere and other relevant genre sites in the past year. Although this list reflects POPULARITY of books before anything else, it is still somewhat an indicator of the QUALITY of these books. We read only a handful of the titles listed above and we have the intention to correct this mistake in the future, but from what we've read we can agree with the pick in most cases. We're not going to write an opinion for each of the books and whether they deserve to be on the list or not, but I'd like to hear what the rest of you think...is there a book that is missing on this list, but should be there? Or maybe one of the most popular books you see here doesn't deserve to be nearly as popular as it appears to be here? All in all, we've put much work into making this list and I hope it will give you at least a small insight into what went on in science fiction and fantasy genre in the past year.
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Trin & Thrinidir

The ULTIMATE (and somewhat bloated) Best Of 2008 List [part 7] - THE RoSF LIST

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And now, finally - and also long overdue - Realms of Speculative Fiction Best of 2008. The only guidelines we followed while making this list were (1) that the books had to be read (but not necessarily published) somewhere in between January 2008 and March 2009 (2) and that most of the books comprising the list have to be genre related (the terms sf, fantasy and horror were perceived in the broadest sense possible). TRIN, MADWAND & THRINIDIR started regurgitating the books we read in the past year and you can find out which books we thought were more special than others from here on; let's start with Trin's reading highlights of 2008...

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TRIN: I've already listed some of my favourite books of 2008 in Thea and Anna's Smugglivus post, but as soon as that list was posted, I realised I forgot to include some of the other books I've read last year as well. So, here goes: the full list of my favourite books of 2008, in alphabetical order.

Ender's Game (1985) by ORSON SCOTT CARD: I enjoyed this one greatly, but sadly never wrote a review for it (though I plan to do that after a re-read). It's one of the classics of the SF genre, but I didn't even know it existed until last year. The funny thing is that despite my love for this book, I don't plan to read any of the following instalments, at least not in the near future. Probably because I doubt they can get any better than Ender's Game.

Flowers For Algernon (1966) by DANIEL KEYES - Another classic! (In fact, about half of this list is made of classics … I'm slowly discovering some great things that others read ages before. I blame it on not being from US/UK.) Also, one of the first reviews I wrote. I suspect it'll stay one of my all time favourites, because it's one of the best books I've ever read.

Heroes Die (1998) by MATTHEW WOODRING STOVER – I'd never have thought that such a great book can hide behind such a funny cover. I can't get the second installment anywhere, though, since it's out of print, and I'm not going to read the third one without reading the second one first, so I'm kinda stuck. I also don't want the e-book (what good is an e-book without an e-book reader? True, I could spend some extra hours at the computer screen, but that doesn't sound very appealing to me) – as someone said: I need a dead tree in my hands when I read. Sorry, trees.

I Am Legend (1954) by RICHARD MATHESON – A classic again, and one of the rare 'horror' books we've reviewed on RoSF (I don't really think it a horror book, but I can hardly call it sf or fantasy …). I find it funny that at the time of reading it, I was perfectly sure that it was written in the 90s and kept asking myself why doesn't he use some technology. Hah! Also, I didn't watch the movie – I mean, they failed at choosing the main character (Neville from the book has pale skin, blue eyes and blond hair), so I didn't want to know at what else they've managed to fail.

It (1986) by STEPHEN KING – I don't know if this one should be called a classic, but it surely is a notorious book. I guess it's a sort of book that you love or hate, and I'm clearly on the former side. One of my little pleasures is creeping out people who only watched the TV series and think they know what "It" is about. Did that with Thrinidir and he swore that he's never going to read this book. Awww. :(

Orphan's Tales (2006, 2007) by CATHERYNNE M. VALENTE – Finally, a book (two of them actually; Book One: In the Night Garden and Book Two: In the Cities of Coin and Spice) that's pretty fresh! It's a criss-cross between a fairytale storybook and 1001 nights (which could also be called a storybook, I suppose), written in a very poetical language. Very nice.

