Tuesday, December 28, 2010

Freda Warrington - Midsummer Night (Book Review)

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Reasons for reading: I got a review copy from the publisher (Tor)

Gil wants to escape from the world, so she books a cottage on an estate belonging to Lady Juliana Flagg, a famous sculptor. Much to Gil's dismay, Lady Flagg's annual art school is taking place on the same estate, meaning Gil won't be as far from other people as she wanted to be. Despite her best efforts to stay away from other people, she stumbles onto a path into Otherworld, the realm of faeries, and forms a new friendship. And while friendship is going swimmingly, the Otherworld only brings trouble – first of them being a young boy who seeks shelter in Gil's cottage.
(This is what Midsummer Nights is actually about. I don't know who wrote the original summary, but it is full of weird mistakes.)

Midsummer Night is a second part of the Aetherial Tales series (first part being Elfland), but even though I didn't read Elfland, I didn't feel like I've missed anything – Midsummer Night can easily be read as a standalone novel. It's been a long time since I've read an urban fantasy book that dealt with the fairy world, and even those I've read last were all YA books, so I was happy to see one written for adults. Luckily, Midsummer Night didn't disappoint.

One of the first things I've noticed was that the troubled protagonist was very well written. Gill, suffering from PSD, is a perfect example of the 'show, not tell' principle - staying in character throughout the first few chapters, being paranoid and filled with irrational guilt, feeling asocial and broken. Her thoughts are full of pessimism, she doesn't know how to act with other people and everything she sees reminds her of the event that caused it all:

“What was it like, to be part of such a clique? Dangerous, maybe. You could find yourself suddenly rejected by the pack, alone and broken.”


Later on, though, Gill gets over her fears and negative feelings; she becomes much more normal and likeable, but also less interesting as a character. The plot of Midsummer Night is pretty generic, but since the book is well-written, I didn't mind it that much. It seemed to me that Warrington was not really trying to give us anything new or unique, but rather trying to write a decent genre book. I was also happy to see that she was aware that the whole 'I accidentally wandered into Otherworld' thing has been around for ages and therefore didn't overdo it – instead of dwelling on Gill's disbelief for a chapter or two, Warrington moves on with the story instead.

Sadly, after the first few chapters, the plot deteriorates a bit – it becomes a very typical urban fantasy plot, with protagonists moving to and fro between Earth and Otherworld and some romance tossed in for good measure. This could become boring very quickly, especially as the Otherworld parts were one of the least interesting in the book, but luckily, the parallel plotline saves the day – dealing with Lady Juliana Flagg's history, it was much more entertaining; I would actually be perfectly happy even if the Otherworld parts (or most of them) had not even been in the book.

While Midsummer Night was not one of my favourite books of 2010, it certainly was one of the best urban fantasy books I've read lately. Warrington obviously knows how to write and if the plot is a bit generic, the very lifelike characters and the family secrets more than make up for it. All in all – enjoyable.





3,5/5



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They say it's better late than never: merry Christmas, everyone!

Monday, July 12, 2010

Graham Joyce - Memoirs of a Master Forger



I first heard about Memoirs of a Master Forger when the title appeared a few times while I was rounding up our ultimate best of 2008 list. The reviews were all extremely positive, so I decided to give it a go. Judging by its cover, I figured that MoaMF will be set, say, in 18th century, with elements of either steampunk or fantasy. Well … I was wrong. When they say ‘don’t judge a book by its cover’, they say it for a reason.

Memoirs of a Master Forger is a story of a man named William Heaney, whose name is also being used by the author of the book. He is a random person from 21st century and his life isn’t going exactly as he’d imagined. His wife left him for a TV chef, his son is growing up into a snobbish brat, his job is boring and the forgery his friend Stinx is working on is hardly going well – the latter because Stinx’s woman has just left him and despite it being the third time in a row, Stinx still seeks refuge in drink.

Will is not really the master forger mentioned in the title, although the memoirs are undoubtedly his. He is just the guy who sells forgeries when Stinx completes them. Ok, he does write poems for another friend, Jaz, but since they are, in his own words, really bad poetry, I don’t think it counts. Will’s main characteristics are donating money to a local homeless shelter and the ability to see demons, the latter obviously being enough to put this book under ‘fantasy’ section. The demons are only mentioned in an offhand manner, though, and are most probably just a metaphor for human suffering.

I guess this is the reason why I was pretty disappointed with Memoirs of a Master Forger. It’s got little to do with forgeries – the only forgery beside the really bad poetry is a Jane Austen first edition that seems like a minor, unimportant side plot and mostly just another thing that does not go as planned. It’s not about demons, either, even though there was some promise to that, but the narrative is simply not unreliable enough to be of intrigue.

The book follows a typical formula where the setting is a contemporary society and the main character is a random person with whom the reader can easily identify. He is not entirely average, though, because average is uninteresting and nobody wants to read about that. He has his flaws, but still clearly a nice guy. His life is not completely dull for the same reasons the protagonist is not entirely average. Whatever happens, be it good or bad, is just uncommon enough to be interesting but could easily happen to the reader as well. Following the formula, the ending can be either a happy one (reader: ‘oh, the world is a nice place after all’) or a somber one (reader: ‘huh, I shall reflect upon this’). I notice books follow this formula fairly often; it seems to be very popular in contemporary fiction, probably because the reader can easily picture himself in main character’s shoes. Aside from the obvious benefits, this also carries the ‘something extraordinary could happen to you as well’ message, which, I think, is something readers generally like. While this formula does not necessarily predicate a lack of writing skills (on the contrary – a skilled writer can, with a few variations, convert this formula into a very good novel) it can often lead to an otherwise mediocre novel becoming a success.

And, of course, Memoirs of a Master Forger has a happy ending where every wrong is righted and everything is just swell. There is no bitter aftertaste or feeling that it could all be undone any second now. The problems are all solved and the general feeling is that everyone will be happier from that point on. No fears, no doubts, just fields of shiny happiness. Blergh.

Don’t get me wrong, Memoirs of a Master Forger is a nice enough story written in a flowing style, but I really don’t see what’s so great about it. The forgery/demons bit is original enough, but I just couldn’t shake the feeling that the narrator could be a bit more unpredictable, the characters less generic and the plot more than just a path to happy ending. All in all – average.

