Suzanne Collins - The Hunger Games (Book Review)

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Reasons for reading: The Hunger Games (or its sequels) found its way onto so many Best Of lists that I had to read it. Also, it's post-apocalyptic, which is a good enough reason for me.

In a distant future, there is nothing in North America but ruins, devastation and a nation of Panem, an isle of civilization amidst destruction. When one of its 13 districts surrounding the glorious Capitol rebelled, the Capitol destroyed it and created Hunger Games to punish people of the districts for disobedience: every year, each district must sacrifice two teenagers, one male and one female, to compete with the others for fame, glory and comfort. Katniss Everdeen is just an ordinary girl, but when her younger sister's name is drawn at the lottery, she volunteers to take her place in order to save her – the Hunger Games mean fight to death and there is only one winner.

The Hunger Games came as a huge surprise for me. Despite all the hype that surrounded the recent publication of Mockingjay (or maybe because of it), I remained wary of the series and only ordered Book I when it found its way to numerous Best Of lists. I'm glad that I did.

The plot of The Hunger Games is nothing very new or unique – a reality show where teenage contestants fight to death and/or the one who survives the longest wins. I was introduced to the concept in Stephen's King The Long Walk and it intrigued me even then, so naturally, the main plot of The Hunger Games appealed to me despite its similarities to The Long Walk*.

What came as a real surprise, though, was that The Hunger Games was incredibly exciting. Saying that a story is 'gripping' sounds like a major cliché, but it's true; I've read it in one sitting and I loved (almost) every bit of it. I can't remember when I've last read a book with this much suspense and a story so vivid. Collins constructs a very interesting post-apocalyptic world which actually works and doesn't feel too fake or too rigid. Of course, there are questions that go unanswered, especially regarding the economy of Panem, but the reader's attention is gently redirected to the central part of the story – the games – so the reader quickly stops dwelling on other things and becomes immersed in the action..

Katniss is a very likeable character and I was glad to see that, for once, the protagonist of a YA novel is not the archetypal troubled teenager. Sure, Katniss is troubled by some typical teenage problems, and can, at times, be a bit of a Mary-Sue: she has no serious character flaws as far as I've managed to discern, she is pretty, an amazing archer and a capable hunter, brave and caring … The situations she finds herself in, however, make her concentrate on survival and other tasks at hand instead of herself. It also helps that Collins plays the reader incredibly well – one can never be really sure who exactly is and who isn't Katniss friend in the arena at most times.

Speaking of the arena – I half-hoped that there would be some kind of a twist that would show the reader how Katniss' point of view isn't always 100% accurate. There were some passages where Katniss admits to forgetting how many contestants remain in the arena; I hoped that the author would take advantage of Katniss' and reader's confusion to add to the suspense by surprising us with a character we completely forgot about. Sadly, this was not the case; for better or worse, Collins keeps track of all contestants who matter and Katniss never misjudges a situation severely.

Although I practically devoured The Hunger Games, there were still some things that bothered me. I already mentioned most of them, but the one that bothered me most of all was the slight shift of attention from the Games to the love-triangle-in-the-making in the last third of the book. I mean, really? Why does every YA series need one of those? I honestly can't remember me or any of my friends being in that kind of a dilemma when we were teenagers, but in the world of YA series, it seems like a really common thing. Luckily for the reader, Katniss doesn't pay it much thought, but still – the ending is not very promising in that aspect. I'm also not sure whether I like the whole 'rebellious youth' thing; it feels just a bit too generic, even though it's actually logical here, as Katniss lives in a very oppressive world. I just hope that The Hunger Games won't turn out to be one of those YA series which has an empty husk of a protagonist who seems to have all the typical teenage problems combined plus the problem of saving the world/his family/his life.

Despite these flaws (which are, I think, typical for YA genre in general, not just for this novel), The Hunger Games is an incredibly exciting read, filled with action and suspense. I just hope that the sequels stay focused on things other than teenage romance.


4/5



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* I watched Battle Royale in the week between writing and posting this review. What can I say? Some of the things are exactly the same (danger zones, young couple, etc.), but the atmosphere is completely different. In any case, Battle Royale is a great film, but I must admit it made me value Hunger Games a bit less.

By the way, if you want to read a really detailed analysis of The Hunger Games, check out this blog. I admit I barely noticed most of the things she mentioned, probably because I read the whole book in one big bite.

Adrian Tchaikovsky - Empire in Black and Gold (Book Review)

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Reasons for reading: I've had it for ages and it seemed to me that I really need to read it already

On a world populated by human-insect and human-arachnid creatures, each type of kinden has special powers and aptitudes. The otherwise average Stenwold Maker, a Beetle kinden, is caught up in times full of violence and impending war with the Wasps. He takes it upon himself to create a small cadre of resistance fighters before it is too late. Unfortunately, he keeps being ignored by the people in power - but he still tries to do his best to prepare for the onslaught he anticipates, even if it means sending his beloved apprentices into danger.

The beginning of The Empire in Black and Gold awoke a strong feeling of predictability that lingered throughout the book. I liked the idea of insect-like races and the variety of their attributes, but the plot that the reader follows in the opening chapters – a group of apprentices, one of whom is clumsy and seemingly untalented, are sent on a quest by their master – is hardly something new.

Unfortunately, it doesn't grow any less predictable. Che, the clumsy apprentice, seems to forget her clumsiness as soon as the adventure starts; despite being described as a bad fighter, she is never shown to be a burden to the others – even more, she takes a part, however small, in fighting scenes. Throughout the book, her abilities blossom without any real explanation or reason, and she becomes a full-fledged heroic protagonist …. but I found myself secretly hoping that, for once, her path will not be so very smooth.

Other characters are pretty archetypal as well. Stenwold is the wise mentor who regrets having to send his beloved apprentices into danger, Tynisia is an elegant swordsman of incredible beauty and cunning, Totho is a lowborn, but incredibly talented artificer … I would be hard-pressed to find a character that doesn't immediately fall under some category of clichés.

The curious thing is that despite everything I've just mentioned, I enjoyed reading The Empire in Black and Gold. The plot and the characters' behavior might be predictable, but they're far from boring; their adventures are gripping (if not fast-paced), made even more so by multiple POVs which exchange at the exactly right pace – not often enough to become annoying, not slow enough to get boring as it so often happens. The only thing that bothered me was that chapters frequently ended in cliffhangers; I'm not against those, but I don't like to see them overused as I prefer it when the tension is interwoven with the plot and not created artificially with cliffhangers, especially when the events transpiring are nothing much and cliffhangers are only there to give the reader the false impression that something exciting is going on.

