Ayn Rand - Atlas Shrugged (Book Review)

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Reasons for reading: I've heard that it's a good post-apocalyptic book.

Dagny is a confident young executive of Taggart Transcontinental, a railroad company which is but a shade of its former glory due to difficult economic situation and incompetent leadership. While Dagny is determined not to let her company sink, other successful bussinessmen crumble under the pressure of the government and unfair competition. To save her company, Dagny has to take a leap of faith - she enters a bussiness partnership with Hank Rearden, the inventor of the supposedly brilliant, but as of yet untested new alloy, Rearden Metal.

As soon as I've read the first few chapters, I realised that Atlas Shrugged is definitely not a post-apocalyptic book. I was nevertheless captivated by Rand's prose, the plot was interesting and protagonist likeable, if a bit of an implausible character. It seemed to me that Atlas Shrugged will probably be a very good read – until I began reading the second part of the book.

While the first part is more plot-oriented, Rand uses the second part of Atlas Shrugged to present her dystopian future to the reader. As promised in the blurbs and various reviews, her ideas and world-views are unusual, sometimes even radical, but what bothered me most were the inconsistencies and improbabilities.

In Rand's dystopian world, law works in weird ways. There seems to be no constitution that would interfere with the new laws that are constantly being passed; the latter just spring into being with incredible ease that doesn't seem very realistic. The book is set in a time of changes, yet there is no explanation whatsoever of how the present situation came to be. That, too, nagged at me while I was reading, especially as the situation mentioned is very unlikely by itself – in every single major industry, there is but one competent person on whom absolutely everyone relies. Of course, this makes for a very nice setting for the point Rand wants to prove (remove the competent people and the economy collapses), but it still looks like a very implausible background to build your story on, not to mention that the lack of explanation is somewhat surprising, since Rand obviously did lot of research on various subjects such as the organisation and operation of railway system and various economical situations.

The society depicted in Atlas Shrugged is no less strange. The politicians, as far as I've managed to gather, don't have an agenda; their only goal seems to be gathering as many votes as they can, but it seems as they only want to get elected for the power the position would bring them. They let various committees, cobbled together from random wealthy businessmen, decide on matters such as radical changes in the country's economy; at least the politicians still have some power over deciding who gets what materials and, sometimes, which laws will be passed. I couldn't help but wonder – how come? Why is quality of service of no concern to anyone and what happened to consulting with professionals when deciding on important matters?

The general public doesn't seem to matter in Atlas Shrugged; even though they're the ones voting, the big fish rarely think about them. There's no mention of the role they play in supporting the economy or how important they are when it comes to selling non-essential products like cosmetics, toys … – the businessmen in Atlas Shrugged deal mostly in steel, transport, oil..., things that always sell and rarely get out of fashion, but what about the industries that depend on the fickle customers? The workers in various plants are pretty much the only mention of 'the people' and they are mostly referred to as if they were simply living, breathing tools without personality. The curious thing is that Rand's main characters never think of exploiting the workers, even though they're all about profit; despite the desperate situation, no-one seems to think of employing the minimum number of workers for a minimum wage or moving the industry to other countries, where the price of labour would be lower. In fact, other countries are mentioned only once or twice in the whole book (there's a mention of a trade with Germany and a Danish pirate); import and export seem to be unimportant or non-existent.

The capitalists, who are the true protagonists of Atlas Shrugged, are the most curious lot in the book. Rayn distinguishes two kinds of capitalists, successful and unsuccessful ones. The former are smart, fair and honourable, while the latter are spoiled, corrupt and college-educated (despite being college-educated herself, Rayn presents it as a bad thing). They are also running the business only because they've inherited it, or because everyone else is doing it, whereas the 'good guys' do it because they love their work. What struck me as really odd was that those capitalists, competent and incompetent alike, have no power whatsoever. Of course, the 'bad guys' all have friends in high places (what kind of bad guys would they be if they didn't have any?) but still, I'd really like to know how it is possible to run a very successful business and at the same time have no power at all.

What seems perhaps most implausible is how the 'good guys' all agree in their world-views, beliefs and virtues, so they can relate perfectly to each other and are as unified as they can be. I don't think such a thing would be possible in the real world – real people are too different to each other, they have different upbringings and convictions, so this Rand's clique of competent businessmen is yet another implausibility for the list. It is same with the immense success they have all achieved through hard work and use of wits and therefore proved that they are able businessmen. Ironically, it is Rand herself who mentions other people rising through incompetence and timid personality, so it's all a bit of a mess – success proves that someone is competent, but not when incompetent people are successful? This and other, similar contradictions, leave the reader confused and hardly add to the reading experience.

In general, it's clear that Rand sees her version of capitalism (not the dystopian one the book is set in but the one her protagonists keep talking about) as the ultimate world order and tries to prove that by presenting us with a dystopia where the last of the 'good guys' try to succeed against the prevailing incompetence. The problem, though, is that it's very hard for a reader to distinguish between the good and the bad without Rand explaining which is which. Judging a character's competence by success is no good, as I've mentioned before, and it's the same with their ability to keep the company up and running (in fact, the 'bad guys' are even better at this than the 'good guys'). So, a 'good guy' must be both successful and able to prevent his company from collapse while not pulling any strings, being a fair boss and not selling products by deceiving people. It sure sounds nice, but not very profitable – and Rand's capitalists, logically, value profit above all else, not to mention that no profits probably means no success.