Trin

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I guess I'll never manage to do something on time, but late is still better than never. This review is a bit old, but I hope you'll enjoy it nevertheless :)

Wednesday, September 16, 2009

Richelle Mead - Thorn Queen (Book Review)


"THORN QUEEN" (Amazon: UK, US)
by RICHELLE MEAD
Format: Paperback, 480/384 pages
Publisher: Bantam Books / Zebra Books (August 2009)
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About a year ago, I read and reviewed the first book of Dark Swan series, Storm Born, which came as a pleasant surprise. Naturally, I was excited to hear that the sequel was coming out this year and when I got the book, I started reading it as soon as I could find some time. Sadly, I have to say that it wasn't worth it.

The beginning once again introduces us to Eugenie's everyday (which I found pretty nice since I'd forgotten most of what has happened in the first book). This time around, Eugenie spends most of her days in Otherworld, since she is now the Thorn Queen there. Her country, being magical, has changed to suit her, but the inhabitants of Thorn Land have some hard time adapting to the climate changes. Eugenie is distraught and wants to help them, but by doing so, she has to put her talents to use, learn some more magic and decide on where her loyalties lie.

The plot is promising and pretty well-written, even if it seems that we've heard it all before. It's too bad that Mead doesn't leave it at that, but instead proceeds to throw in the element of paranormal romance – quite a lot of it. It seemed as if every chapter ended with a long scene of Eugenie and Kiyo having wild, rough sex. These love scenes are not even good, and after reading two or three of them, I simply started skipping them, because they were all the same. It was pretty annoying, not to mention being a really obvious filler for when Mead got out of ideas or simply wanted to prolong the book (without the sex scenes, it would've been shorter for at least a half) – I can't even say that she wanted to spice things up a bit, because it was all so utterly boring.

The humour, which I enjoyed quite a lot in the first book, has now faltered as well; in Thorn Queen, dialogues seem watered down and uninteresting. I admit I was under a lot of stress at the time of reading this book, so that might have influenced my views a bit, but I still think the fault lies mostly in Mead's writing. There was some lack of research on her part that did nothing to improve things – I could hardly laugh at Ladyxmara72 (a girl who met Eugenie in person and insisted on being addressed with her World of Warcraft character name), when I find it almost common knowledge that WoW characters can't have numbers in their names. It's a very silly, not to say sloppy mistake, but it destroyed that character for me, rendering her completely unconvincing. You can't submerge yourself into plot that way, not when such mistakes make you aware that the characters are just a product of an author that did not do her research well enough and don't, by any chance, resemble real people. And I always thought geeks were the easiest characters to write, because there are so many stereotypes about them that are actually true in plenty of cases. Meh.

Thorn Queen is a huge step backwards from what we've seen in Storm Born. The plot is all but put on the sidetrack and the whole book mostly revolves about Eugenie's sexual life, when it should be the other way around. Thus, Thorn Queen firmly sets itself into the sub-genre of paranormal romance, and will probably appeal to fans of Twilight and the like. Too bad, really – the plot had much potential, but has become more of an excuse for sex scenes.
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~Trin~

Wednesday, April 8, 2009

The ULTIMATE (and somewhat bloated) Best Of 2008 List: Recap & Conclusion

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Finally, here is the absolute "Ultimate Best Of 2008 List"! I perused every single article in this ongoing series of articles we've been posting over the last couple of months [links: part 1, part 2, part 3, part 4, part 5, part 6 & The RoSF List] and the linked sites that were referred to in each subsequent article, including the huge database of various 'best of' lists over at FANTASY BOOK CRITIC (link). Here I've compiled a list that's made up from all the books that were mentioned at least 6 (5) times (on different lists, of course, and regardless of the ranking, if the list in question happened to rank the books in any manner); also worth mentioning is that this is technically not a real 'best of' list, but more of a 'most popular' books list, since - among other things - some of the lists sorted the books from best to worst and others listed them in no particular order, making it very hard to determine the absolute winner of 2008. What is more, the books we've taken into account weren't necessarily released in 2008, they just had to be read last year. The books with the same number of mentions are listed in alphabetical order and are as follows.
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1. Last Argument of Kings [review: 1, 2] – JOE ABERCROMBIE, 2008 (12 mentions)
Little BrotherCORY DOCTOROW, 2008 (12 mentions)
3. The Graveyard BookNEIL GAIMAN, 2008 (11 mentions)
4. AnathemNEAL STEPHENSON, 2008 (1o mentions)
5. The Name of the Wind [review coming soon] – PATRICK ROTHFUSS, 2007 (9 mentions)
6. The House of SunsALASTAIR REYNOLDS, 2008 (7 mentions)
The Shadow of the Wind [review coming soon] - CARLOS RUIZ ZAFON, 2001/2004 (translation) (7 mentions)
The Ten Thousand [Review] – PAUL KEARNEY, 2008 (7 mentions)
Thunderer [review coming soon] – FELIX GILMAN, 2008 (7 mentions)
The Terror [Review] – DAN SIMMONS, 2007 (7 mentions)
Toll the Hounds STEVEN ERIKSON, 2008 (7 mentions)
12. Caine Black KnifeMATTHEW W. STOVER, 2008 (6 mentions)
Pump Six and Other Stories (short story collection) – PAOLO BACIGALUPI, 2008 (6 mentions)
The Drowned Life (short story collection) – JEFFREY FORD, 2008 (6 mentions)
The Painted Man [Review] – PETER V. BRETT, 2008 (6 mentions)
The Steel Remains [review coming soon] – RICHARD MORGAN, 2008 (6 mentions)
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A bit of STATISTICS for interlude: there were 518 different sf&f books mentioned in all the lists we used in our survey, but only 142 of those were mentioned more than once and only 74 were mentioned more than twice. Another interesting fact: while a lot of these ‘Best of 2008’ lists were not limited to books that were published in 2008, these books still prevail on overall.

What about the RUNNER-UPS? There are 10 books who missed the top of the chart by only one mention - and they're all just as (some even more in my opinion) interesting as the top tier:
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17. Implied Spaces – WALTER JON WILLIAMS, 2008 (5 mentions)
Lavinia – URSULA K. LE GUIN, 2008 (5 mentions)
Matter – IAIN M. BANKS, 2008 (5 mentions)
Old Man's War [Review] – JOHN SCALZI, 2005 (5 mentions)
The Alchemy Of Stone – EKATARINA SEDIA, 2008 (5 mentions)
The Dragons of Babel – MICHAEL SWANWICK, 2008 (5 mentions)
The Engine's Child – HOLLY PHILLIPS, 2008 (5 mentions)
The Gone-Away World – NICK HARKAWAY, 2008 (5 mentions)
The Red Wolf Conspiracy [Review] – ROBERT V.S. REDICK, 2008 (5 mentions)
Wastelands: Stories of the Apocalypse (anthology) – ed. JOHN JOSEPH ADAMS, 2007 (5 mentions)
Congratulations to all the books that made it on this list (and to the ones that were left out by a small margin as well). There is not much to say really, since most of the books you see listed here have been getting a lot of attention (with a few exceptions) on the blogosphere and other relevant genre sites in the past year. Although this list reflects POPULARITY of books before anything else, it is still somewhat an indicator of the QUALITY of these books. We read only a handful of the titles listed above and we have the intention to correct this mistake in the future, but from what we've read we can agree with the pick in most cases. We're not going to write an opinion for each of the books and whether they deserve to be on the list or not, but I'd like to hear what the rest of you think...is there a book that is missing on this list, but should be there? Or maybe one of the most popular books you see here doesn't deserve to be nearly as popular as it appears to be here? All in all, we've put much work into making this list and I hope it will give you at least a small insight into what went on in science fiction and fantasy genre in the past year.
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Trin & Thrinidir