Nevertheless, The Empire in Black and Gold was a nice enough book. Though archetypal (or maybe because of it?), the characters were likeable enough and the relations between them interesting. The images from Stenwold's past also added a a certain flavour that is so often missing in the more generic epic fantasy novels. Shadows of the Apt series is far from ASOIAF, but it's a more than adequate novel to read while we're waiting for A Dance With Dragons*, even more so because it seems that Tchaikovsky has no problem with productivity (7 of the 9 books in Shadows of the Apt series are already published, with Heirs of the Blade on the way). Recommended – just don't expect anything overly creative.


3,5/5



*not much longer now, I hope ... :)


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Sory for the lack of reviews in the last month and a half. February (like June and September) means exams, but every time I find myself hoping that I'll still manage to update the blog regularly. Yeah, right.

Ursula Le Guin - Lavinia (Book Review)

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Reasons for reading: I've had it for ages and I remembered that it was supposed to be good

Lavinia – a character that got no lines in the Aeneid, just a brief mention, but I guess it intrigued Le Guin enough that she put Lavinia as the sole narrator of this novel, and I'm glad it is so.

It is clear from the very beginning that Lavinia is a retelling of the story of Aeneas and how he came to Italy, just from another point of view (so there will be no spoilers in this review ;). What I found amazing was that nonetheless, Le Guin managed to make this 'old' story not only interesting, but also very touching.

Lavinia is an unusual POV for this retelling; I'm more used to retellings where a new light is shed on an old, existing protagonist, which is not the case here. However, Lavinia's POV was a good idea, since she is not only a lively (and sometimes stubborn) character, but also a princess, which puts her into a great position to introduce her father's kingdom to the reader. Through her eyes, we are effortlessly introduced to how life in Italy was before Rome was built, and even if the pictures Le Guin paints us are not completely faithful (she herself admitted that she has downplayed the primitivism of the early Italian settlers), the narrative is masterfully done – in some novels, I had to struggle with long descriptions and paragraphs of world-building, but in Lavinia, the world simply grows around us as we read.

Lavinia tells us a story about a woman's life, whereas in Aeneid, the protagonists are mostly male – as the world of Aeneid is a male world. Where the recurring themes of Aeneid are hardships of war and travel, the prevalent theme in Lavinia is (however corny it might sound) love. At first, this is not obvious; Lavinia, too, focuses on skirmishes that take part when Aeneas comes to Italy and later, when his son rules in Alba Longa. Lavinia reminisces on the years of her youth before the war, on her meetings with the poet, her creator, who uncovers some of her future and asserts her that his poem will remain unfinished. She describes the war, too, but doesn't tell us much about the fighting; rather, she tells us about the decisions, relations and mishaps that, together, caused the war to happen as it did. The narrative is often interrupted with fragments of Lavinia's life with Aeneas, but these are very brief; the three summers and three winters that were promised to Lavinia and Aeneas pass all too quickly and Lavinia becomes dependent on her stepson's decisions while raising her only son.

It slowly becomes clear, though, that Lavinia's three years of happiness were what really determined her and her life. Even though she is always strong, independent and quick to act, she stays emotionally bound to Lavinium, the city Aeneas built her and the place he was buried, and the the sacred place, Albunea, where she met the poet. After Aeneas' death, Lavinia describes in detail how she wilfully stole her son from under his stepbrother's influence, but as he grows to a young man, the narrative becomes less and less detailed, until it simply skims over the remaining events of Lavinia's life. As promised, Lavinia never dies as she lives along with her poem; at the end of her human life, she transforms into an owl:

I fly among the trees on soft wings that make no sound. Sometimes I call out, but not in a human voice. My cry is soft and quavering: i, i, I cry: go on, go.
Only sometimes my soul wakes as a woman again, and then when I listen I can hear silence, and in the silence his voice.


Lavinia is a remarkable heroine; Le Guin brings her, her land and her people to life not only with masterful world-building and carefully constructed characters, but also with excellent prose that practically sings to the reader. This story about a strong woman and her fierce love is easily one of the best books I've read in 2010.


5/5

Graham Joyce - Memoirs of a Master Forger

I first heard about Memoirs of a Master Forger when the title appeared a few times while I was rounding up our ultimate best of 2008 list. The reviews were all extremely positive, so I decided to give it a go. Judging by its cover, I figured that MoaMF will be set, say, in 18th century, with elements of either steampunk or fantasy. Well … I was wrong. When they say ‘don’t judge a book by its cover’, they say it for a reason.

Memoirs of a Master Forger is a story of a man named William Heaney, whose name is also being used by the author of the book. He is a random person from 21st century and his life isn’t going exactly as he’d imagined. His wife left him for a TV chef, his son is growing up into a snobbish brat, his job is boring and the forgery his friend Stinx is working on is hardly going well – the latter because Stinx’s woman has just left him and despite it being the third time in a row, Stinx still seeks refuge in drink.

Will is not really the master forger mentioned in the title, although the memoirs are undoubtedly his. He is just the guy who sells forgeries when Stinx completes them. Ok, he does write poems for another friend, Jaz, but since they are, in his own words, really bad poetry, I don’t think it counts. Will’s main characteristics are donating money to a local homeless shelter and the ability to see demons, the latter obviously being enough to put this book under ‘fantasy’ section. The demons are only mentioned in an offhand manner, though, and are most probably just a metaphor for human suffering.

I guess this is the reason why I was pretty disappointed with Memoirs of a Master Forger. It’s got little to do with forgeries – the only forgery beside the really bad poetry is a Jane Austen first edition that seems like a minor, unimportant side plot and mostly just another thing that does not go as planned. It’s not about demons, either, even though there was some promise to that, but the narrative is simply not unreliable enough to be of intrigue.

The book follows a typical formula where the setting is a contemporary society and the main character is a random person with whom the reader can easily identify. He is not entirely average, though, because average is uninteresting and nobody wants to read about that. He has his flaws, but still clearly a nice guy. His life is not completely dull for the same reasons the protagonist is not entirely average. Whatever happens, be it good or bad, is just uncommon enough to be interesting but could easily happen to the reader as well. Following the formula, the ending can be either a happy one (reader: ‘oh, the world is a nice place after all’) or a somber one (reader: ‘huh, I shall reflect upon this’). I notice books follow this formula fairly often; it seems to be very popular in contemporary fiction, probably because the reader can easily picture himself in main character’s shoes. Aside from the obvious benefits, this also carries the ‘something extraordinary could happen to you as well’ message, which, I think, is something readers generally like. While this formula does not necessarily predicate a lack of writing skills (on the contrary – a skilled writer can, with a few variations, convert this formula into a very good novel) it can often lead to an otherwise mediocre novel becoming a success.

