Jaclyn Moriarty - Dreaming of Amelia (Book Review)

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When Riley and Amelia transfer to Ashbury High School, they immediately capture everybody's attention and become two of the most popular students. Theirs is, however, not the only mystery of Ashbury High – between all the schoolwork, secret crushes and upcoming HSC (High School Certificate) exams arise the rumours of a ghost that haunts the hallways.

About a month or two ago, I took a short break from epic fantasy – after I read a book and a half of Malazan, I really needed something different, something a bit lighter in style and topic. Around that time, I also noticed Ana's review of Dreaming of Amelia (called The Ghosts of Ashbury High in the US), and decided to give it a try.

At first, I found Dreaming of Amelia very intriguing – the many POV's (Riley, Emily, Lydia, Toby …) are presented to us via an intertextual narrative that uses essays, e-mail correspondence, meeting minutes … to convey the story. It creates the impression that the reader is discovering the story through someone's research on the events that are described and also creates a very plausible high-school atmosphere.

By the time you get to know the characters better, however, the effect of the narrative wears off and the novel gets a bit annoying. I could relate to neither of the characters - Lyda is a spoiled girl with detached parents, Riley thinks that he and Amelia are superior to other students because neither of them comes from a rich family, Emily is a drama queen who likes to throw 'big' words around her essays and is unable to spell words such as 'annihilate', and Toby's essays are mostly telling the story of an Irish convict named Tom Kincaid who lived in New South Wales in early 19th century. This last narrative is actually very interesting, more so than the others, but it does nothing to keep the reader's attention on the main plot, which mostly revolves about how popular Riley and Amelia are and how they excel at everything they do and a ghost that just might be real but probably isn't.

I'm not really sure why I pressed on, but I'm glad that I did. Both the characters and the plot develop after the initial standstill – Em gets a grip on herself and proves that she's more than just a silly girl, Riley and Amelia get friendlier, the secret of the ghost is solved … I found it very nice how all the side plots (Ashbury ghost, Tom the convict) found their epilogue as well as got tied to the main plot. I'm not used to endings where all the loose ends are tied up, but it was really nice to see one of those for a change; it gives the reader a nice feeling of completion at seeing everything wrap up so nicely.

Dreaming of Amelia is not one of those YA books that appeal to readers of all ages; it's clearly aimed at a younger audience. This gave me some problems as I didn't really care about the characters or their (mostly very typical) adolescent problems. I can still say, however, that Dreaming of Amelia was just what I needed - a sweet, undemanding read to pass my time. I just wish I discovered it earlier – I bet my 14 year old self would love it.
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3,5/5



Trin


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Just deleted >9000 of spam posts. Fun fact: the spambots seem to be drawn to my review of James Enge's Blood of Ambrose :D At least the blog is clean now ^^

World Fantasy Award 2010

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The World Fantasy Convention 2010 was held on the Weekend of October 28-31 in Columbus, Ohio.
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WINNERS of the Life Achievement Award

Brian Lumley
Terry Pratchett
Peter Straub

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Novel

Blood of Ambrose by James Enge (Pyr)
The Red Tree by Caitlín R. Kiernan (Roc)
The City & The City by China Miéville (Macmillan UK / Del Rey) winner
Finch by Jeff VanderMeer (Underland Press)
In Great Waters by Kit Whitfield (Jonathan Cape UK/Del Rey)
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Novella

The Women of Nell Gwynne's, Kage Baker, Subterranean Press
"I Needs Must Part, the Policeman Said," Richard Bowes, December 2009 F&SF
"The Lion's Den," Steve Duffy, Nemonymous Nine: Cern Zoo
The Night Cache , Andy Duncan, PS Publishing
"Sea-Hearts," Margo Lanagan, X 6, coeur de lion publishing winner
"Everland," Paul Witcover, Everland and Other Stories, PS Publishing
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Short Story