Then, in the third part of the book, Rand depicts the 'good guys' not only as good businessmen but also as brilliant at anything they decide to do, from fishing and farming to sewing and building motors, when they decide to form a self-sustaining community away from civilisation. Again, Rand doesn't explain how a handful of people manages to produce their own paper, wine, cigarettes, ceramics, paints and all kinds of cloth (all high-quality products, of course) and mine gold and iron, neither we get to see how can all those natural resources be available in such a small area. I know that Rand's idyllic valley was meant to depict an idyllic capitalist society, but yet again, the sheer implausibility of it ruined most of it for me.

There were some other convictions presented in Atlas Shrugged that bothered me, such as that the poor are poor because they are either stupid or not trying hard enough (I wonder whether they knew the term 'cultural deprivation' in 50's?) and a fervent rant about how communism is the greatest evil possible. As for Rand's style – her prose is wonderful but most of the dialogues are very long-winded, repetitive and incredibly boring, with Jon Galt's 60-page monologue taking the prize (it is not only long and boring but also tells the reader nothing that hasn't been said or thought at some previous point in the book).

So, what can I say? Atlas Shrugged starts off nicely, but is sadly reduced to beautifully written propaganda after the first part of the book – and as much as I enjoyed Rand's prose, I really dislike reading propaganda. My initial excitement about Rand not being afraid to write about economy and its mechanisms gave way to disappointment as I saw that she doesn't really provide any plausible explanation of her imaginary society's foundations, probably because there are none. Atlas Shrugged did give me some food for thought, if mostly in form of me spotting the implausibilities, but as far as works of speculative fiction go, I wouldn't call it one of the more enjoyable ones.

N/A (I'd give it a 5 for prose, a 2,5 for plot and a 0 for the dialogues)

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The longest review I've ever written! :) Also, sorry for not updating in quite a while, I was re-reading ASOIAF and not writing any new reviews.

Glen Cook - The Tyranny of the Night (Book Review)

Sha-lug, the slave soliders in the Kaifate of al-Minphet have only two choices – to do, or to die. For that they were bought and for that they were raised. Bringing mummies to the court of Gordimer the Lion, through the Holly Land around the Wells of Irhian was just one the missions that Else found himself doing of late. When a bogon, instrumentality of the night so powerful it could almost be considered a deity, turns up, he deals with it. The new invention, a falcon – blackpowder cannon – loaded with silver coins puts an end to the creature. It also puts Else in a centre of attention he's not even aware of, for how could a mere mortal kill even an almost deity. There's another's attention that he's much more aware of. Else is getting more and more sure that Gordimer, once a slave warrior himself, is trying to get rid of him. When he returns to the Kaif's court at al-Qarn another mission awaits him. To go alone and spy in Brothe, the heart of the of infidels, to see if another crusade for the Wells of Irhian, the Holy Land of Pramans and Chaldarean alike, is brewing.

The description above tries to catch the essence of the beginning of the main story, or perhaps better main character, that we follow through the larger part of the book. And just to make the things clear – all of this happens on the two thirds of the first fifty pages of the book.

Every short description of the book would do it injustice. Glen Cook liberally uses European High Middle Ages, blending together: crusades, pope (and antipope), Jews, emperor of the Holy Roman Empire and the King of Spain, Janissaries, ruling noble families of Rome caught in everlasting cloak and dagger games for papacy, corruption of the medieval Catholic Church, catharism and it's centre the Languedoc and last, but not least the Vikings and their pantheon. Now add to that the gods, or perhaps the demons, for this is the land where EVERY god truly exists. The strong ones may not meddle in the affairs of mortals, gorging on magic and prayers, but the small ones are an ever present threat which man had learned to live with, and sometimes tame.

All of that has to be told, put in place and woven in the story, and each of these aspects has a different, new name! If you don't have at least a general idea of European medieval history or if you aren't a careful, composed and systematic reader the first hundred, hundred and fifty pages can easily overwhelm you.

So I suppose the main question is: "Is the rest of the book worth the bother?"

In my opinion: yes. But for objectivity's sake I must in the same breath add that I'm Cook's fan. Well, time used to read a book is always well spent, and I think Cook will have a pleasant surprise or two in store for you. He is well practiced storyteller even if some of his books are not to be counted among the top in the genre. His characters are always realistic – they eat, they shit and they f**k and sometimes die doing one of those things. And above all they tend to be cynical to the extreme. In his books there is little place for idealism, but always for great ideas. If for no other reason to show what people do with them.

The Tyranny of the Night, the first book in the series The Instrumentalities of the Night is a rather old book. It was published three years ago - in 2005. The second volume of, I think, trilogy: Lord of the Silent Kingdom was published in the beginning of 2007, and mass paperback just a few months ago. Hopefully I will get my hands on one of those soon.

On this blog we have a habit of ending every review, with some kind of numerical appraisal. For the life of me I couldn't make an objective one, so form me this book gets a big, blue:

N/A

(And if you aren’t satisfied you can always go read the book yourself.)

- BlindMan -