Otherland (1996-2001) by TAD WILLIAMS – This series has been sitting on Thrinidir's bookshelf for quite some time, but it never seemed really interesting to me. Thrinidir, however, insisted that I should read it, and I finally did so in the last days of 2008. I'm glad that he insisted.
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The Name of the Wind (2007) by PATRICK ROTHFUSS – Still trying to write a review of this one. It's one of the best fantasy books I've read lately, and I'm eagerly awaiting the next installment.-
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The Road (2007) by CORMACK McCARTHY – I can't believe I almost forgot to include that one. Another one of my beloved post-apocalyptic books with a sociological note and a beautiful story. I can't wait to see what the movie will look like.

The Steel Remains (2008) by RICHARD MORGAN – An actual 2008 book :) I loved every part of it – the realism, the explicit language that went with it, the characters, everything. A thought: there can hardly be any strange slash fanfic written for this one.
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The Terror (2007) by DAN SIMMONS – I've read Hyperion and Fall of Hyperion before this one, but it's The Terror that made me a real fan of Simmons'. The only book I've read and re-read in 2008.

Wasp Factory (1984) by IAIN BANKS – Not sure if this is speculative fiction at all, but I nevertheless loved it. I can't explain what's so great about a book where almost everyone is obviously crazy, though, but Banks is one hell of a writer who managed to successfully pull the whole thing off.
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MADWAND: Even though I managed to read only a few books in 2008, there was one that stood out; Scott Lynch's The Lies of Locke Lamora (2006). I should thank Thrinidir for having been such a pest [Thrinidir: "Oh rlly?"]: he has continuously badgered me about this book until I caved in and finally read it.

Locke is a young thief whose talent is recognized and nurtured by a con artist, Chains. A man with a vision, Chains moulds Locke and the other orphans he took under his tutelage into a group of confidence tricksters feared by the wealthy nobility. But then the plot thickens... :) Lynch did manage to spoil the experience near the end, but the overall impression was a very positive one. How can one not like a well written tale of charismatic con artists set in a fastastic rendition of Venice?
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THRINIDIR: I don't read as much as some of the people I know and I'm not as genre knowledgeable as others, so I wouldn't take my year's pick as a definite indicator of sublime quality or some other serious referential pointl (i.e. I'm not saying that the books I'll be highliting represent the actual top of the crop), but I'm doing this in hope that people will be able to find at least a few noteworthy suggestions to add on their reading list.
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Last Argument of Kings (2008) by JOE ABERCROMBIE. Though I was slightly less satisfied with the final volume of the superb "The First Law Trilogy" (Blindman was even more disgruntled by it) than with its two predecessors, especially "Before They Are Hanged", I still highly value Abercrombies' satirical wit, feel for characterization and utter disregard for what the endings should be like by the genre standards. This trilogy is definitely one of the highlights of the new millennium.
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The Painted Man (2008) by PETER V. BRETT. While I called this book light-weight and suffused with genre staples it is still one of the best - if not the best - fantasy debuts of 2008. This is book one of the "Demon Trilogy" and its main purpose is to set up the world and introduce the main protagonists, but here this is not that much of a problem, since the characterization is sublime and a few innovative elements are thrown into the mix with the genre archetypes. This is a traditional fantasy, but it feels modern without the explicit content that a lot of authors abuse to try and make their book distinguished from the genre classics (and the dross).
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The Shadow of the Wind (2001) by CARLOS RUIZ ZAFÓN. I'm in the process of writing a review for this monster of a book. What defines it as a monster isn't its length or even the inclusion of horror elements, but the richness of the prose and chock-full of thematic content and references. This is a book about life, but carefully hidden behind a mystery story that unfurles in the fascist Spain under general Franco. While not a fantasy, horror or science fiction book in the strictest sense of the word, it is still one of the finest books I've had the privilege to read in the past recent years. Highly recommended.
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Chronicles of the Black Company (the original novels were published in 1984,1984 and 1985; the omnibus was published in 2007) by GLEN COOK. In a recent review of the "Black Company" books that I've came across the author of the article refers to these books as a "...revered ancestor that should be honored as well as awarded a significant place in the history of the genre, but they shouldn't be (re)visited often, because while they left their mark on the genre, they have been outlived and outperformed by its successors." While I agree with this estimation to an extent, I was nevertheless left more appreciative (as opposed to the author of this review) of the Black Company and Glen Cook when I finished this terrific omnibus. While the Black Company books might be labeled as sort of an revered ancestor, I still think that they should be visited at least once, by anyone who loves down-in-the-trenches first person narrative, charismatic protagonist or simply put - great fantasy.
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The Road (2006) by CORMAC McCARTHY. The most evocative and touching book I've read in ages. Somber, moody, oppressive and primal, but never falling into the pit of pathetic. This is the book you need to read as soon you can. You really mustn't miss the sad journey of one father and his son following the road to nowhere in a fictional post apocalyptic world. Simply brilliant.
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The Mark of Ran (2004) by PAUL KEARNEY. Paul Kearney, who? I've never heard of this author before I've started following online book reviews; Adam from The Wertzone referred to Paul Kearney as one of the most under appreciated fantasy authors out there and every since I've decided to read "The Mark of Ran", book one of The Sea Beggars trilogy, I have to agree. After this book I've read two more of his titles ("This Forsaken Earth" and "The Ten Thousand") and each of them is marked by the distinctive quality of Kearneys writing. He is a master storyteller who knows how to weave a tale and I promise you, when you'll pick up a book signed by Kearney - if you haven't already - you will be everything but disappointed.
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Flowers for Algernon (1966) by DANIEL KEYES. If I'd have to pick a favourite book I read last year, it would arguably be this one. "Flowers for Algernon" is Daniel Keyes' opus magnum that won the Nebula for Best Novel (with Babel-17) in the year that it was published. This is, technically speaking, a diary of a man who undergoes a surgical procedure that allows him to slowly progress from a state of idiocy to become nothing less than a genius and then gradually regresses to his previous state. The author shows tremendous insight into the human condition and has a knack for making you care for the protagonist. This is an ingenious work of fiction, you just have to be smart enough to pick it up.