"The Pelican Bar," Karen Joy Fowler, Eclipse Three, Night Shade Books winner
"A Journal of Certain Events of Scientific Interest from the First Survey Voyage of the Southern Waters by HMS Ocelot, As Observed by Professor Thaddeus Boswell, DPhil, MSc, or, A Lullaby", Helen Keeble, June 2009 Strange Horizons
"Singing on a Star," Ellen Klages, Firebirds Soaring, Firebird
"The Persistence of Memory, or This Space for Sale " Paul Park, Postscripts 20/21: Edison 's Frankenstein , PS Publishing
"In Hiding," R.B. Russell, Putting the Pieces in Place, Ex Occidente Press
"Light on the Water," Genevieve Valentine, October 2009 Fantasy Magazine
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You can peruse all of the nominees and the winners on the official World Fantasy Award site.

Carrie Ryan - The Dead-Tossed Waves (Book Review)

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Gabry lives a peaceful life in the town of Vista, helping her mother man the lighthouse, never even thinking of setting a foot outside city limits. But when her best friend Cira invites her to explore the nearby amusement park ruins, Gabry can't refuse, not if she doesn't want Cira's cute brother, Cathcher, think that she's a coward. As they cross the fence and find themselves in the forbidden territory, Gabry and Catcher are getting along really well … until the group is surprised by the Unconsecrated.

After reading two of her books, I think I can safely say that beginnings are clearly not Ryan's forte – they always seem a bit too familiar. The beginning of The Forest of Hands and Teeth reminded me of The Village, and the one in The Dead-Tossed Waves could be its long lost twin brother. The protagonist is, again, a teenager, which was a huge disappointment in itself, since I was hoping for an older, more mature Mary. Instead, we get Gabry, a shy girl who doesn't like doing any of the forbidden things her peers like – for example, climbing over the town fences. We soon learn that Mary is still around, that she is, in fact, Gabry's mother, but we don't really see much of her.

What bothers me about Gabry is that she is predictable, which makes her a bit boring. Most of the time, she's either feeling guilty about something (usually for all the wrong reasons) or is being a bit of a drama queen, all the while expressing her feelings in great detail, with more than just a bit of pathos. i.e.: [minor spoiler]

“All the times I wondered about my mother. When I tried to remember her voice and her smell. When I felt empty and wrong for having forgotten her.” (pg. 306)

In fact, this was completely new for me; after Gabry found out that Mary is not her real mother, she surely spent lot of time fussing over how Mary never told her the truth, but never mentioned anything about trying to remember her real mother or 'feeling wrong for having forgotten her'. [end of spoiler]

Sometimes, however, there is a surprising lack of reaction from her. [another spoiler] When she kills someone in self-defence, there are no feelings of guilt, no nightmares or anything.

“I knew I killed him and yet hearing it from someone else – knowing it for sure – makes it somehow different. I realise then that there's a difference between the possibility of hope – the idea of things we can never know – and the starkness of reality. The weight of knowledge.” (pg. 213)

After that, Gabry spends no more thoughts on the incident. [end of spoiler]

As in Forest of Hands and Teeth, characters other than the protagonist are reduced to archetypes. There's Mary, the mother who gives advice and serves as a role model, Cira, the best friend, Catcher, the boy Gabry was in love with before she first left Vista, and Elias, the boy she's in love after she leaves Vista. Gabrielle's dilemmas about who she was and who she is now, complete with the two guys she is/was in love with, reminded me a bit of Scott Westerfeld's Pretties, where the protagonist struggles with similar questions.

As mentioned before, Gabry's reactions can be a bit unusual regarding the situation given. When some of her acquaintances die and the others, including her best friend, are to be exiled, Gabry doesn't seem very shocked by the deaths but is very concerned about how she ran away and left her peers alone with Mudo (aka Unconsecrated aka zombies), even though they don't seem to be friends of hers and she couldn't do much to help them either way. [minor spoiler] When Mary, on the other hand, tells Gabry that she's in fact not her biological mother, Gabry throws a fit about her being someone else's daughter and Mary being selfish. Even worse, she keeps being a drama queen about it, thinking about how Gabry is not her real name and how Mary is not her real mother.[end of spoiler] She also has some very unconvincing issues with being courageous – she is too afraid to follow Mary into the Forest but gladly and without much fear returns to zombie-infested wastelands to see a boy she likes, despite the danger.