And, of course, Memoirs of a Master Forger has a happy ending where every wrong is righted and everything is just swell. There is no bitter aftertaste or feeling that it could all be undone any second now. The problems are all solved and the general feeling is that everyone will be happier from that point on. No fears, no doubts, just fields of shiny happiness. Blergh.

Don’t get me wrong, Memoirs of a Master Forger is a nice enough story written in a flowing style, but I really don’t see what’s so great about it. The forgery/demons bit is original enough, but I just couldn’t shake the feeling that the narrator could be a bit more unpredictable, the characters less generic and the plot more than just a path to happy ending. All in all – average.

Trin

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I guess I'll never manage to do something on time, but late is still better than never. This review is a bit old, but I hope you'll enjoy it nevertheless :)

Alison Goodman's "The Two Pearls of Wisdom" - Giveaway contest winners!

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Thanks to all of the participants who entered the competition, but the book is going to only one person, and that person is...

Anne-Elisa, France

The book is going to be shipped as soon as possible and the date of arrival depends only on how fast the guys on the post work :). I'd again like to thank the good people at Transworld, who made this giveaway possible and to the rest of you, better luck next time!

Untill another good book finds its reader...

Alison Goodman - The Two Pearls of Wisdom (Giveaway)

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Thanks to the folks at Transworld, we have one giveaway copy of ALISON GOODMAN's "The Two Pearls of Wisdom" (2008) for you to win. If you aren't familiar with this endearing fantasy title, you can read Trin's review here. She liked it quite a bit and calls it feminine and graceful; here is a snippet of what she had to say about it:

"...successfully manages to merge the essence of the Orient and a classical tale of a commoners (who is, in this case, also disadvantaged by being a cripple and a woman in a patriarchal society) rise to power and fame, all wrapped into a delightful story of intrigue, warfare and discovering one’s past. All in all, “The Two Pearls of Wisdom” is a very enjoyable read, which flows smoothly and never fails to hold your attention, but brings nothing new to the - full laden fantasy - table."

If you are interested in having this book for yourself send us and email at sf.fantasy.books[AT]gmail.com (remember to replace [AT] with @) entitled "TWO PEARLS" and containing your full mailing address (name, surname, street etc.). Because our resources are of a very restricted nature we can't afford to mail the book overseas, alas. What it means is, that this particular giveaway is for European residents only. If you are a member of any particular message board you can include your nickname in the mail as well, but this is not obligatory.

Multiple entries and emails failing to follow the above guidelines will be disqualified.

We will announce the winners of the giveaway on May 31, 2009.

Good luck to all the participants!

In the Limelight - 2008 Nebula Award winners announced

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The winners of 2008 Nebula Award have been announced yesterday (April 25); the recipients of the Nebula Award are as follows:
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Best Novel: "Powers" by URSULA K. LeGUIN

Best Novella: "The Spacetime Pool" by CATHERINE ASARO

Best Novelette: "Pride and Prometheus" by JOHN KESSEL

Best Short Story: "Trophy Wives" by NINA KIRIKI HOFFMAN

Andre Norton Award for YA fiction: "Flora's Dare" by YSABEAU S. WILCE

Bradbury Award: JOSS WHEDON

Script: Wall-E

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...and the Grand Master Award was awarded to HARRY HARRISON, respectively.

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Congratulations to all the winners! I'd like to thank Larry from OF Blog of the Fallen for breaking the news to me. The nominees from the final ballot are listed here (you can read the long list here), Joe Sherry from Adventures in Reading has been diligently reviewing all the nominated works he could get his hands on (with the exception of the nominated novels) and you can read his thoughts on the nominated short stories, novellas and novelettes. If you're interested in reading the winners and the rest of the nominated work that is available online for free, then follow this link. Finally, you can read about the last years winners here.
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The ULTIMATE (and somewhat bloated) Best Of 2008 List: Recap & Conclusion

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Finally, here is the absolute "Ultimate Best Of 2008 List"! I perused every single article in this ongoing series of articles we've been posting over the last couple of months [links: part 1, part 2, part 3, part 4, part 5, part 6 & The RoSF List] and the linked sites that were referred to in each subsequent article, including the huge database of various 'best of' lists over at FANTASY BOOK CRITIC (link). Here I've compiled a list that's made up from all the books that were mentioned at least 6 (5) times (on different lists, of course, and regardless of the ranking, if the list in question happened to rank the books in any manner); also worth mentioning is that this is technically not a real 'best of' list, but more of a 'most popular' books list, since - among other things - some of the lists sorted the books from best to worst and others listed them in no particular order, making it very hard to determine the absolute winner of 2008. What is more, the books we've taken into account weren't necessarily released in 2008, they just had to be read last year. The books with the same number of mentions are listed in alphabetical order and are as follows.

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1. Last Argument of Kings [review: 1, 2] – JOE ABERCROMBIE, 2008 (12 mentions)
Little Brother – CORY DOCTOROW, 2008 (12 mentions)

3. The Graveyard Book – NEIL GAIMAN, 2008 (11 mentions)

4. Anathem – NEAL STEPHENSON, 2008 (1o mentions)

5. The Name of the Wind [review coming soon] – PATRICK ROTHFUSS, 2007 (9 mentions)

6. The House of Suns – ALASTAIR REYNOLDS, 2008 (7 mentions)
The Shadow of the Wind [review coming soon] - CARLOS RUIZ ZAFON, 2001/2004 (translation) (7 mentions)
The Ten Thousand [Review] – PAUL KEARNEY, 2008 (7 mentions)
Thunderer [review coming soon] – FELIX GILMAN, 2008 (7 mentions)
The Terror [Review] – DAN SIMMONS, 2007 (7 mentions)
Toll the Hounds – STEVEN ERIKSON, 2008 (7 mentions)

12. Caine Black Knife – MATTHEW W. STOVER, 2008 (6 mentions)
Pump Six and Other Stories (short story collection) – PAOLO BACIGALUPI, 2008 (6 mentions)
The Drowned Life (short story collection) – JEFFREY FORD, 2008 (6 mentions)
The Painted Man [Review] – PETER V. BRETT, 2008 (6 mentions)
The Steel Remains [review coming soon] – RICHARD MORGAN, 2008 (6 mentions)

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A bit of STATISTICS for interlude: there were 518 different sf&f books mentioned in all the lists we used in our survey, but only 142 of those were mentioned more than once and only 74 were mentioned more than twice. Another interesting fact: while a lot of these ‘Best of 2008’ lists were not limited to books that were published in 2008, these books still prevail on overall.