Monday, March 23, 2009

The ULTIMATE (and somewhat bloated) Best Of 2008 List [part 7] - THE RoSF LIST

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And now, finally - and also long overdue - Realms of Speculative Fiction Best of 2008. The only guidelines we followed while making this list were (1) that the books had to be read (but not necessarily published) somewhere in between January 2008 and March 2009 (2) and that most of the books comprising the list have to be genre related (the terms sf, fantasy and horror were perceived in the broadest sense possible). TRIN, MADWAND & THRINIDIR started regurgitating the books we read in the past year and you can find out which books we thought were more special than others from here on; let's start with Trin's reading highlights of 2008...
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TRIN: I've already listed some of my favourite books of 2008 in Thea and Anna's Smugglivus post, but as soon as that list was posted, I realised I forgot to include some of the other books I've read last year as well. So, here goes: the full list of my favourite books of 2008, in alphabetical order.

Ender's Game (1985) by ORSON SCOTT CARD: I enjoyed this one greatly, but sadly never wrote a review for it (though I plan to do that after a re-read). It's one of the classics of the SF genre, but I didn't even know it existed until last year. The funny thing is that despite my love for this book, I don't plan to read any of the following instalments, at least not in the near future. Probably because I doubt they can get any better than Ender's Game.

Flowers For Algernon (1966) by DANIEL KEYES - Another classic! (In fact, about half of this list is made of classics … I'm slowly discovering some great things that others read ages before. I blame it on not being from US/UK.) Also, one of the first reviews I wrote. I suspect it'll stay one of my all time favourites, because it's one of the best books I've ever read.

Heroes Die (1998) by MATTHEW WOODRING STOVER – I'd never have thought that such a great book can hide behind such a funny cover. I can't get the second installment anywhere, though, since it's out of print, and I'm not going to read the third one without reading the second one first, so I'm kinda stuck. I also don't want the e-book (what good is an e-book without an e-book reader? True, I could spend some extra hours at the computer screen, but that doesn't sound very appealing to me) – as someone said: I need a dead tree in my hands when I read. Sorry, trees.

I Am Legend (1954) by RICHARD MATHESON – A classic again, and one of the rare 'horror' books we've reviewed on RoSF (I don't really think it a horror book, but I can hardly call it sf or fantasy …). I find it funny that at the time of reading it, I was perfectly sure that it was written in the 90s and kept asking myself why doesn't he use some technology. Hah! Also, I didn't watch the movie – I mean, they failed at choosing the main character (Neville from the book has pale skin, blue eyes and blond hair), so I didn't want to know at what else they've managed to fail.

It (1986) by STEPHEN KING – I don't know if this one should be called a classic, but it surely is a notorious book. I guess it's a sort of book that you love or hate, and I'm clearly on the former side. One of my little pleasures is creeping out people who only watched the TV series and think they know what "It" is about. Did that with Thrinidir and he swore that he's never going to read this book. Awww. :(

Orphan's Tales
(2006, 2007) by CATHERYNNE M. VALENTE – Finally, a book (two of them actually; Book One: In the Night Garden and Book Two: In the Cities of Coin and Spice) that's pretty fresh! It's a criss-cross between a fairytale storybook and 1001 nights (which could also be called a storybook, I suppose), written in a very poetical language. Very nice.



Otherland (1996-2001) by TAD WILLIAMS – This series has been sitting on Thrinidir's bookshelf for quite some time, but it never seemed really interesting to me. Thrinidir, however, insisted that I should read it, and I finally did so in the last days of 2008. I'm glad that he insisted.
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The Name of the Wind (2007) by PATRICK ROTHFUSS – Still trying to write a review of this one. It's one of the best fantasy books I've read lately, and I'm eagerly awaiting the next installment.-
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The Road (2007) by CORMACK McCARTHY – I can't believe I almost forgot to include that one. Another one of my beloved post-apocalyptic books with a sociological note and a beautiful story. I can't wait to see what the movie will look like.

The Steel Remains (2008) by RICHARD MORGAN – An actual 2008 book :) I loved every part of it – the realism, the explicit language that went with it, the characters, everything. A thought: there can hardly be any strange slash fanfic written for this one.
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The Terror (2007) by DAN SIMMONS – I've read Hyperion and Fall of Hyperion before this one, but it's The Terror that made me a real fan of Simmons'. The only book I've read and re-read in 2008.