Where Mary was atypical but likeable, Gabrielle is the typical 'good girl' who always does the right thing, but I still found it hard to sympathise with her. Her problems mostly seemed overblown to me; she made so much drama about every little thing that I found it hard to feel for her when she talked about some more serious problems, using the exact same tone.

I have no problem with books that are mostly character-driven, as The Dead-Tossed Waves certainly is, but they tend do be very hit and miss, especially since everything depends on the protagonist and how well the reader likes him/her. The Forest of Hands and Teeth was really good mostly because Mary was an interesting, refreshing character. Sadly, Gabrielle is not such a character – we've seen her type many times before. Since the plot backing her up has some problems with being predictable, and, at times, corny, The Dead-Tossed Waves is a huge disappointment for me. The book in itself is not so bad, but it doesn't even come near to living up to it predecessor.


3/5






Trin



Related posts:
-Trin's review of The Forest of Hands and Teeth

Karen Miller - Empress (Book Review)

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I bought Empress mainly because I enjoyed Karen Miller's Kingmaker, Kingbreaker duology and hoped to get something similar – flowing style, predictable but intriguing plot, likeable characters. Wrong. Empress is nothing like that, but sadly, that's nothing positive.

The beginning promises a lot – the protagonist, Hekat, is a young girl, born and raised in 'the savage North' where she, as a female child, is not even worth to be named and is only good to be sold as a slave. When that happens, however, Hekat's potential for beauty (ant thus a high price) brings her comfortable living, education and above all, a new-found confidence.

Hekat's personality and behaviour are a bit hard to explain. It's only logical that she bathes in the attention she is suddenly receiving, and she is stubborn by nature, but there are little to no doubts or fears born of her earlier life. She finds her confidence in being 'precious and beautiful', but when she learns that she is only precious because she will undoubtedly fetch a high price as a slave (and is therefore only good for her beauty), her faith in herself is not shattered. She escapes from her masters, decides mid-escape that she is god-chosen, and sacrifices her beauty so she would not be easily recognised. Hekat suddenly doesn't need her physical beauty to feel 'precious and beautiful'; she substitutes it with her connection to the god in the same moment she realises that she is 'in the god's eye'. It's all too rational, swift and unconvincing – Hekat has no second thoughts, her faith is absolute and despite everything that happened, she still feels precious and beautiful.

After that, the quality of the plot seems to deteriorate. Hekat doesn't grow as a character, she just gets more and more annoying. Sadly, she's the protagonist, so not even the more likeable characters such as Vortka and Zandakar can make the novel more enjoyable. I found Hekat more annoying than even Catelyn in ASOIAF (who is, for me, a synonym for an annoying character) – where Catelyn was whiny and overprotective, Hekat keeps repeating that she is precious and beautiful and likes to think that she is the smartest, the best and the most beloved of god. She also dislikes most of the people around her with the exception of her son, of whom she is obsessively overprotective.

I gave up on Empress on page 430. Maybe if the book were a bit shorter I could fight my way through it but as it is, I felt that for every interesting, plot-oriented page, there were three pages of Hekat being an annoying, unlikeable character. It also seemed to me that the book was getting worse, not better, so I saw no point in reading on. It's too bad – the book really has potential, but it got lost somewhere along the way.


DNF (did not finish)


Trin


Related posts:
Trin's review of Kingmaker, Kingbreaker duology

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My first DNF review! I was in a bit of a dilemma whether to post it or not, but in the end, I decided to post it anyway.
Also, sorry for not updating in such a long time! I was busy passing the last of my exams for this year and looking for a roommate. Now that both is taken care of, I can focus more on reading and reviewing.

In the Limelight: Paul Kearney (take two)

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I've been hooked on Kearney from the moment I've read "The Mark of Ran" (first book in the - as of now yet - unfinished The Sea Beggars Trilogy). "Hawkwood and the Kings" and "Century of the Soldier" are the first and the second omnibus editions that contain all five volumes of Kearney's classic and long out of print Monarchies of God series. I'm really keen on reading them as soon as possible but I'm currently involved with another behemoth - "Ash: A Secret History" (Amazon).