What about the RUNNER-UPS? There are 10 books who missed the top of the chart by only one mention - and they're all just as (some even more in my opinion) interesting as the top tier:
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17. Implied Spaces – WALTER JON WILLIAMS, 2008 (5 mentions)
Lavinia – URSULA K. LE GUIN, 2008 (5 mentions)
Matter – IAIN M. BANKS, 2008 (5 mentions)
Old Man's War [Review] – JOHN SCALZI, 2005 (5 mentions)
The Alchemy Of Stone – EKATARINA SEDIA, 2008 (5 mentions)
The Dragons of Babel – MICHAEL SWANWICK, 2008 (5 mentions)
The Engine's Child – HOLLY PHILLIPS, 2008 (5 mentions)
The Gone-Away World – NICK HARKAWAY, 2008 (5 mentions)
The Red Wolf Conspiracy [Review] – ROBERT V.S. REDICK, 2008 (5 mentions)
Wastelands: Stories of the Apocalypse (anthology) – ed. JOHN JOSEPH ADAMS, 2007 (5 mentions)

Congratulations to all the books that made it on this list (and to the ones that were left out by a small margin as well). There is not much to say really, since most of the books you see listed here have been getting a lot of attention (with a few exceptions) on the blogosphere and other relevant genre sites in the past year. Although this list reflects POPULARITY of books before anything else, it is still somewhat an indicator of the QUALITY of these books. We read only a handful of the titles listed above and we have the intention to correct this mistake in the future, but from what we've read we can agree with the pick in most cases. We're not going to write an opinion for each of the books and whether they deserve to be on the list or not, but I'd like to hear what the rest of you think...is there a book that is missing on this list, but should be there? Or maybe one of the most popular books you see here doesn't deserve to be nearly as popular as it appears to be here? All in all, we've put much work into making this list and I hope it will give you at least a small insight into what went on in science fiction and fantasy genre in the past year.
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Trin & Thrinidir

The ULTIMATE (and somewhat bloated) Best Of 2008 List [part 7] - THE RoSF LIST

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And now, finally - and also long overdue - Realms of Speculative Fiction Best of 2008. The only guidelines we followed while making this list were (1) that the books had to be read (but not necessarily published) somewhere in between January 2008 and March 2009 (2) and that most of the books comprising the list have to be genre related (the terms sf, fantasy and horror were perceived in the broadest sense possible). TRIN, MADWAND & THRINIDIR started regurgitating the books we read in the past year and you can find out which books we thought were more special than others from here on; let's start with Trin's reading highlights of 2008...

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TRIN: I've already listed some of my favourite books of 2008 in Thea and Anna's Smugglivus post, but as soon as that list was posted, I realised I forgot to include some of the other books I've read last year as well. So, here goes: the full list of my favourite books of 2008, in alphabetical order.

Ender's Game (1985) by ORSON SCOTT CARD: I enjoyed this one greatly, but sadly never wrote a review for it (though I plan to do that after a re-read). It's one of the classics of the SF genre, but I didn't even know it existed until last year. The funny thing is that despite my love for this book, I don't plan to read any of the following instalments, at least not in the near future. Probably because I doubt they can get any better than Ender's Game.

Flowers For Algernon (1966) by DANIEL KEYES - Another classic! (In fact, about half of this list is made of classics … I'm slowly discovering some great things that others read ages before. I blame it on not being from US/UK.) Also, one of the first reviews I wrote. I suspect it'll stay one of my all time favourites, because it's one of the best books I've ever read.

Heroes Die (1998) by MATTHEW WOODRING STOVER – I'd never have thought that such a great book can hide behind such a funny cover. I can't get the second installment anywhere, though, since it's out of print, and I'm not going to read the third one without reading the second one first, so I'm kinda stuck. I also don't want the e-book (what good is an e-book without an e-book reader? True, I could spend some extra hours at the computer screen, but that doesn't sound very appealing to me) – as someone said: I need a dead tree in my hands when I read. Sorry, trees.

I Am Legend (1954) by RICHARD MATHESON – A classic again, and one of the rare 'horror' books we've reviewed on RoSF (I don't really think it a horror book, but I can hardly call it sf or fantasy …). I find it funny that at the time of reading it, I was perfectly sure that it was written in the 90s and kept asking myself why doesn't he use some technology. Hah! Also, I didn't watch the movie – I mean, they failed at choosing the main character (Neville from the book has pale skin, blue eyes and blond hair), so I didn't want to know at what else they've managed to fail.

It (1986) by STEPHEN KING – I don't know if this one should be called a classic, but it surely is a notorious book. I guess it's a sort of book that you love or hate, and I'm clearly on the former side. One of my little pleasures is creeping out people who only watched the TV series and think they know what "It" is about. Did that with Thrinidir and he swore that he's never going to read this book. Awww. :(

Orphan's Tales (2006, 2007) by CATHERYNNE M. VALENTE – Finally, a book (two of them actually; Book One: In the Night Garden and Book Two: In the Cities of Coin and Spice) that's pretty fresh! It's a criss-cross between a fairytale storybook and 1001 nights (which could also be called a storybook, I suppose), written in a very poetical language. Very nice.

Otherland (1996-2001) by TAD WILLIAMS – This series has been sitting on Thrinidir's bookshelf for quite some time, but it never seemed really interesting to me. Thrinidir, however, insisted that I should read it, and I finally did so in the last days of 2008. I'm glad that he insisted.
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The Name of the Wind (2007) by PATRICK ROTHFUSS – Still trying to write a review of this one. It's one of the best fantasy books I've read lately, and I'm eagerly awaiting the next installment.-
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The Road (2007) by CORMACK McCARTHY – I can't believe I almost forgot to include that one. Another one of my beloved post-apocalyptic books with a sociological note and a beautiful story. I can't wait to see what the movie will look like.

The Steel Remains (2008) by RICHARD MORGAN – An actual 2008 book :) I loved every part of it – the realism, the explicit language that went with it, the characters, everything. A thought: there can hardly be any strange slash fanfic written for this one.
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The Terror (2007) by DAN SIMMONS – I've read Hyperion and Fall of Hyperion before this one, but it's The Terror that made me a real fan of Simmons'. The only book I've read and re-read in 2008.

Wasp Factory (1984) by IAIN BANKS – Not sure if this is speculative fiction at all, but I nevertheless loved it. I can't explain what's so great about a book where almost everyone is obviously crazy, though, but Banks is one hell of a writer who managed to successfully pull the whole thing off.
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MADWAND: Even though I managed to read only a few books in 2008, there was one that stood out; Scott Lynch's The Lies of Locke Lamora (2006). I should thank Thrinidir for having been such a pest [Thrinidir: "Oh rlly?"]: he has continuously badgered me about this book until I caved in and finally read it.