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I promise that the next article in the series (part 8, if I counted right) will be the last one; we only need to tally up all the books people refered to as special in 2008 and give you the final numbers (i.e. the books that were mentioned on the most lists).

The ULTIMATE (and somewhat bloated) Best Of 2008 List [part 6]

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It's been quite a while since I've posted the last recap, but I've been waiting for other pages to announce their lists etc. Namely, I've been waiting for SFSite.com and SFFWorld.com (forum) to come up with their best of 2008 list. You can see the other lists I've accounted for on the following links: part 1, part 2, part 3, part 4 and part 5.

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SF Site's Best SF and Fantasy Books of 2008 list is divided in two; the two lists are the editor's choice list and the reader's choice list. Let's start with the books that the editor's felt deserve commendation: (10) "City at the End of Time" (Greag Bear, SF), (9) "Busted Flush" (ed.GRRM, SF/Fantasy), (8) "Screamland" (Harlod Sipe & Hector Casanova, comic book), (7) "Little Brother" (Cory Doctorow, YA), (6) "Girl Genius, Book 7: Agatha Heterodyne and the Voice of the Castle" (Phil & Kaja Foglio, webcomic), (5) "The Graveyard Book" (Neil Gaiman, YA), (4) "Toll the Hounds" (Steven Erikson, Fantasy), (3) "Echo: Moon Lake" (Terry Moore), (2) "Buffy the Vampire Slayer, Season 8, Volume 2: No Future for You" (Brian K. Vaughan, Joss Whedon, Georges Jeanty, Cliff Richards, et al.) and (1) "Anathem" (Neal Stephenson, SF). Some pretty odd choices there, wouldn't u agree? Now for the reader's choice list: (10) "Zoe's Tale" (John Scalzi, YA SF), (9) "Dragons of Babel" (Michael Swanwick, "anti-fantasy"), (8) "Matter" (Iain M. Banks, space opera), (7) "The Steel Remains" (Richard Morgan, Fantasy), (6) "The Graveyard Book" (Neil Gaiman, YA), (5) "Toll the Hounds" (Steven Erikson, Fantasy), (4) "Pump Six and Other Stories" (Paolo Baciagalupi, short story collection), (3) "Little Brother" (Cory Doctorow, YA), (2) "The Last Argument of Kings" (Joe Abercrombie, Fantasy) and (1) "Anathem" (Neal Stephenson).