If you want to find out more about Kearney and his work I recommend you read our reviews of The Mark of Ran, (Book One of The Sea beggars), This Forsaken Earth (Book Two of The Sea Beggars) or/and The Ten Thousand.

If you need more information on Monarchies of God series you can read through this dedicated thread on A Song of Ice and Fire forums or you can read the reviews on the series from the biggest Kearney advocator I know and who also piqued my interest for the author: Wertzone's review of the first and the second omnibus.

2010 Hugo Award Winners

2009 Hugo Award Winners were presented at Aussiecon 4, in Melbourne, Australia, which was held from August 2-6, 2010.

The Winners:

• Best Novel (TIE!): The City & The City, China Miéville and The Windup Girl, Paolo Bacigalupi China Miéville

• Best Novella: “Palimpsest”, Charles Stross
  

• Best Novelette: “The Island”, Peter Watts
  

• Best Short Story: “Bridesicle”, Will McIntosh
  

• The John W. Campbell Award for Best New Writer: Seanan McGuire
  

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Congratulations to all the winners!

source (where you can find other Winners & Nominees as well): The Hugo Awards

Carrie Ryan - The Forest of Hands and Teeth (Book Review)

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Zombie apocalypse came and went, but generations later, there is still a group of survivors left – not that zombies are gone, though. Mary is a teenager growing up behind well-guarded fences in the middle of Forest of Hands and Teeth. Her village, run by the Sisterhood, is in constant danger of being overwhelmed, but Mary has other problems: the boy she fancies decided to marry her best friend and her mother just got bitten by one of the Unconsecrated.


When I first heard about The Forest of Hands and Teeth, I was all 'Yay, another post-apocalyptic book!' and was eager to see how this particular zombie apocalypse turned out. The beginning was not what I expected, though - the setting is interesting, but the world of Forest of Hands and Teeth only works if you don't think about it too much. The zombies (or the Unconsecrated, as Mary calls them) are presented as if they were an unstoppable force of nature, even though it's not clear where they all even came from, seeing how it's been generations since the original outbreak, and they seem to be able to swarm even the most prepared villages. People from Mary's village also seem to have a habit of wandering too near the fences, there seems to be an unlimited amount of fence material and the more I read about how the village works, the more similar everything seemed to The Village. Luckily, this village is not the main focus of the book, but instead only provides a background for the protagonist's various problems and dilemmas.

Mary is a typical teenager – stubborn, a bit naïve and capricious. This was why I had a hard time deciding whether Forest of Hands and Teeth is a YA book or not, because she, despite her age, is also a very non-typical YA character, mostly because not only she's far from perfect, I also find her very hard to empathise with. She rarely speaks her mind and abides by the norms of the society she's trapped in, even though she despises them; any rule-breaking she does seems coincidental. She is quick to notice other people's failings, slow to realise her own and most of the time completely passive. Even though she mentions all kinds of sacrifices she's willing to make, those, too, would require only minimal participation from her (for example, agreeing to a 'scandalous' proposal, but not voicing it). I actually found all that pretty refreshing – I'm used to YA protagonists who are rebellious, active, and all in all the person most teenage readers would love to be. I can't imagine that many teenagers would want to be Mary, but she does strike me as a pretty realistic character.

The other Mary's personality trait that I found atypical was her inability to be satisfied with anything that doesn't go according to her various daydreams. She is unhappy with a boy who fell in love with her because he is not 'the one', and never gives him a chance to prove himself; when she finally gets to be with the boy she supposedly loves, she quickly gets bored and starts longing to fulfill her long-time wish to see the ocean. Where a more typical YA character would realise (probably with a little help from a good friend) that they've been too selfish ans try to make amends, Mary chooses her wish over everyone she knows and leaves them to their own devices and unknown fate.