Locke is a young thief whose talent is recognized and nurtured by a con artist, Chains. A man with a vision, Chains moulds Locke and the other orphans he took under his tutelage into a group of confidence tricksters feared by the wealthy nobility. But then the plot thickens... :) Lynch did manage to spoil the experience near the end, but the overall impression was a very positive one. How can one not like a well written tale of charismatic con artists set in a fastastic rendition of Venice?
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THRINIDIR: I don't read as much as some of the people I know and I'm not as genre knowledgeable as others, so I wouldn't take my year's pick as a definite indicator of sublime quality or some other serious referential pointl (i.e. I'm not saying that the books I'll be highliting represent the actual top of the crop), but I'm doing this in hope that people will be able to find at least a few noteworthy suggestions to add on their reading list.
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Last Argument of Kings (2008) by JOE ABERCROMBIE. Though I was slightly less satisfied with the final volume of the superb "The First Law Trilogy" (Blindman was even more disgruntled by it) than with its two predecessors, especially "Before They Are Hanged", I still highly value Abercrombies' satirical wit, feel for characterization and utter disregard for what the endings should be like by the genre standards. This trilogy is definitely one of the highlights of the new millennium.
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The Painted Man (2008) by PETER V. BRETT. While I called this book light-weight and suffused with genre staples it is still one of the best - if not the best - fantasy debuts of 2008. This is book one of the "Demon Trilogy" and its main purpose is to set up the world and introduce the main protagonists, but here this is not that much of a problem, since the characterization is sublime and a few innovative elements are thrown into the mix with the genre archetypes. This is a traditional fantasy, but it feels modern without the explicit content that a lot of authors abuse to try and make their book distinguished from the genre classics (and the dross).
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The Shadow of the Wind (2001) by CARLOS RUIZ ZAFÓN. I'm in the process of writing a review for this monster of a book. What defines it as a monster isn't its length or even the inclusion of horror elements, but the richness of the prose and chock-full of thematic content and references. This is a book about life, but carefully hidden behind a mystery story that unfurles in the fascist Spain under general Franco. While not a fantasy, horror or science fiction book in the strictest sense of the word, it is still one of the finest books I've had the privilege to read in the past recent years. Highly recommended.
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Chronicles of the Black Company (the original novels were published in 1984,1984 and 1985; the omnibus was published in 2007) by GLEN COOK. In a recent review of the "Black Company" books that I've came across the author of the article refers to these books as a "...revered ancestor that should be honored as well as awarded a significant place in the history of the genre, but they shouldn't be (re)visited often, because while they left their mark on the genre, they have been outlived and outperformed by its successors." While I agree with this estimation to an extent, I was nevertheless left more appreciative (as opposed to the author of this review) of the Black Company and Glen Cook when I finished this terrific omnibus. While the Black Company books might be labeled as sort of an revered ancestor, I still think that they should be visited at least once, by anyone who loves down-in-the-trenches first person narrative, charismatic protagonist or simply put - great fantasy.
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The Road (2006) by CORMAC McCARTHY. The most evocative and touching book I've read in ages. Somber, moody, oppressive and primal, but never falling into the pit of pathetic. This is the book you need to read as soon you can. You really mustn't miss the sad journey of one father and his son following the road to nowhere in a fictional post apocalyptic world. Simply brilliant.
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The Mark of Ran (2004) by PAUL KEARNEY. Paul Kearney, who? I've never heard of this author before I've started following online book reviews; Adam from The Wertzone referred to Paul Kearney as one of the most under appreciated fantasy authors out there and every since I've decided to read "The Mark of Ran", book one of The Sea Beggars trilogy, I have to agree. After this book I've read two more of his titles ("This Forsaken Earth" and "The Ten Thousand") and each of them is marked by the distinctive quality of Kearneys writing. He is a master storyteller who knows how to weave a tale and I promise you, when you'll pick up a book signed by Kearney - if you haven't already - you will be everything but disappointed.
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Flowers for Algernon (1966) by DANIEL KEYES. If I'd have to pick a favourite book I read last year, it would arguably be this one. "Flowers for Algernon" is Daniel Keyes' opus magnum that won the Nebula for Best Novel (with Babel-17) in the year that it was published. This is, technically speaking, a diary of a man who undergoes a surgical procedure that allows him to slowly progress from a state of idiocy to become nothing less than a genius and then gradually regresses to his previous state. The author shows tremendous insight into the human condition and has a knack for making you care for the protagonist. This is an ingenious work of fiction, you just have to be smart enough to pick it up.

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I promise that the next article in the series (part 8, if I counted right) will be the last one; we only need to tally up all the books people refered to as special in 2008 and give you the final numbers (i.e. the books that were mentioned on the most lists).

In the Limelight - 2009 Hugo Awards Nominations

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The nominations for arguably the most important genre award are known and are as follows:
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Best Novel

“Anathem” by Neal Stephenson (Morrow; Atlantic UK)
“The Graveyard Book” by Neil Gaiman (HarperCollins; Bloomsbury UK)
“Little Brother” by Cory Doctorow (Tor Teen; HarperVoyager UK)
“Saturn’s Children” by Charles Stross (Ace; Orbit UK)
“Zoe’s Tale” by John Scalzi (Tor)

Best Novella

“The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)
“The Political Prisoner” by Charles Coleman Finlay (F&SF Aug 2008)
“The Tear” by Ian McDonald (Galactic Empires)
“True Names” by Benjamin Rosenbaum & Cory Doctorow (Fast Forward 2)
“Truth” by Robert Reed (Asimov’s Oct/Nov 2008)

Best Novelette

“Alastair Baffle’s Emporium of Wonders” by Mike Resnick (Asimov’s Jan 2008)
“The Gambler” by Paolo Bacigalupi (Fast Forward 2)
“Pride and Prometheus” by John Kessel (F&SF Jan 2008)
“The Ray-Gun: A Love Story” by James Alan Gardner (Asimov’s Feb 2008)
“Shoggoths in Bloom” by Elizabeth Bear (Asimov’s Mar 2008)

Best Short Story

“26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s Jul 2008)
“Article of Faith” by Mike Resnick (Baen’s Universe Oct 2008)
“Evil Robot Monkey” by Mary Robinette Kowal (The Solaris Book of New Science Fiction, Volume Two)
“Exhalation” by Ted Chiang (Eclipse Two)
“From Babel’s Fall’n Glory We Fled” by Michael Swanwick (Asimov’s Feb 2008)