Wasp Factory (1984) by IAIN BANKS – Not sure if this is speculative fiction at all, but I nevertheless loved it. I can't explain what's so great about a book where almost everyone is obviously crazy, though, but Banks is one hell of a writer who managed to successfully pull the whole thing off.
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MADWAND: Even though I managed to read only a few books in 2008, there was one that stood out; Scott Lynch's The Lies of Locke Lamora (2006). I should thank Thrinidir for having been such a pest [Thrinidir: "Oh rlly?"]: he has continuously badgered me about this book until I caved in and finally read it.
Locke is a young thief whose talent is recognized and nurtured by a con artist, Chains. A man with a vision, Chains moulds Locke and the other orphans he took under his tutelage into a group of confidence tricksters feared by the wealthy nobility. But then the plot thickens... :) Lynch did manage to spoil the experience near the end, but the overall impression was a very positive one. How can one not like a well written tale of charismatic con artists set in a fastastic rendition of Venice?
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THRINIDIR: I don't read as much as some of the people I know and I'm not as genre knowledgeable as others, so I wouldn't take my year's pick as a definite indicator of sublime quality or some other serious referential pointl (i.e. I'm not saying that the books I'll be highliting represent the actual top of the crop), but I'm doing this in hope that people will be able to find at least a few noteworthy suggestions to add on their reading list.
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Last Argument of Kings (2008) by JOE ABERCROMBIE. Though I was slightly less satisfied with the final volume of the superb "The First Law Trilogy" (Blindman was even more disgruntled by it) than with its two predecessors, especially "Before They Are Hanged", I still highly value Abercrombies' satirical wit, feel for characterization and utter disregard for what the endings should be like by the genre standards. This trilogy is definitely one of the highlights of the new millennium.
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The Painted Man (2008) by PETER V. BRETT. While I called this book light-weight and suffused with genre staples it is still one of the best - if not the best - fantasy debuts of 2008. This is book one of the "Demon Trilogy" and its main purpose is to set up the world and introduce the main protagonists, but here this is not that much of a problem, since the characterization is sublime and a few innovative elements are thrown into the mix with the genre archetypes. This is a traditional fantasy, but it feels modern without the explicit content that a lot of authors abuse to try and make their book distinguished from the genre classics (and the dross).
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The Shadow of the Wind (2001) by CARLOS RUIZ ZAFÓN. I'm in the process of writing a review for this monster of a book. What defines it as a monster isn't its length or even the inclusion of horror elements, but the richness of the prose and chock-full of thematic content and references. This is a book about life, but carefully hidden behind a mystery story that unfurles in the fascist Spain under general Franco. While not a fantasy, horror or science fiction book in the strictest sense of the word, it is still one of the finest books I've had the privilege to read in the past recent years. Highly recommended.
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Chronicles of the Black Company (the original novels were published in 1984,1984 and 1985; the omnibus was published in 2007) by GLEN COOK. In a recent review of the "Black Company" books that I've came across the author of the article refers to these books as a "...revered ancestor that should be honored as well as awarded a significant place in the history of the genre, but they shouldn't be (re)visited often, because while they left their mark on the genre, they have been outlived and outperformed by its successors." While I agree with this estimation to an extent, I was nevertheless left more appreciative (as opposed to the author of this review) of the Black Company and Glen Cook when I finished this terrific omnibus. While the Black Company books might be labeled as sort of an revered ancestor, I still think that they should be visited at least once, by anyone who loves down-in-the-trenches first person narrative, charismatic protagonist or simply put - great fantasy.
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The Road (2006) by CORMAC McCARTHY. The most evocative and touching book I've read in ages. Somber, moody, oppressive and primal, but never falling into the pit of pathetic. This is the book you need to read as soon you can. You really mustn't miss the sad journey of one father and his son following the road to nowhere in a fictional post apocalyptic world. Simply brilliant.
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The Mark of Ran (2004) by PAUL KEARNEY. Paul Kearney, who? I've never heard of this author before I've started following online book reviews; Adam from The Wertzone referred to Paul Kearney as one of the most under appreciated fantasy authors out there and every since I've decided to read "The Mark of Ran", book one of The Sea Beggars trilogy, I have to agree. After this book I've read two more of his titles ("This Forsaken Earth" and "The Ten Thousand") and each of them is marked by the distinctive quality of Kearneys writing. He is a master storyteller who knows how to weave a tale and I promise you, when you'll pick up a book signed by Kearney - if you haven't already - you will be everything but disappointed.
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Flowers for Algernon (1966) by DANIEL KEYES. If I'd have to pick a favourite book I read last year, it would arguably be this one. "Flowers for Algernon" is Daniel Keyes' opus magnum that won the Nebula for Best Novel (with Babel-17) in the year that it was published. This is, technically speaking, a diary of a man who undergoes a surgical procedure that allows him to slowly progress from a state of idiocy to become nothing less than a genius and then gradually regresses to his previous state. The author shows tremendous insight into the human condition and has a knack for making you care for the protagonist. This is an ingenious work of fiction, you just have to be smart enough to pick it up.

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I promise that the next article in the series (part 8, if I counted right) will be the last one; we only need to tally up all the books people refered to as special in 2008 and give you the final numbers (i.e. the books that were mentioned on the most lists).

Friday, March 20, 2009

The ULTIMATE (and somewhat bloated) Best Of 2008 List [part 6]

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It's been quite a while since I've posted the last recap, but I've been waiting for other pages to announce their lists etc. Namely, I've been waiting for SFSite.com and SFFWorld.com (forum) to come up with their best of 2008 list. You can see the other lists I've accounted for on the following links: part 1, part 2, part 3, part 4 and part 5.

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SF Site's Best SF and Fantasy Books of 2008 list is divided in two; the two lists are the editor's choice list and the reader's choice list. Let's start with the books that the editor's felt deserve commendation: (10) "City at the End of Time" (Greag Bear, SF), (9) "Busted Flush" (ed.GRRM, SF/Fantasy), (8) "Screamland" (Harlod Sipe & Hector Casanova, comic book), (7) "Little Brother" (Cory Doctorow, YA), (6) "Girl Genius, Book 7: Agatha Heterodyne and the Voice of the Castle" (Phil & Kaja Foglio, webcomic), (5) "The Graveyard Book" (Neil Gaiman, YA), (4) "Toll the Hounds" (Steven Erikson, Fantasy), (3) "Echo: Moon Lake" (Terry Moore), (2) "Buffy the Vampire Slayer, Season 8, Volume 2: No Future for You" (Brian K. Vaughan, Joss Whedon, Georges Jeanty, Cliff Richards, et al.) and (1) "Anathem" (Neal Stephenson, SF). Some pretty odd choices there, wouldn't u agree? Now for the reader's choice list: (10) "Zoe's Tale" (John Scalzi, YA SF), (9) "Dragons of Babel" (Michael Swanwick, "anti-fantasy"), (8) "Matter" (Iain M. Banks, space opera), (7) "The Steel Remains" (Richard Morgan, Fantasy), (6) "The Graveyard Book" (Neil Gaiman, YA), (5) "Toll the Hounds" (Steven Erikson, Fantasy), (4) "Pump Six and Other Stories" (Paolo Baciagalupi, short story collection), (3) "Little Brother" (Cory Doctorow, YA), (2) "The Last Argument of Kings" (Joe Abercrombie, Fantasy) and (1) "Anathem" (Neal Stephenson).

The second source I've been eagerly awaiting for is SFFWorld.com, or rather the result of the ongoing poll they had on their forum, which I value greatly. The members of the SFFWorld.com forum voted the following books as the best of 2008: (10) "Reaper's Gale" (Steven Erikson, Fantasy), (9) "Red Seas Under Red Skies" (Scott Lynch, Fantasy), (8) "Anathem" (Neal Stephenson, SF), (7) "The Painted Man" (Peter V.Brett, Fantasy), (6) "The Hero of the Ages" (Brandon Sanderson, Fantasy), (5) "The Shadow Isle" (Katherine Kerr, Fantasy), (4) "Small Favor" (Jim Butcher, urban fantasy), (3) "Toll the Hounds" (Steven Erikson, Fantasy), (2) "The Name of the Wind" (Patrick Rothfuss, Fantasy) and the book that got the most votes was "Last Argument of Kings" by Joe Abercrombie. Check out the thread with results and commentaries for yourselves.