That's actually what made the book for me and what I liked most about it. Mary is stubborn, unreasonable and selfish, but not annoying; the reader may not agree with her decisions, but has to go along with them. True, the setting (and the zombies) is there only to provide a background and other characters are not nearly as lifelike as Mary - mostly, they're only archetypes (the best friend who grows distant, the older brother who loves her sister despite a grudge, the two love interests who (of course) both fall in love with her, the strict teacher …) for Mary to interact with, but Mary herself is a very nicely written, realistic character; the journey to her realisation of what she really wants is what makes this book well worth reading. I can't wait to see what the sequel (The Dead-Tossed Waves) will bring.


4/5



Trin



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Yet another skipped week. Study time = crazy time.

Blogroll Update!

Hey guys, I've been meaning to update the blogroll on Realms for quite some time and now I finally got around to it. I've sifted out the blogs that haven't been updated in more than 6 months (R.I.P) and now have some empty spots to fill. If you think I'm missing an essential or up-and-coming blog that needs to be read, please drop me a line in the comments.

Thanks.

Stephen King - Under the Dome

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On a usual October morning, the residents of Chester's Mill find themselves abruptly cut off from the rest of the world by an invisible dome. While most people are concerning themselves with confusion and casualties, some of them have other things on their mind: Dale Barbara is now trapped under the dome with the very people he was trying to escape; 'Big Jim' Rennie plans to extend his already significant influence to hold the town under his control, while his son, Junior, discovers that most problems can be solved with murder ...


Under the Dome starts in King's classic style. The narrative is interesting enough to capture the reader from first moment onward; King perfectly depicts the feeling of a small town where most everybody knows most everybody else down to the mistakes of their grand-grand-fathers. There are plenty of characters, which adds to the small town feeling but can sometimes be a bit annoying since it is fairly easy to confuse people with similar names, especially because not all of them play a significant enough role in Under the Dome for the reader to know exactly who they are.

Along with his usual qualities, King seems to have kept all of his weaknesses as well. He still has a bit of a problem with 'show, not tell' principle – he makes almost no distinction between the behavior of adult people in different age groups. Dale 'Barbie' Barbara, the 30 years old protagonist, could easily be aged anywhere from 40 to 80 – he is described as 'Iraq war veteran' and at first, I was sure he took part in the Gulf War. He doesn't act like a young man who grew up during the 80's and 90's – he doesn't care about technology, his way of thinking and acting is universally mature and apparently, he is into apocalyptic fiction:

“[...] It was built in the fifties, when smart money was on us blowing ourselves to hell.”
“On the Beach,” Barbie said.
“Yep, see you that and raise you Alas, Babylon.”

Not that there's anything wrong with apocalyptic fiction (I'm a fan of it myself), but this little piece of conversation just didn't work for me. It's as if Barbie's different characteristics just didn't add up - he did not strike me as a real person, more like a rough character sketch. Kid characters are a bit more plausible, but there is otherwise no difference in maturity, responsibility and general behavior between the characters aged 20, 30, 40 or more. Aside from that, the characters are wonderfully written, with various life stories, personal traumas and moral dilemmas.

Under the Dome is set in the not-too-distant future; this, from what I gathered, means somewhere between 2012 and 2016. It, however, doesn't seem like the people of Chester's Mill keep up with the times: an iPod is referred to as 'one of those computer-music doohickies', kids born in the 00's wish to be characters from Star Wars for Halloween (again, nothing wrong with that, but it strikes me as a bit odd – why not Pokemon, Hello Kitty, Dora the Explorer, anything that is a bit more recent?). And of course, the gift of blank CD's at the end of the book. Even now, this one must top the chart of lamest gifts for your SO (or anyone, actually) ever, and I can't even imagine how lame it will be in, say, 2014. Sure, King needed these blank CD's for plot's sake, but he could've at least said that they were meant for a 'Back to 2000's' party or something.

Speaking about the ending – it's as sudden and unrelated to the rest of the story as endings in King's books often are. King makes a mess out of Chester's Mill, creates a very tense situation which makes the reader eager to see how it will all resolve. The book, however, ends after a sudden turn of events that erases all the previous problems and leaves a lot of little details unexplained.