The John W. Campbell Award for Best New Writer

Aliette de Bodard*
David Anthony Durham*
Felix Gilman
Tony Pi*
Gord Sellar*

Best Related Book

Rhetorics of Fantasy by Farah Mendlesohn (Wesleyan University Press)
Spectrum 15: The Best in Contemporary Fantastic Art by Cathy & Arnie Fenner, eds. (Underwood Books)
The Vorkosigan Companion: The Universe of Lois McMaster Bujold by Lillian Stewart Carl & John Helfers, eds. (Baen)
What It Is We Do When We Read Science Fiction by Paul Kincaid (Beccon Publications)
Your Hate Mail Will be Graded: A Decade of Whatever, 1998-2008 by John Scalzi (Subterranean Press)

Best Graphic Story

The Dresden Files: Welcome to the Jungle Written by Jim Butcher, art by Ardian Syaf (Del Rey/Dabel Brothers Publishing)
Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
Fables: War and Pieces Written by Bill Willingham, pencilled by Mark Buckingham, art by Steve Leialoha and Andrew Pepoy, color by Lee Loughridge, letters by Todd Klein (DC/Vertigo Comics)
Schlock Mercenary: The Body Politic Story and art by Howard Tayler (The Tayler Corporation)
Serenity: Better Days Written by Joss Whedon & Brett Matthews, art by Will Conrad, color by Michelle Madsen, cover by Jo Chen (Dark Horse Comics)
Y: The Last Man, Volume 10: Whys and Wherefores Written/created by Brian K. Vaughan, penciled/created by Pia Guerra, inked by Jose Marzan, Jr. (DC/Vertigo Comics)

Best Dramatic Presentation, Long Form

The Dark Knight Christopher Nolan & David S. Goyer, story; Jonathan Nolan and Christopher Nolan, screenplay; based on characters created by Bob Kane; Christopher Nolan, director (Warner Brothers)
Hellboy II: The Golden Army Guillermo del Toro & Mike Mignola, story; Guillermo del Toro, screenplay; based on the comic by Mike Mignola; Guillermo del Toro, director (Dark Horse, Universal)
Iron Man Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway, screenplay; based on characters created by Stan Lee & Don Heck & Larry Lieber & Jack Kirby; Jon Favreau, director (Paramount, Marvel Studios)
METAtropolis by John Scalzi, ed. Written by: Elizabeth Bear, Jay Lake, Tobias Buckell and Karl Schroeder (Audible Inc)
WALL-E Andrew Stanton & Pete Docter, story; Andrew Stanton & Jim Reardon, screenplay; Andrew Stanton, director (Pixar/Walt Disney)

Best Dramatic Presentation, Short Form

“The Constant” (Lost) Carlton Cuse & Damon Lindelof, writers; Jack Bender, director (Bad Robot, ABC studios)
Doctor Horrible’s Sing-Along Blog Joss Whedon, & Zack Whedon, & Jed Whedon & Maurissa Tancharoen , writers; Joss Whedon, director (Mutant Enemy)
“Revelations” (Battlestar Galactica) Bradley Thompson & David Weddle, writers; Michael Rymer, director (NBC Universal)
“Silence in the Library/Forest of the Dead” (Doctor Who) Steven Moffat, writer; Euros Lyn, director (BBC Wales)
“Turn Left” (Doctor Who) Russell T. Davies, writer; Graeme Harper, director (BBC Wales)

Best Editor, Short Form

(377 Ballots)
Ellen Datlow
Stanley Schmidt
Jonathan Strahan
Gordon Van Gelder
Sheila Williams

Best Editor, Long Form

Lou Anders
Ginjer Buchanan
David G. Hartwell
Beth Meacham
Patrick Nielsen Hayden

Best Professional Artist

Daniel Dos Santos
Bob Eggleton
Donato Giancola
John Picacio
Shaun Tan

Best Semiprozine

Clarkesworld Magazine edited by Neil Clarke, Nick Mamatas & Sean Wallace
Interzone edited by Andy Cox
Locus edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
The New York Review of Science Fiction edited by Kathryn Cramer, Kris Dikeman, David G. Hartwell, & Kevin J. Maroney
Weird Tales edited by Ann VanderMeer & Stephen H. Segal

Best Fanzine

Argentus edited by Steven H Silver
Banana Wings edited by Claire Brialey and Mark Plummer
Challenger edited by Guy H. Lillian III
The Drink Tank edited by Chris Garcia
Electric Velocipede edited by John Klima
File 770 edited by Mike Glyer

Best Fan Writer

Chris Garcia
John Hertz
Dave Langford
Cheryl Morgan
Steven H Silver

Best Fan Artist

Alan F. Beck
Brad W. Foster
Sue Mason
Taral Wayne
Frank Wu

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Congratulations to all the nominees!

The ULTIMATE (and somewhat bloated) Best Of 2008 List [part 6]

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It's been quite a while since I've posted the last recap, but I've been waiting for other pages to announce their lists etc. Namely, I've been waiting for SFSite.com and SFFWorld.com (forum) to come up with their best of 2008 list. You can see the other lists I've accounted for on the following links: part 1, part 2, part 3, part 4 and part 5.

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SF Site's Best SF and Fantasy Books of 2008 list is divided in two; the two lists are the editor's choice list and the reader's choice list. Let's start with the books that the editor's felt deserve commendation: (10) "City at the End of Time" (Greag Bear, SF), (9) "Busted Flush" (ed.GRRM, SF/Fantasy), (8) "Screamland" (Harlod Sipe & Hector Casanova, comic book), (7) "Little Brother" (Cory Doctorow, YA), (6) "Girl Genius, Book 7: Agatha Heterodyne and the Voice of the Castle" (Phil & Kaja Foglio, webcomic), (5) "The Graveyard Book" (Neil Gaiman, YA), (4) "Toll the Hounds" (Steven Erikson, Fantasy), (3) "Echo: Moon Lake" (Terry Moore), (2) "Buffy the Vampire Slayer, Season 8, Volume 2: No Future for You" (Brian K. Vaughan, Joss Whedon, Georges Jeanty, Cliff Richards, et al.) and (1) "Anathem" (Neal Stephenson, SF). Some pretty odd choices there, wouldn't u agree? Now for the reader's choice list: (10) "Zoe's Tale" (John Scalzi, YA SF), (9) "Dragons of Babel" (Michael Swanwick, "anti-fantasy"), (8) "Matter" (Iain M. Banks, space opera), (7) "The Steel Remains" (Richard Morgan, Fantasy), (6) "The Graveyard Book" (Neil Gaiman, YA), (5) "Toll the Hounds" (Steven Erikson, Fantasy), (4) "Pump Six and Other Stories" (Paolo Baciagalupi, short story collection), (3) "Little Brother" (Cory Doctorow, YA), (2) "The Last Argument of Kings" (Joe Abercrombie, Fantasy) and (1) "Anathem" (Neal Stephenson).