Last but not least, Locus magazine has posted its own list of a sort (technically speaking, it's not a "best of" list, but a recommended reading list, published in the Feb issue of Locus mag, created consensually by the Locus magazine editors, reviewers and with imputs from outside professionals); the SF NOVELS they recommend are: "Matter" (Iain M. Banks), "Flood" (Stephen Baxter), "Weaver" (Stephen Baxter), "City at the End of Time" (Greg Bear), "Incandescence" (Greg Egan), "January Dancer" (Michael Flynn), "Marsbound" (Joe Haldeman), "Spirit" (Gwyneth Jones), "Escapement" (Jay Lake), "Song of Time" (Ian R. MacLeod), "The Night Sessions" (Ken MacLeod), "The Quiet War" (Paul McAuley), "The Company" (K.J. Parker), "House of Suns" (Alastair Reynolds), "Pirate Sun" (Karl Schroeder), "Anathem" (Neal Stephenson), "Saturn's Children" (Charles Stross), "Rolling Thunder" (John Varley), "Half a Crown" (Jo Walton) and "Implied Spaces" (Walter Jon Williams). FANTASY NOVELS: "An Autumn War" (Daniel Abraham), "The Love We Share Without Knowing" (Christopher Barzak), "The Knights of the Cornerstone" (James P. Blaylock), "The Ghost in Love" (Jonathan Carroll), "The Island of Eternal Love" (Daina Chaviano), "The Shadow Year" (Jeffrey Ford), "Shadowbridge/Lord Tophet" (Gregory Frost), "The Memoirs of a Master Forger" (William Heaney); "As How to Make Friends with Demons" (Graham Joyce), "Varanger" (Cecelia Holland), "Lavinia" (Ursula K. Le Guin), "The Bell at Sealey Head" (Patricia A.McKillip), "The Hidden World" (Paul Park), "The Engine's Child" (Holly Phillips), "The Enchantress of Florence" (Salman Rushdie), "The Alchemy of Stone" (Ekaterina Sedia), "The Dragons of Babel" (Michael Swanwick) and "An Evil Guest" (Gene Wolfe). FIRST NOVELS: "The Ninth Circle" (Alex Bell), "The Painted Man aka The Warded Man" (Peter V. Brett), "A Curse as Dark as Gold" (Elizabeth C. Bunce), "Graceling" (Kristin Cashore), "Alive in Necropolis" (Doug Dorst), "Thunderer" (Felix Gilman), "Black Ships" (Jo Graham), "Pandemonium" (Daryl Gregory), "The Gone-Away World" (Nick Harkaway), "Last Dragon" (J.T. McDermott), "Singularity's Ring" (Paul Melko), "The Red Wolf Conspiracy" (Robert V. S. Redick) and "The Cabinet of Wonders" (Marie Rutkoski). YA BOOOKS: "City of Ashes" (Cassandra Clare), "The Hunger Games" (Suzanne Collins), "Monster Blood Tattoo" (D.M.Cormish), "Little Brother" (Corry Doctorow), "The Graveyard Books" (Neil Gaiman), "Eon: Dragoneye Reborn aka The Two Pearls of Wisdom" (Alison Goodman), "Tender Morsels" (Margo Lanagan), "How to Ditch Your Fairy" (Justine Larbalestier), "Ink Exchange" (Melissa Marr), "Chalice" (Robin McKinley), "The Knife of Never Letting Go" (Patrick Ness), "The Adoration of Jenna Fox" (Mary E. Pearson), "Nation" (Terry Pratchett), "Zoe's Tale" (John Scalzi), "Flora's Dare" (Ysabeau S.Wilce). COLLECTIONS: [I'm editing the list; for full list check the link] "Pump Six and Other Stories" (Paolo Bacigalupi), "The Wall of America" (Thomas M.Disch), "The Drowned Life" (Jeffrey Ford), "Nano Comes to Cliffor Falls and Other Stories" (Nancy Kress), "The Best of Lucius Shepard" (Lucius Shepard), "The Best of Michael Swanwick" (Michael Swanwick) etc. ANTHOLOGIES (orig.): [I'm editing the list too] "Fast Forward 2" (Lou Anders), "The Del Rey Book of Science Fiction and Fantasy" (ed.Ellen Datlow), "Galactic Empires" (ed.Gardner Dozois), "Extraordinary Engines: The Definitive Steampunk Anthology" (ed.Nick Gevers), "A Book of Wizards" (ed.Marvin Kaye), "The Solaris Book of New Science Fiction Volume Two" (ed.George Mann), "Subterranean: Tales of Dark Fantasy" (ed.William Schafer), "Eclipse Two" (ed.Jonathan Strahan), "Fast Ships, Black Sails" (ed. Jeff&Ann VanderMeer) etc. For Anthologies (best of the year), non-fiction, art books, novellas, novelettes and short stories recommendations I suggest you check the link I've provided.

This was the penultimate article in the series of this articles, which will be followed in a couple of days by the RoSF best reads of 2008 and "the ultimate-ultimate best of" a.k.a. the recap of all the lists we've covered (Trin was the busy little bee this time). Patience grasshoppers :p.

Monday, March 16, 2009

Sarah Rees Brennan - The Demon's Lexicon (Book Review)

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"The Demon's Lexicon" (Amazon: UK - paperback available for pre-order, US - hardcover)
by SARAH REES BRENNAN
Format: Paperback/Hardcover, 336 pages/336 pages
Publisher: Simon & Schuster Children's/Margaret K. McElderry (June 2009)

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SARAH REES BRENNAN is in a way connected with my first steps into the world of English language books. When I was 13 and couldn't wait for the next Harry Potter book to be translated, I bought the original, made my way through it (I remember being mystified by the word 'dunno' - I didn't understand half of the words, of course, but this one appeared most often) and almost immediately went fan fiction hunting on the Internet. It took me quite some time (2 years, I think) to discover that there are other books worth reading in English and that the realm of fanfic is one of the creepiest places possible, but when I finally did, I ditched fan fiction for good. Well, almost – there was one girl who wrote really good fan fiction and who I often envied her ability to make me fall off a chair laughing. The general opinion about her was that she should write real books because she was really good. So you can imagine I was pleasantly surprised when a friend of mine told me that she wrote a YA trilogy whose first part, "The Demon's Lexicon", is to be published in June 2009.