The second source I've been eagerly awaiting for is SFFWorld.com, or rather the result of the ongoing poll they had on their forum, which I value greatly. The members of the SFFWorld.com forum voted the following books as the best of 2008: (10) "Reaper's Gale" (Steven Erikson, Fantasy), (9) "Red Seas Under Red Skies" (Scott Lynch, Fantasy), (8) "Anathem" (Neal Stephenson, SF), (7) "The Painted Man" (Peter V.Brett, Fantasy), (6) "The Hero of the Ages" (Brandon Sanderson, Fantasy), (5) "The Shadow Isle" (Katherine Kerr, Fantasy), (4) "Small Favor" (Jim Butcher, urban fantasy), (3) "Toll the Hounds" (Steven Erikson, Fantasy), (2) "The Name of the Wind" (Patrick Rothfuss, Fantasy) and the book that got the most votes was "Last Argument of Kings" by Joe Abercrombie. Check out the thread with results and commentaries for yourselves.

Last but not least, Locus magazine has posted its own list of a sort (technically speaking, it's not a "best of" list, but a recommended reading list, published in the Feb issue of Locus mag, created consensually by the Locus magazine editors, reviewers and with imputs from outside professionals); the SF NOVELS they recommend are: "Matter" (Iain M. Banks), "Flood" (Stephen Baxter), "Weaver" (Stephen Baxter), "City at the End of Time" (Greg Bear), "Incandescence" (Greg Egan), "January Dancer" (Michael Flynn), "Marsbound" (Joe Haldeman), "Spirit" (Gwyneth Jones), "Escapement" (Jay Lake), "Song of Time" (Ian R. MacLeod), "The Night Sessions" (Ken MacLeod), "The Quiet War" (Paul McAuley), "The Company" (K.J. Parker), "House of Suns" (Alastair Reynolds), "Pirate Sun" (Karl Schroeder), "Anathem" (Neal Stephenson), "Saturn's Children" (Charles Stross), "Rolling Thunder" (John Varley), "Half a Crown" (Jo Walton) and "Implied Spaces" (Walter Jon Williams). FANTASY NOVELS: "An Autumn War" (Daniel Abraham), "The Love We Share Without Knowing" (Christopher Barzak), "The Knights of the Cornerstone" (James P. Blaylock), "The Ghost in Love" (Jonathan Carroll), "The Island of Eternal Love" (Daina Chaviano), "The Shadow Year" (Jeffrey Ford), "Shadowbridge/Lord Tophet" (Gregory Frost), "The Memoirs of a Master Forger" (William Heaney); "As How to Make Friends with Demons" (Graham Joyce), "Varanger" (Cecelia Holland), "Lavinia" (Ursula K. Le Guin), "The Bell at Sealey Head" (Patricia A.McKillip), "The Hidden World" (Paul Park), "The Engine's Child" (Holly Phillips), "The Enchantress of Florence" (Salman Rushdie), "The Alchemy of Stone" (Ekaterina Sedia), "The Dragons of Babel" (Michael Swanwick) and "An Evil Guest" (Gene Wolfe). FIRST NOVELS: "The Ninth Circle" (Alex Bell), "The Painted Man aka The Warded Man" (Peter V. Brett), "A Curse as Dark as Gold" (Elizabeth C. Bunce), "Graceling" (Kristin Cashore), "Alive in Necropolis" (Doug Dorst), "Thunderer" (Felix Gilman), "Black Ships" (Jo Graham), "Pandemonium" (Daryl Gregory), "The Gone-Away World" (Nick Harkaway), "Last Dragon" (J.T. McDermott), "Singularity's Ring" (Paul Melko), "The Red Wolf Conspiracy" (Robert V. S. Redick) and "The Cabinet of Wonders" (Marie Rutkoski). YA BOOOKS: "City of Ashes" (Cassandra Clare), "The Hunger Games" (Suzanne Collins), "Monster Blood Tattoo" (D.M.Cormish), "Little Brother" (Corry Doctorow), "The Graveyard Books" (Neil Gaiman), "Eon: Dragoneye Reborn aka The Two Pearls of Wisdom" (Alison Goodman), "Tender Morsels" (Margo Lanagan), "How to Ditch Your Fairy" (Justine Larbalestier), "Ink Exchange" (Melissa Marr), "Chalice" (Robin McKinley), "The Knife of Never Letting Go" (Patrick Ness), "The Adoration of Jenna Fox" (Mary E. Pearson), "Nation" (Terry Pratchett), "Zoe's Tale" (John Scalzi), "Flora's Dare" (Ysabeau S.Wilce). COLLECTIONS: [I'm editing the list; for full list check the link] "Pump Six and Other Stories" (Paolo Bacigalupi), "The Wall of America" (Thomas M.Disch), "The Drowned Life" (Jeffrey Ford), "Nano Comes to Cliffor Falls and Other Stories" (Nancy Kress), "The Best of Lucius Shepard" (Lucius Shepard), "The Best of Michael Swanwick" (Michael Swanwick) etc. ANTHOLOGIES (orig.): [I'm editing the list too] "Fast Forward 2" (Lou Anders), "The Del Rey Book of Science Fiction and Fantasy" (ed.Ellen Datlow), "Galactic Empires" (ed.Gardner Dozois), "Extraordinary Engines: The Definitive Steampunk Anthology" (ed.Nick Gevers), "A Book of Wizards" (ed.Marvin Kaye), "The Solaris Book of New Science Fiction Volume Two" (ed.George Mann), "Subterranean: Tales of Dark Fantasy" (ed.William Schafer), "Eclipse Two" (ed.Jonathan Strahan), "Fast Ships, Black Sails" (ed. Jeff&Ann VanderMeer) etc. For Anthologies (best of the year), non-fiction, art books, novellas, novelettes and short stories recommendations I suggest you check the link I've provided.