The second source I've been eagerly awaiting for is SFFWorld.com, or rather the result of the ongoing poll they had on their forum, which I value greatly. The members of the SFFWorld.com forum voted the following books as the best of 2008: (10) "Reaper's Gale" (Steven Erikson, Fantasy), (9) "Red Seas Under Red Skies" (Scott Lynch, Fantasy), (8) "Anathem" (Neal Stephenson, SF), (7) "The Painted Man" (Peter V.Brett, Fantasy), (6) "The Hero of the Ages" (Brandon Sanderson, Fantasy), (5) "The Shadow Isle" (Katherine Kerr, Fantasy), (4) "Small Favor" (Jim Butcher, urban fantasy), (3) "Toll the Hounds" (Steven Erikson, Fantasy), (2) "The Name of the Wind" (Patrick Rothfuss, Fantasy) and the book that got the most votes was "Last Argument of Kings" by Joe Abercrombie. Check out the thread with results and commentaries for yourselves.

Last but not least, Locus magazine has posted its own list of a sort (technically speaking, it's not a "best of" list, but a recommended reading list, published in the Feb issue of Locus mag, created consensually by the Locus magazine editors, reviewers and with imputs from outside professionals); the SF NOVELS they recommend are: "Matter" (Iain M. Banks), "Flood" (Stephen Baxter), "Weaver" (Stephen Baxter), "City at the End of Time" (Greg Bear), "Incandescence" (Greg Egan), "January Dancer" (Michael Flynn), "Marsbound" (Joe Haldeman), "Spirit" (Gwyneth Jones), "Escapement" (Jay Lake), "Song of Time" (Ian R. MacLeod), "The Night Sessions" (Ken MacLeod), "The Quiet War" (Paul McAuley), "The Company" (K.J. Parker), "House of Suns" (Alastair Reynolds), "Pirate Sun" (Karl Schroeder), "Anathem" (Neal Stephenson), "Saturn's Children" (Charles Stross), "Rolling Thunder" (John Varley), "Half a Crown" (Jo Walton) and "Implied Spaces" (Walter Jon Williams). FANTASY NOVELS: "An Autumn War" (Daniel Abraham), "The Love We Share Without Knowing" (Christopher Barzak), "The Knights of the Cornerstone" (James P. Blaylock), "The Ghost in Love" (Jonathan Carroll), "The Island of Eternal Love" (Daina Chaviano), "The Shadow Year" (Jeffrey Ford), "Shadowbridge/Lord Tophet" (Gregory Frost), "The Memoirs of a Master Forger" (William Heaney); "As How to Make Friends with Demons" (Graham Joyce), "Varanger" (Cecelia Holland), "Lavinia" (Ursula K. Le Guin), "The Bell at Sealey Head" (Patricia A.McKillip), "The Hidden World" (Paul Park), "The Engine's Child" (Holly Phillips), "The Enchantress of Florence" (Salman Rushdie), "The Alchemy of Stone" (Ekaterina Sedia), "The Dragons of Babel" (Michael Swanwick) and "An Evil Guest" (Gene Wolfe). FIRST NOVELS: "The Ninth Circle" (Alex Bell), "The Painted Man aka The Warded Man" (Peter V. Brett), "A Curse as Dark as Gold" (Elizabeth C. Bunce), "Graceling" (Kristin Cashore), "Alive in Necropolis" (Doug Dorst), "Thunderer" (Felix Gilman), "Black Ships" (Jo Graham), "Pandemonium" (Daryl Gregory), "The Gone-Away World" (Nick Harkaway), "Last Dragon" (J.T. McDermott), "Singularity's Ring" (Paul Melko), "The Red Wolf Conspiracy" (Robert V. S. Redick) and "The Cabinet of Wonders" (Marie Rutkoski). YA BOOOKS: "City of Ashes" (Cassandra Clare), "The Hunger Games" (Suzanne Collins), "Monster Blood Tattoo" (D.M.Cormish), "Little Brother" (Corry Doctorow), "The Graveyard Books" (Neil Gaiman), "Eon: Dragoneye Reborn aka The Two Pearls of Wisdom" (Alison Goodman), "Tender Morsels" (Margo Lanagan), "How to Ditch Your Fairy" (Justine Larbalestier), "Ink Exchange" (Melissa Marr), "Chalice" (Robin McKinley), "The Knife of Never Letting Go" (Patrick Ness), "The Adoration of Jenna Fox" (Mary E. Pearson), "Nation" (Terry Pratchett), "Zoe's Tale" (John Scalzi), "Flora's Dare" (Ysabeau S.Wilce). COLLECTIONS: [I'm editing the list; for full list check the link] "Pump Six and Other Stories" (Paolo Bacigalupi), "The Wall of America" (Thomas M.Disch), "The Drowned Life" (Jeffrey Ford), "Nano Comes to Cliffor Falls and Other Stories" (Nancy Kress), "The Best of Lucius Shepard" (Lucius Shepard), "The Best of Michael Swanwick" (Michael Swanwick) etc. ANTHOLOGIES (orig.): [I'm editing the list too] "Fast Forward 2" (Lou Anders), "The Del Rey Book of Science Fiction and Fantasy" (ed.Ellen Datlow), "Galactic Empires" (ed.Gardner Dozois), "Extraordinary Engines: The Definitive Steampunk Anthology" (ed.Nick Gevers), "A Book of Wizards" (ed.Marvin Kaye), "The Solaris Book of New Science Fiction Volume Two" (ed.George Mann), "Subterranean: Tales of Dark Fantasy" (ed.William Schafer), "Eclipse Two" (ed.Jonathan Strahan), "Fast Ships, Black Sails" (ed. Jeff&Ann VanderMeer) etc. For Anthologies (best of the year), non-fiction, art books, novellas, novelettes and short stories recommendations I suggest you check the link I've provided.

This was the penultimate article in the series of this articles, which will be followed in a couple of days by the RoSF best reads of 2008 and "the ultimate-ultimate best of" a.k.a. the recap of all the lists we've covered (Trin was the busy little bee this time). Patience grasshoppers :p.