However, the book didn't really make a good first impression on me. I know the saying 'do not judge the book by its cover', but, as you can see in various posts all over the blogosphere, the cover is, in fact, a crucial factor when deciding whether to buy a book or not. I certainly wouldn't buy "The Demon's Lexicon" if I judged it by its US cover, because I find it totally unappealing. Everything, from fonts to colours and the pretty-boy, screams 'cheap pulp fiction'. Also, there is a slight spoiler on the back cover, which made me decide that I'll never read the summaries on the back cover again. Luckily, the UK version looks much better (I don't know about the spoiler, though).

The content of "The Demon's Lexicon" is another story altogether. Lately, every urban fantasy book seems to be either about vampires, angels or demons and wizards, and BRENNAN went for the latter type – which was a relief for me, since I've only had good experience with this one, but lots of bad ones with the vampire type. For all of those who like to compare books: I found "The Demon's Lexicon" a bit similar to the Barthimeus Trilogy, but that's really all I can say – there's too much of unique in "The Demon's Lexicon" to lead the comparison further.

---Everything Nick and Alan wish for is a normal life – but sadly, it's not very likely that they'll ever have one. Constantly moving from town to town in attempt to flee from their pursuers, watching over their crazed mother and battling against demons, they are anything but ordinary. Things get even more complicated when Alan's latest sympathy shows up on their doorstep, claiming that her brother has been marked by some kind of magic …

I found it nice that the main characters are neither 'innocent children' nor 'the good guys' – in fact, Nick is a cold-blooded killer at the age of 16 and Alan is just as dangerous, but not as emotionless. Nick is sometimes a bit naïve, as are Mae and Jamie, but that goes perfectly well with their age – after all, they are teenagers. Also, there is something in BRENNAN's style of writing that urges you to read on and on; the reader is warned about that on the back cover and in the foreword, but I dismissed that as a marketing gesture and was later proven wrong. I didn't read "The Demon's Lexicon" in one sitting, but it took me just one evening, which is close enough. What bothered me, though, was that the first two major plot twists were too predictable – not because they'd be really obvious, but because there were details throughout the whole story that gave the twists away. However, the third major twist was completely unexpected, so I guess that pretty much evens things out.

Overall, "The Demon's Lexicon" is a nice enough read. While I remember BRENNAN's fan fiction mostly for being full of humorous events, I can't exactly say the same for "The Demon's Lexicon" – it is a much more mature work where BRENNAN shows her real talent for storytelling and where tidbits of humour serve mostly to keep things lively and not too serious (although some of those attempts at humour don't really come out as funny); t's not the laughing out loud kind of humour, but more of a break in the tension. There are also (too) many clues throughout the story that partially give away the ending, but on overall, it's a great YA debut and I expect the next two installments to be even better.
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P.S.: You can read the first chapter here.
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~ Trin ~

Saturday, March 7, 2009

In the Limelight - Nebula Award Final Ballot

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A while ago I posted the preliminary ballot for 2009 Nebula Awards and although I'm a bit late with the news (the final ballot was announced more than a week ago) I'll nevertheless post the latest list. The awards will be announced and presented at the Nebula Awards Weekend on April 24-26.
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Novels

"Little Brother" by Cory Doctorow (Tor, Apr08)
"Powers" by Ursula K. Le Guin (Harcourt, Sep07)
"Cauldron" by Jack McDevitt (Ace, Nov07)
"Brasyl" by Ian McDonald (Pyr, May07)
"Making Money" by Terry Pratchett (Harper, Sep07)
"Superpowers" by David J. Schwartz (Three Rivers Press, Jun08)
Novellas
“The Spacetime Pool” by Catherine Asaro (Analog, Mar08)
“Dark Heaven” by Gregory Benford (Alien Crimes, Resnick, Mike, Ed., SFBC, Jan07)
“Dangerous Space” by Kelley Eskridge (Dangerous Space, Aqueduct Press, Jun07)
"The Political Prisoner” by Charles Coleman Finlay (F&SF, Aug08)
“The Duke in His Castle” by Vera Nazarian (Norilana Books, Jun08)
Novelettes
“If Angels Fight” by Richard Bowes (F&SF, Feb08)
"The Ray-Gun: A Love Story" by James Alan Gardner (Asimov's, Feb08)
“Dark Rooms” by Lisa Goldstein (Asimov’s, Oct/Nov 07)
“Pride and Prometheus” by John Kessel (F&SF, Jan08)
“Night Wind” by Mary Rosenblum (Lace and Blade, ed. Deborah J. Ross, Norilana Books, Feb08)
“Baby Doll” by Johanna Sinisalo (The SFWA European Hall of Fame, James Morrow & Kathryn Morrow, Ed., Tor, Jun07 )
“Kaleidoscope” by K.D. Wentworth (F&SF, May07)
Short Stories
“The Button Bin” by Mike Allen (Helix: A Speculative Fiction Quarterly, Oct07)
“The Dreaming Wind” by Jeffrey Ford (The Coyote Road: Trickster Tales, Ellen Datlow and Terri Windling, Ed., Viking, Jul07)
“Trophy Wives” by Nina Kiriki Hoffman (Fellowship Fantastic, ed. Greenberg and Hughes, Daw Jan08)
“26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s, Jul08)
“The Tomb Wife” by Gwyneth Jones (F&SF, Aug07)
“Don’t Stop” by James Patrick Kelly (Asimov’s, Jun07)
"Mars: A Traveler's Guide" by Ruth Nestvold (F&SF, Jan08)

Friday, March 6, 2009

Stephenie Meyer - Breaking Dawn (Book Review)


"Breaking Dawn" (Amazon: UK, US)
by STEPHENIE MEYER
Format: Paperback, 768 pages
Publisher: Atom (August 4, 2008)
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WARNING! HERE BE SPOILERS!
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Though I’m probably late to jump on the bandwagon, I feel I must warn you, the unsuspecting masses, of the atrocity that is Breaking Dawn. While I was less than pleased with the hype around Stephanie MEYER’s Twilight saga (read Trin’s review of Twilight here and New Moon here), I do admit that the series is addictive. I found myself waiting impatiently for the release of the much awaited fourth installment of this young adult vampire series, but then it ended up sitting on my shelf for around four months before I decided to pick it up and get my moneys worth.

My God, what a waste of twenty dollars.

I was appalled at the ridiculousness of it all. What was supposed to be a thought-provoking, intelligent romance ended up being something a twelve year old fan girl with some writing skills could have conceived, I found myself re-reading almost every sentence just to see if I read it wrong, telling myself no author would allow a novel to get so outrageous. Apparently, STEPHENIE MEYER finds herself exempted from the lines of logic.