Despite everything I've just said, Under the Dome is a very good read. Mistakes and inconsistencies are mostly lost during the fast-paced turn of events – Chester's Mill sees more action in just a few days than other towns see in years, so it is easily to get confused and get the feeling that it's all been going on for ages. Some of the characters also seem to have gotten confused – they act excessively or overconfidently, regarding that they have been trapped under the dome for only a few days. Other than that, characters are (mostly) plausible and full of life, with their own stories and reactions to the sudden isolation. These reactions are what King builds most of his story on, and I must say that it's a pretty good story, worthy of a re-read.

4/5







Trin

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Sorry for not updating in two weeks. I was elsewhere, having fun :P

Genre Classics: Consider Phlebas - Iain M. Banks (Book Review)

"Consider Phlebas" (Amazon: UK, US)
by IAIN M. BANKS
Format: Paperback, 467/544 pages
Publisher: Orbit (first publication 1987)

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Scottish novelist IAIN M. BANKS is deemed a science fiction powerhouse whose Culture series -- a set of standalone space opera novels that share the same milieu -- represent one of the finest works in the genre. "Consider Phlebas", published way back in 1987, was the first novel set in the Culture. It was originally written in 1984, but has been later rewritten; a fate shared by many of his earlier works. It is, by this day, considered to be one of the finest space opera novels ever written, rarely matched or surpassed even by later Culture works.

Bora Horza Gobuchul belongs to the race of Changers whose members have mastered the ability to alter their physical appearance. As such, they are extremely suited for spy and undercover missions. Bora Horza threw his lot in with Idirans, a pious galactic megaforce that chose to oppose Culture's unaggressive expansionism promoted by the promise of leisure and technological advancement. This is a clash of ideologies that spans across galaxies. Idiran's are a highly hieararchical and militaristic society and they cannot and will not forgo the threat -- may it be imaginary or not -- that the blashphemous sentient machines of The Culture present to the sanctity of Life.

Bora Horza is tasked with a mission to retrieve a renegade Mind that would bring Idirans invaluable technological and tactical intelligence on the state of The Culture. Along the way he employs with a crew of freelancers, gets involved in a kind of relationship, excapes from a mad prophet that rules over a tropical island, witnesess a grand destruction of an orbital, is on a reckless run from Culture agents and many more exciting things...

Now, to be totally honest, I expected more from a novel of Culture fame; but such is usually the fate of exuberant expectations...they shatter. Far from being a bad book in itself, but the high-octane adventure in space that the book does provide in spades, lacks some depth, a type of substance that makes great books out of good ones. Horza is thrust from one "grand scale" action scene to another, with little "slower passages" that would make the protagonist and the characters around him more tangible. I had similar problems with books like "The Ten Thousand" by Paul Kearney and Takeshi Kovacs books by Richard Morgan. I just have this feeling that something essential is missing. But what redeemed this book in my eyes is the ending, because it definitely carries that emotional punch that the rest of the book was missing. It conects you to Horza and the rest in a more profound way than before.

I would label Horza as a partial anti-hero. He's not as obnoxious a person as Thomas Covenant is, but there is this cold detachment and a nasty streak to Horza that makes a reader leery. He is still likable, despite his shortcomings. The support cast is, sadly, severely underdeveloped. They are intriguing, but the author rarely slows down the pace of the story to tell us what makes them tick. The unrelenting pace can be both a curse and a blessing at times. It might make you read the book in one sitting, but it also might make you feel a bit unsated afterwards. Although the ending carries the emotional punch that might be lacking before.

Banks often often stops to vividly describe epic vistas, blown-out-of-proportion entrails of flying cities and space crafts, colossal space battles and scenes of destruction. Worldbuilding is at the same time vast and limited (not overdone; it doesn't impose on the flow of the fable). If you're a visual type you'll get a big kick out of the novel, since the descriptions of scenes are done in exemplary manner. "Consider Phlebas" is without a doubt strongest in its beggining and its ending sequence. One of the novel's other hallmarks is without a doubt it's relentless pace.