Eye Candy Covers X

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Richard Morgan, a rising a risen star in the realm of the speculative fiction writers, has been outdoing himself with every subsequent novel he writes. His first sf trilogy, named after it's protagonist Takeshi Kovacs, garnered much praise and was noted for its gritty content and noir approach. His thought provoking novel "Black Man" won the Arthur C. Clarke Award in 2008 and his latest novel - and at the same time his first foray into fantasy genre - "The Steel Remains" made quite a few of the "best of 2008" lists. The original UK cover is absolutely stunning, but who would have thought...the forthcoming US version is just as swell :). For latest news regarding the sequel to "The Steel Remains", "The Dark Commands" you can visit Morgan's blog or A Dribble of Ink where Aidan posted his commentes on the latest turn of events.

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-----UK cover-------------------US cover (forthcoming)

Stephenie Meyer - Breaking Dawn (Book Review)

"Breaking Dawn" (Amazon: UK, US)
by STEPHENIE MEYER
Format: Paperback, 768 pages
Publisher: Atom (August 4, 2008)

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WARNING! HERE BE SPOILERS!

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Though I’m probably late to jump on the bandwagon, I feel I must warn you, the unsuspecting masses, of the atrocity that is Breaking Dawn. While I was less than pleased with the hype around Stephanie MEYER’s Twilight saga (read Trin’s review of Twilight here and New Moon here), I do admit that the series is addictive. I found myself waiting impatiently for the release of the much awaited fourth installment of this young adult vampire series, but then it ended up sitting on my shelf for around four months before I decided to pick it up and get my moneys worth.

My God, what a waste of twenty dollars.

I was appalled at the ridiculousness of it all. What was supposed to be a thought-provoking, intelligent romance ended up being something a twelve year old fan girl with some writing skills could have conceived, I found myself re-reading almost every sentence just to see if I read it wrong, telling myself no author would allow a novel to get so outrageous. Apparently, STEPHENIE MEYER finds herself exempted from the lines of logic.

It starts off well enough, with Bella’s anticipation of her upcoming wedding to the over-perfect Edward Cullen and worrying about Jacob Black, who ran off at the news of hers and Edward’s engagement. When the wedding does arrive, and Jacob comes to visit, she lays out the big business of her and Eddie getting horizontal on their honeymoon. Needless to say, Jacob is less then pleased.

A bit of angst, conflict, and some feuding can be turned into some pretty good literature. My hopes were raised. Perhaps some character development will happen. Perhaps this will go beyond Bella’s utter uselessness. Perhaps this fourth installment will find its way into my best of ‘08 list. Sadly, these hopes were quickly crushed.

Where do I begin? Ah, how about at Isle Esme, where Bella suddenly switches into her fresh temptress skin. She does not just ask Edward for sex. She sits there and begs for more and more sex, even after the first time, which left her pretty bruised up. Edward initially refuses, but when Bella insists … well, he’s only a man, right? (The question of how pops into my mind, though – all bodily fluid supposedly dies out when vampires are created, blood included, so …?)
Needless to say, Edward has even less personality than in the previous books. His life - as usual - revolves around Bella, and Bella can think of little else on their honeymoon than getting it on. Edward and Bella’s relationship in a nutshell: Bella watches Edward sparkle, Edward sparkles, they get married, sparkle some more.

The main twist follows shortly: surprise, surprise, Bella gets pregnant (with the whole tidbit on immortal children in the first two chapters, having nothing to do with the then-plot direction, it was in fact pretty predictable). I won’t even go into the logic of this and I’ll ignore the aforementioned fact that Edward is devoid of bodily fluid (sperm included). Instead, I’ll provide three words that express my feelings: JUMPING THE SHARK! I’ve come to the conclusion that STEPHENIE MEYER was so completely out of ideas that she went on to some fan fiction website, chose the most ridiculous plot possible, and wove a tale around it. I am not pleased, Ms. MEYER, not pleased at all. Thankfully, that is the end of Book One of Breaking Dawn, and we move on to the saving grace of the series; Jacob Black.

For a lovely portion of the novel, we are brought into the heavily sarcastic cynicism that is Jacob’s mind. It is possible that, in these four hundred or so pages, MEYER has written the best she has ever written in any of her published works (The Host included). I love Jake’s dark humor, and the way he is so conflicted between his love for Bella and his devotion to the pack. I love how he also hates her and what she does to him, and how he hates everything she’s chosen to do with her life. It all would paint the picture of a real relationship. When Bella’s with Jacob, she sparks something resembling a personality. They have playful fights and kid around and don’t always bow to each other’s whims. It’s something real, not this desperate, obsessive, controlling fight for power that Edward and Bella have. All in all, I love Jacob. I also enjoyed the pack’s transgressions, and I LOVED Leah. She’s tough, but she has semi-normal worries, such as that, being the only female werewolf, she believes she is destined to die alone. Plus, as a pack member, she is forced to see and hear her ex-boyfriends loving thoughts about Emily, the woman he imprinted on while he and Leah were still dating. She has no choice in the matter. It’s brutal, yeah, but in the greatest way.

Jacob’s narrative still doesn’t make up for the incredulous plot: Bella is not the least bit frightened of an unnatural being that has taken up camp in her womb – even more, she calls Rosalie to help her protect the thing (as though it needs it). I guess that by now her being only eighteen doesn’t matter anymore, or perhaps the birth scene is supposed to scare off any potential fan of hers who’d wish to follow her footsteps – it’s best described in one word: ewwww! Think Rosemary’s Baby combined with Dracula, add a bit of Blood and Chocolate and then just take every single female scream from every single movie ever made, and play it all at once.
Here’s the kicker--Jacob imprints on the baby. And that’s the end of his narrative. How awkward can you get?

Then, alas, we are back to the melodramatic insight of Bella. She wakes up and finds her daughter, whom she has named Renessme, appropriately nicknamed Nessie. That’s the only thing marring her first steps into a life of an immortal, though – she’s utterly perfect once she becomes a vampire. She’s able to control her bloodlust and doesn’t have to give up anything; it’s like she’s missing out on the whole vampire experience. She gets a perfect little ending, even after she’s made the dumbest choices anyone could possibly make. What’s that saying to young girls who are reading this? It’s OK to give up everything in your life for a high school boyfriend, ‘cause eventually it’ll all cool over.

There’s nothing even remotely worth mentioning about Breaking Dawn other than the plot: character development is zero to none. If you’re really into the series, you might like to read it just for some kind of closure, though I guarantee it will be messy. I don’t know, maybe you’ll love it. Maybe you already love it. Maybe you’ve read it multiple times. Debate is welcome. I’m curious as to what others think (that is, others who aren’t blinded by the beauty that is Edward).

Now, if you’ll just excuse me, I’m going to go read my Batman comics and attempt to cleanse myself of this nonsense.

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~Dannie~