It starts off well enough, with Bella’s anticipation of her upcoming wedding to the over-perfect Edward Cullen and worrying about Jacob Black, who ran off at the news of hers and Edward’s engagement. When the wedding does arrive, and Jacob comes to visit, she lays out the big business of her and Eddie getting horizontal on their honeymoon. Needless to say, Jacob is less then pleased.

A bit of angst, conflict, and some feuding can be turned into some pretty good literature. My hopes were raised. Perhaps some character development will happen. Perhaps this will go beyond Bella’s utter uselessness. Perhaps this fourth installment will find its way into my best of ‘08 list. Sadly, these hopes were quickly crushed.

Where do I begin? Ah, how about at Isle Esme, where Bella suddenly switches into her fresh temptress skin. She does not just ask Edward for sex. She sits there and begs for more and more sex, even after the first time, which left her pretty bruised up. Edward initially refuses, but when Bella insists … well, he’s only a man, right? (The question of how pops into my mind, though – all bodily fluid supposedly dies out when vampires are created, blood included, so …?)
Needless to say, Edward has even less personality than in the previous books. His life - as usual - revolves around Bella, and Bella can think of little else on their honeymoon than getting it on. Edward and Bella’s relationship in a nutshell: Bella watches Edward sparkle, Edward sparkles, they get married, sparkle some more.

The main twist follows shortly: surprise, surprise, Bella gets pregnant (with the whole tidbit on immortal children in the first two chapters, having nothing to do with the then-plot direction, it was in fact pretty predictable). I won’t even go into the logic of this and I’ll ignore the aforementioned fact that Edward is devoid of bodily fluid (sperm included). Instead, I’ll provide three words that express my feelings: JUMPING THE SHARK! I’ve come to the conclusion that STEPHENIE MEYER was so completely out of ideas that she went on to some fan fiction website, chose the most ridiculous plot possible, and wove a tale around it. I am not pleased, Ms. MEYER, not pleased at all. Thankfully, that is the end of Book One of Breaking Dawn, and we move on to the saving grace of the series; Jacob Black.

For a lovely portion of the novel, we are brought into the heavily sarcastic cynicism that is Jacob’s mind. It is possible that, in these four hundred or so pages, MEYER has written the best she has ever written in any of her published works (The Host included). I love Jake’s dark humor, and the way he is so conflicted between his love for Bella and his devotion to the pack. I love how he also hates her and what she does to him, and how he hates everything she’s chosen to do with her life. It all would paint the picture of a real relationship. When Bella’s with Jacob, she sparks something resembling a personality. They have playful fights and kid around and don’t always bow to each other’s whims. It’s something real, not this desperate, obsessive, controlling fight for power that Edward and Bella have. All in all, I love Jacob. I also enjoyed the pack’s transgressions, and I LOVED Leah. She’s tough, but she has semi-normal worries, such as that, being the only female werewolf, she believes she is destined to die alone. Plus, as a pack member, she is forced to see and hear her ex-boyfriends loving thoughts about Emily, the woman he imprinted on while he and Leah were still dating. She has no choice in the matter. It’s brutal, yeah, but in the greatest way.

Jacob’s narrative still doesn’t make up for the incredulous plot: Bella is not the least bit frightened of an unnatural being that has taken up camp in her womb – even more, she calls Rosalie to help her protect the thing (as though it needs it). I guess that by now her being only eighteen doesn’t matter anymore, or perhaps the birth scene is supposed to scare off any potential fan of hers who’d wish to follow her footsteps – it’s best described in one word: ewwww! Think Rosemary’s Baby combined with Dracula, add a bit of Blood and Chocolate and then just take every single female scream from every single movie ever made, and play it all at once.
Here’s the kicker--Jacob imprints on the baby. And that’s the end of his narrative. How awkward can you get?

Then, alas, we are back to the melodramatic insight of Bella. She wakes up and finds her daughter, whom she has named Renessme, appropriately nicknamed Nessie. That’s the only thing marring her first steps into a life of an immortal, though – she’s utterly perfect once she becomes a vampire. She’s able to control her bloodlust and doesn’t have to give up anything; it’s like she’s missing out on the whole vampire experience. She gets a perfect little ending, even after she’s made the dumbest choices anyone could possibly make. What’s that saying to young girls who are reading this? It’s OK to give up everything in your life for a high school boyfriend, ‘cause eventually it’ll all cool over.

There’s nothing even remotely worth mentioning about Breaking Dawn other than the plot: character development is zero to none. If you’re really into the series, you might like to read it just for some kind of closure, though I guarantee it will be messy. I don’t know, maybe you’ll love it. Maybe you already love it. Maybe you’ve read it multiple times. Debate is welcome. I’m curious as to what others think (that is, others who aren’t blinded by the beauty that is Edward).

Now, if you’ll just excuse me, I’m going to go read my Batman comics and attempt to cleanse myself of this nonsense.

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~Dannie~

Friday, January 30, 2009

The ULTIMATE (and somewhat bloated) Best Of 2008 List [part 5]

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You can find the previous four articles in the "The Best of 2008..." on the following links: part 1, part 2, part 3 and part 4. Now, let's continue from where we left of.

Top 5 reads of 2008 for James (Speculative Horizons) were "The Terror" (Dan Simmons), "The Scar" (China Mieville), "Gardens of the Moon" (Steven Erikson), "Midnight Falcon" (David Gemmell) and "Altered Carbon" (Richard Morgan). Honorable mention goes to: "Empire in Black and Gold" (Adrian Tchaikovsky), "The Steel Remains" (Richard Morgan), "The Ten Thousand" (Paul Kearney) and "Last Argument of Kings" (Joe Abercrombie). You can find more on his site...

For those mostly interested for urban fantasy visit SciFiGuy's blog and his list here, and we are on to Fantasy & Sci-Fi Lovin' Blog's favourite books of 2008: "Old Man's War" (John Scalzi), "The Lies of Locke Lamora" (Scott Lynch), "Clockwork Heart" (Dru Pagliassotti) and "Watchmen" (Alan Moore)...more. Mariel from Where troubles melt like lemon drops (you gotta love this blog's name) has her own review of 2008 here.