If you enjoy vigorously energetic space opera with a clearly set course of action from the outset, morally ambiguous protagonist, crunchy prose, vivid scenery and destruction on behemothic proportions, then "Consider Phlebas" clearly comes recommended.
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3/5


Related Posts:
Review of "Matter"

- Thrinidir -

Graham Joyce - Memoirs of a Master Forger

I first heard about Memoirs of a Master Forger when the title appeared a few times while I was rounding up our ultimate best of 2008 list. The reviews were all extremely positive, so I decided to give it a go. Judging by its cover, I figured that MoaMF will be set, say, in 18th century, with elements of either steampunk or fantasy. Well … I was wrong. When they say ‘don’t judge a book by its cover’, they say it for a reason.

Memoirs of a Master Forger is a story of a man named William Heaney, whose name is also being used by the author of the book. He is a random person from 21st century and his life isn’t going exactly as he’d imagined. His wife left him for a TV chef, his son is growing up into a snobbish brat, his job is boring and the forgery his friend Stinx is working on is hardly going well – the latter because Stinx’s woman has just left him and despite it being the third time in a row, Stinx still seeks refuge in drink.

Will is not really the master forger mentioned in the title, although the memoirs are undoubtedly his. He is just the guy who sells forgeries when Stinx completes them. Ok, he does write poems for another friend, Jaz, but since they are, in his own words, really bad poetry, I don’t think it counts. Will’s main characteristics are donating money to a local homeless shelter and the ability to see demons, the latter obviously being enough to put this book under ‘fantasy’ section. The demons are only mentioned in an offhand manner, though, and are most probably just a metaphor for human suffering.

I guess this is the reason why I was pretty disappointed with Memoirs of a Master Forger. It’s got little to do with forgeries – the only forgery beside the really bad poetry is a Jane Austen first edition that seems like a minor, unimportant side plot and mostly just another thing that does not go as planned. It’s not about demons, either, even though there was some promise to that, but the narrative is simply not unreliable enough to be of intrigue.

The book follows a typical formula where the setting is a contemporary society and the main character is a random person with whom the reader can easily identify. He is not entirely average, though, because average is uninteresting and nobody wants to read about that. He has his flaws, but still clearly a nice guy. His life is not completely dull for the same reasons the protagonist is not entirely average. Whatever happens, be it good or bad, is just uncommon enough to be interesting but could easily happen to the reader as well. Following the formula, the ending can be either a happy one (reader: ‘oh, the world is a nice place after all’) or a somber one (reader: ‘huh, I shall reflect upon this’). I notice books follow this formula fairly often; it seems to be very popular in contemporary fiction, probably because the reader can easily picture himself in main character’s shoes. Aside from the obvious benefits, this also carries the ‘something extraordinary could happen to you as well’ message, which, I think, is something readers generally like. While this formula does not necessarily predicate a lack of writing skills (on the contrary – a skilled writer can, with a few variations, convert this formula into a very good novel) it can often lead to an otherwise mediocre novel becoming a success.

And, of course, Memoirs of a Master Forger has a happy ending where every wrong is righted and everything is just swell. There is no bitter aftertaste or feeling that it could all be undone any second now. The problems are all solved and the general feeling is that everyone will be happier from that point on. No fears, no doubts, just fields of shiny happiness. Blergh.

Don’t get me wrong, Memoirs of a Master Forger is a nice enough story written in a flowing style, but I really don’t see what’s so great about it. The forgery/demons bit is original enough, but I just couldn’t shake the feeling that the narrator could be a bit more unpredictable, the characters less generic and the plot more than just a path to happy ending. All in all – average.

Trin

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I guess I'll never manage to do something on time, but late is still better than never. This review is a bit old, but I hope you'll enjoy it nevertheless :)

And ... we're back.

As I promised in my April post, RoSF will update regularly again, beginning with next week. There will be at least one review per week, possibly more. Hope you will enjoy them and spread the word that we're back from the dead. :)

Until next week,

Trin