This was the penultimate article in the series of this articles, which will be followed in a couple of days by the RoSF best reads of 2008 and "the ultimate-ultimate best of" a.k.a. the recap of all the lists we've covered (Trin was the busy little bee this time). Patience grasshoppers :p.

In the Limelight - Nebula Award Final Ballot

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A while ago I posted the preliminary ballot for 2009 Nebula Awards and although I'm a bit late with the news (the final ballot was announced more than a week ago) I'll nevertheless post the latest list. The awards will be announced and presented at the Nebula Awards Weekend on April 24-26.
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Novels

"Little Brother" by Cory Doctorow (Tor, Apr08)
"Powers" by Ursula K. Le Guin (Harcourt, Sep07)
"Cauldron" by Jack McDevitt (Ace, Nov07)
"Brasyl" by Ian McDonald (Pyr, May07)
"Making Money" by Terry Pratchett (Harper, Sep07)
"Superpowers" by David J. Schwartz (Three Rivers Press, Jun08)

Novellas

“The Spacetime Pool” by Catherine Asaro (Analog, Mar08)
“Dark Heaven” by Gregory Benford (Alien Crimes, Resnick, Mike, Ed., SFBC, Jan07)
“Dangerous Space” by Kelley Eskridge (Dangerous Space, Aqueduct Press, Jun07)
"The Political Prisoner” by Charles Coleman Finlay (F&SF, Aug08)
“The Duke in His Castle” by Vera Nazarian (Norilana Books, Jun08)

Novelettes

“If Angels Fight” by Richard Bowes (F&SF, Feb08)
"The Ray-Gun: A Love Story" by James Alan Gardner (Asimov's, Feb08)
“Dark Rooms” by Lisa Goldstein (Asimov’s, Oct/Nov 07)
“Pride and Prometheus” by John Kessel (F&SF, Jan08)
“Night Wind” by Mary Rosenblum (Lace and Blade, ed. Deborah J. Ross, Norilana Books, Feb08)
“Baby Doll” by Johanna Sinisalo (The SFWA European Hall of Fame, James Morrow & Kathryn Morrow, Ed., Tor, Jun07 )
“Kaleidoscope” by K.D. Wentworth (F&SF, May07)

Short Stories

“The Button Bin” by Mike Allen (Helix: A Speculative Fiction Quarterly, Oct07)
“The Dreaming Wind” by Jeffrey Ford (The Coyote Road: Trickster Tales, Ellen Datlow and Terri Windling, Ed., Viking, Jul07)
“Trophy Wives” by Nina Kiriki Hoffman (Fellowship Fantastic, ed. Greenberg and Hughes, Daw Jan08)
“26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s, Jul08)
“The Tomb Wife” by Gwyneth Jones (F&SF, Aug07)
“Don’t Stop” by James Patrick Kelly (Asimov’s, Jun07)
"Mars: A Traveler's Guide" by Ruth Nestvold (F&SF, Jan08)