The review team at Strange Horizons put forward the following works of fiction as "best of 2008" (not essentially published in the same year): "The Knife of Never Letting Go" (Patrick Ness), "Anathem" (Neil Stephenson), "Spook Country" (William Gibson), "Pump Six and Other Stories" (Paolo Bacigalupi, short-story collection), "The Gone-Away World" (Nick Harkaway), "Neuropath" (Scott Bakker), "Liberation" (Brian Francis Slattery), "Flood" (Stephen Baxter), "The Quiet War" (Paul McAuley), "Lavinia" (Ursula K. Le Guin), "The Engine's Child" (Holly Phillips), "The Bell at Sealy Head" (Patricia A.McKillip), "The Execution Channel" (Ken MacLeod), "Black Man" (Richard Morgan), "The Carhullan Army" (Sarah Hall), "The Yiddish Policemen's Union" (Michael Chabon), "Spirit: or the Princess of Bois Dormant" (Gwyneth Jones), "Little Brother" (Cory Doctorow), "The Angel Maker" (Stefan Brijs), "The Love We Share Without Knowing" (Christopher Barzak), "The Casebook of Victor Frankenstein" (Peter Ackroyd), "Dangerous Laughter" (Stephen Millhauser, short-story collection), "God is Dead" (Ron Currie), "Dust" and "Undertow" and "All the Windwracked Stars" (Elizabeth Bear), "The Adoration of Jenna Fox" (Mary E. Pearson), "Life As We Knew It" (Susan Beth Pfeffer), "The Hunger Games" (Suzanne Collins), "The Handmaid's Tale" (Margaret Atwood), "Larklight" series (Philip Reeve), "Swiftly" (Adam Roberts), "The Solaris Book of New Science Fiction Volume 2" (ed.Geoge Man, short-story collection), "Eclipse 2" (ed.Jonathan Strahan, short-story collection), "The Del Rey Book of Science Fiction and Fantasy" (ed.Ellen Datlow, short-story collection), "Fast Forward 2" (ed.Lou Anders, short-story collection), "The Drowned life" (Jeffrey Ford, short-story collection)...and other.

I've already covered the enormous effort that the guys at Fantasy Book Critic are putting up with interviewing various genre authors and other genre related individuals about their thoughts on 2008 and the things they are looking forward in 2009 (they've interviewed exactly 51 by this moment!). You should really check out what some of your favorite authors enjoyed in 2008, what they look forward to and what are their plans for 2009 here. The genre works I've accounted for in the previous article are alredy obsolete, so what I'd like to do here is recount the choices of the blog's staff which were posted well after my first article. Some of their picks are: "The Kingdom Beyond the Waves" (Stephen Hunt), "Return of the Crimson Guard" (Ian C.Esslemont), "Iron Angel" (Alan Campbell), "The Magicians and Mrs.Quent" (Galen Beckett), "The Hounds of Ash and Other Tales of Fool Wolf" (Greg Keyes), "Kushiel's Mercy" (Jacqueline Carrey), "Empire In Black & Gold" (Adrian Tchaikovsky), "The Born Queen" (Greg Keyes), "Shadow Gate" (Kate Elliott), "Lord Tophet" (Gregory Frost), "Midnight Never Come" (Marie Brennan), "An Autumn War" (Daniel Abraham), "Havemercy" (Jaida Jones & Danielle Bennett), "The Steel Remains" (Richard Morgan), "The Red Wolf Conspiracy" (Robert V.S. Redick), "Blood Ties" (Pamela Freeman), "The Host" (Stephanie Meyer), "Escapement" (Jay Lake), "Singularity's Ring" (Paul Melko), "Debatable Space" (Philip Palmer), "Hunter's Run" (GRRM, Gardner Dozois and Daniel Abraham), "Death’s Head: Maximum Offense" (David Gunn), "The Mirrored Heavens" (David J. Williams), "Little Brother" (Cory Doctorow), "Tigerheart" (Peter David), "The Resurrectionist" (Jack O’Connell), "Severance Package" (Duane Swierczynski), "The Monsters of Templeton" (Lauren Groff), "Stalking the Unicorn" (Mike Resnick), "Sharp Teeth" (Toby Barlow), "The Alchemy of Stone" (Ekaterina Sedia), "Through a Glass, Darkly" (Bill Hussey), "Neuropath" (Scott Bakker), "Anathem" (Neal Stephenson), "Spirit: The Princess of Bois Dormant" (Gwyneth Jones), "By Schism Rent Asunder" (David Weber), "The Quiet War" (Paul McAuley), "The Temporal Void" (Peter F.Hamilton), "The Martian General's Daughter" (Theodore Judson), "Swiftly" (Adam Roberts), "MultiReal" (David Luis Edelman), "Chaos Space" (Marriane de Pierres), "Caine Black Knife" (Matthew Stover), Night Angel trilogy (Brent Weeks), "The Engine's Child" (Holly Phillips), "Thunderer" (Felix Gilman), "The Kingdom Beyond the Waves" (Stephen Hunt), "Last Argument of Kings" (Joe Abercrombie), "The Ten Thousand" (Paul Kearney), "The Painted Man" (Peter V.Brett), "Deep Water" (Pamela Freeman), "The Immortal Prince" (Jennifer Fallon), "Black Ships" (Jo Graham), "Shadow of the Wind" (Carlos Ruiz Zafon), "The Ninth Circle" (Alex Bell), "Perdido Street Station" (China Mieville), "Accelerando" (Charles Stross), "The New Weird" and "Steampunk" (ed.Jeff and Ann VanderMeer,anthology)... This is not an exhaustive list, for all the picks and the elaboration on the choices follow the above link.

Now, finally*, Larry from OF Blog of the Fallen...if you wanna know how many books he read in 2008 go here (hint: 366), his favorite DEBUT NOVELS are listed here, ANTHOLOGIES here, TRANSLATED FICTION here, SPANISH LANGUAGE FICTION here, SF&F NON-FICTION here, GRAPHIC NOVELS here, YA FICTION here and his FAVORITE FICTION BOOKS IN OVERALL here. Let me reiterate the first ten (out of twenty) books of this final list: (1) "Yalo" (Elias Khoury), (2) "The Situation" (Jeff Vandermeer), (3) "El Juego del Angel" (Carlos Ruiz Zafön), (4) "Lavinia" (Ursula Le Guin), (5) "Last Dragon" (J.M.McDermott), (6) "Liberation" (Brian Francis Slattery), (7) "Tender Morsels" (Margo Lanagan), (8) "Thunderer" (Felix Gilman), (9) "Black Ships" (Jo Graham) and (10) "The Alchemy of Stone" (Ekatarina Sedia).

* Some of the "best of" lists aren't compiled, completed or the votes aren't in/accounted for yet (e.g. SFSite.com, SFFWorld.com etc.). These lists will be gathered in the final "The ULTIMATE Best Of..." article accordingly.
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